1 10 104 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Episodes Date A point or period of time associated with an event in the lifecycle of the resource [unknown, twentiety century] Creator An entity primarily responsible for making the resource Batiste, Alvin (1932-2007) Description An account of the resource Black composer and avant-garde jazz clarinetist Alvin Batiste composed "Episodes" for clarinet and piano. Duration: 3 minutes Source A related resource from which the described resource is derived Alvin Batiste (personal website), <a href="https://www.alvinbatiste.net/bio.htm">https://www.alvinbatiste.net/bio.htm</a> Marcus Eley, "Episodes" (YouTube), <a href="https://www.youtube.com/watch?v=fTEbzZRQAAM&ab_channel=MarcusEley-Topic">https://www.youtube.com/watch?v=fTEbzZRQAAM&ab_channel=MarcusEley-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Batiste, Alvin (1932-2007) clarinet / clarinette duo piano Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson clarinet / clarinette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource One for One Date A point or period of time associated with an event in the lifecycle of the resource [unknown, twentiety century] Creator An entity primarily responsible for making the resource Bland, Edward (1926-2013) Description An account of the resource Black composer and musical director Edward Osmund Bland composed "One On One" for bassoon and clarinet. As David Schwartz recounts in his liner notes for the album Legacy: Black Composers on which the work appears, the work "display[s] a style of counterpoint where each voice is connected to the other by no specific meter. The repartee between the instruments seems to evoke the asymmetry of the rhythms basketball players' feet make when rushing up and down a court, according to the notes. The work for bassoon alone is a capricious one that depicts the instrument's many colors, from serious to sarcastic humorous." Duration: 4 minutes Source A related resource from which the described resource is derived Edward Osmund Bland (personal website, contact): <a href="https://www.edblandmusic.com/ContactInfo.htm">https://www.edblandmusic.com/ContactInfo.htm</a> Edward Osmund Bland (Wikipedia), <a href="https://en.wikipedia.org/wiki/Edward_Bland">https://en.wikipedia.org/wiki/Edward_Bland</a> Legacy: Works for Bassoon by African-American Composers (One on One, for Bassoon & Clarinet), All Music, <a href="https://www.allmusic.com/performance/one-on-one-for-bassoon-clarinet-mq0001230167">https://www.allmusic.com/performance/one-on-one-for-bassoon-clarinet-mq0001230167</a> Castle of our Skins Concert Series, "One on One - Ed Bland" (YouTube), <a href="https://www.youtube.com/watch?v=R19LQ0kYecA">https://www.youtube.com/watch?v=R19LQ0kYecA</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson Bland, Edward (1926-2013) clarinet / clarinette duo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Basque Folk Song Date A point or period of time associated with an event in the lifecycle of the resource [early 1900s] Creator An entity primarily responsible for making the resource White, Clarence Cameron (1880-1960) Description An account of the resource Black composer Clarence Cameron White wrote "Basque Folk Song" for clarinet and piano. Duration: 3 minutes Source A related resource from which the described resource is derived Clarence Cameron White (Wikipedia), <a href="https://en.wikipedia.org/wiki/Clarence_Cameron_White">https://en.wikipedia.org/wiki/Clarence_Cameron_White</a> Marcus Eley, "Basque Folk Song" (YouTube), <a href="https://www.youtube.com/watch?v=_NSuBb8nwQ4">https://www.youtube.com/watch?v=_NSuBb8nwQ4</a> Clarence Cameron White, Basque Folk Songs (Spotify), <a href="https://open.spotify.com/track/6GLWyTJ0Bzw0TGUf3BADte?si=l0sIQVSdSJqs91cvl8MBgA&nd=1">https://open.spotify.com/track/6GLWyTJ0Bzw0TGUf3BADte?si=l0sIQVSdSJqs91cvl8MBgA&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1900-1949 clarinet / clarinette duo piano White, Clarence Cameron (1880-1960) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation flute / flûte harp / harpe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata for Flute and Harp in E Flat Major Date A point or period of time associated with an event in the lifecycle of the resource [1700s] Creator An entity primarily responsible for making the resource Chevalier de Saint-georges, Joseph Bologne (1745-1799) Description An account of the resource Black Creole violinist, conductor and composer Joseph Bologne, Chevalier de Saint-Georges (often referred to as "The Black Mozart") was a prolific French composer of the classical era. Born on the French Caribbean island of Guadeloupe and was sent to study in France at the age of 17. His "Sonata for Flute and Harp" in E-Flat Major is in the public domain. Score linked in the sources. Duration: 9 minutes Source A related resource from which the described resource is derived Abbat Anonymous, "Chevalier de Saint-Georges (1974-1799) - Sonata for Harp and Flute Obligato in E Flat Major" (YouTube), <a href="https://www.youtube.com/watch?v=i84O3uRCq-s">https://www.youtube.com/watch?v=i84O3uRCq-s</a> Joseph Bologne, Chevalier de Saint-George, "Sonata for Flute and Harp in E-Flat Major" (score), <a href="https://www.expandingthemusictheorycanon.com/wp-content/uploads/2022/04/Bologne-Flute-and-Harp-Sonata.pdf">https://www.expandingthemusictheorycanon.com/wp-content/uploads/2022/04/Bologne-Flute-and-Harp-Sonata.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1700-1799 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1700-1799 Chevalier de Saint-georges, Joseph Bologne (1745-1799) duo flute / flûte harp / harpe Musical Work / Ouvrage musical Ensemble Type solo Instrumentation bassoon / basson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource For Bassoon Date A point or period of time associated with an event in the lifecycle of the resource 1979 Creator An entity primarily responsible for making the resource Bland, Edward (1926-2013) Description An account of the resource Black composer Edward Osmund Bland composed "For Bassoon" in 1979 on commission by the bassoonist Fail Hightower of New York City. Source A related resource from which the described resource is derived Ed Bland (personal website, contact) <a href="https://www.edblandmusic.com/ContactInfo.htm">https://www.edblandmusic.com/ContactInfo.htm</a> Ed Bland (Wikipedia), <a href="https://en.wikipedia.org/wiki/Edward_Bland">https://en.wikