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                <text>A Leaf Descending Upon a Gentle Breeze</text>
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                <text>Heralded as a composer and flutist, Leslie Burrs reveals the mystical richness of his instrument, while he embraces the vast spectrum of American musical tastes. &#13;
Embrace him, and let his music leap into your heart.</text>
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                <text> Burrs, Leslie</text>
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                <text>&lt;a href="http://www.leslieburrs.com/compositionsaudio-samples.html"&gt;http://www.leslieburrs.com/compositionsaudio-samples.html&lt;/a&gt;</text>
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                <text>https://rateyourmusic.com/release/album/anthony-braxton/composition-no-146-moogie-and-stetson/</text>
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                <text>Composition No. 152</text>
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                <text>In one movement. A brief, unmetered piece. The two instruments mostly perform in sync, but there are also some opportunities for improvisation.</text>
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                <text>&lt;a href="https://tricentricfoundation.org/store/composition-no-152-duo"&gt;https://tricentricfoundation.org/store/composition-no-152-duo&lt;/a&gt;</text>
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                <text>Pratigraha for solo flute</text>
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                <text>Renée Baker, founding music director and conductor of the internationally acclaimed Chicago Modern Orchestra Project, has composed more than 2,000 works for ensembles, including numerous commissioned pieces for the Chicago Sinfonietta and the Chicago Sinfonietta Chamber Ensemble, Berlin international Brass, Joffrey Ballet Chamber Series, Dance Wright Project SF, and many others. In composing for silent cinema, she has created cutting-edge original scores for more than 100 films and performed her work at live screening events, film festivals with orchestras, and ensembles across the globe. Renée’s film score recordings include Body and Soul (1925), Broken Blossoms (1919), Women of Ryazan (1927), An Orphan (1929), Birth of a Nation (1915), A Natural Born Gambler (1916), and The Bluebird (1918), to name a few. Her own experimental forays into surrealistic filmmaking have resulted in 30 one-hour films entitled OUTEREXTREMIA Artfilm Cinema series, currently being screened around the country and abroad in alternative cinema locations.</text>
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                <text>Baker, Renee</text>
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                <text>From the "Black Frontier"</text>
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                <text>&lt;p&gt;David Nathaniel Baker Jr. (December 21, 1931 – March 26, 2016) was an American jazz composer, conductor, and musician from Indianapolis, as well as a professor of jazz studies at the Indiana University Jacobs School of Music. Baker is best known as an educator and founder of the jazz studies program. From 1991 to 2012, he was conductor and musical and artistic director for the Smithsonian Jazz Masterworks Orchestra. He has more than 65 recordings, 70 books, and 400 articles to his credit.&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;https://www.google.com/url?q=https://keisersouthernmusic.com/composers/david-baker&amp;amp;sa=D&amp;amp;source=editors&amp;amp;ust=1704682164935838&amp;amp;usg=AOvVaw0nUTNSNMBzLQPD6uOICfVL&lt;/p&gt;</text>
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                <text>Lauren Keiser Music Publishing</text>
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                <text>Woodwind Quintet No. 1</text>
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                <text>This attractive wind quintet won its category in the Newly Published Music competition at the 2019 NFA and it's easy to see why.  Unusually it tells a story: one of a country parson visiting a local fair where he encounters all manner of events. The 'Galloper' roundabout is followed by a Hurdy Gurdy, the music of both capturing their characters imaginatively. The Dance has a happy tune over a rhythmic accompaniment and, after a sombre begining, the Finale develops into an ebulliant dance before coming to a majestic close. This is a very well crafted piece of music which skillfully uses the colours of the instruments to enhance the narrative. It would make a great recital piece as well as being very useful in concerts for children.</text>
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                <text>David Nathaniel Baker Jr. (December 21, 1931 – March 26, 2016) was an American jazz composer, conductor, and musician from Indianapolis, as well as a professor of jazz studies at the Indiana University Jacobs School of Music. Baker is best known as an educator and founder of the jazz studies program. From 1991 to 2012, he was conductor and musical and artistic director for the Smithsonian Jazz Masterworks Orchestra. He has more than 65 recordings, 70 books, and 400 articles to his credit.&#13;
&#13;
https://www.google.com/url?q=https://keisersouthernmusic.com/compositions/theme-and-variations-woodwind-quintet-scpts&amp;sa=D&amp;source=editors&amp;ust=1704682164935117&amp;usg=AOvVaw0KmoG0ggl79JCo0xfX_Qr6</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>10-20 minutes</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1950-1999</text>
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      <name>Musical Work / Ouvrage musical</name>
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          <name>Instrumentation</name>
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              <text>flute / flûte</text>
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              <text>piano</text>
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          <name>Ensemble Type</name>
          <description/>
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              <text>duo</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Flute Sonata</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3367">
                <text>David Nathaniel Baker, Jr (21 December 1931 – 26 March 2016) was an extraordinarily accomplished African-American composer, author, conductor, and teacher; and among the most influential voices in contemporary American music in a career that spanned over five decades. Born in Indianapolis, Indiana, David Baker grew up in the rich musical tradition of the black community, in the world of church and gospel music, blues and rhythm &amp; blues, and jazz. He trained as a classical musician and composer at Indiana University, where he later became Distinguished Professor of Music and Chairman of the Jazz Department. Baker also served as conductor and artistic director of the Smithsonian Jazz Masterworks Orchestra. A virtuoso performer on multiple instruments and top in his field in several disciplines, Mr. Baker taught and performed throughout the USA, Canada, Europe, Scandinavia, Australia, New Zealand and Japan. Over the course of his multifaceted career, David received numerous awards, including the The John F. Kennedy Center for the Performing Arts Living Jazz Legend Award, National Association of Jazz Educators Hall of Fame Award, the James Smithson Medal from the Smithsonian Institution, and an Emmy Award for his musical score documentary For Gold and Glory. He served a number of times on the Pulitzer Prize Music Jury and was Chair of the Jazz Faculty of the Steans Institute for Young Artists at the Ravinia Festival in Chicago, IL. His compositions total more than 2,000 in number, including jazz and symphonic works, chamber music, and ballet and film scores.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baker, David</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3369">
                <text>Magna Music</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>10-20 minutes</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1950-1999</text>
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      <name>Musical Work / Ouvrage musical</name>
      <description/>
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          <name>Instrumentation</name>
          <description/>
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              <text>flute / flûte</text>
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            <elementText elementTextId="3364">
              <text>piano</text>
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          <name>Ensemble Type</name>
          <description/>
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            <elementText elementTextId="3365">
              <text>duo</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Six Poemes Noir</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Composed in 1981 and formerly published by Frangipani Press, African-American composer David N. Baker’s (1931-2016)  “Six Poemes Noir” is a collection of short character pieces.&#13;
&#13;
Reve&#13;
&#13;
Papillon&#13;
&#13;
Omniscient&#13;
&#13;
Chanson&#13;
&#13;
Image&#13;
&#13;
Nocturne</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baker, David</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>10-20 minutes</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1950-1999</text>
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      <name>Musical Work / Ouvrage musical</name>
      <description/>
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        <element elementId="52">
          <name>Instrumentation</name>
          <description/>
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            <elementText elementTextId="3355">
              <text>flute / flûte</text>
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            <elementText elementTextId="3356">
              <text>piano</text>
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          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Ensemble Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="3357">
              <text>duo</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Inspiration</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3350">
                <text>David Baker is best know for his jazz music but this engaging piece is rooted in the more classical flute style. The music is unmistakeably American and both the fast and contrasting slow melodies are wide and expansive. There are plenty of notes to play too which, together with a lively accompaniment, ensure that the outer sections sparkle. The inner calm of the brief centre is beautiful and paves the way for the spirited ending.  This is not a jazz piece but it is a great one!</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baker, David</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3352">
                <text>Lauren Keiser Music Publishing </text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>0-10 minutes</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1950-1999</text>
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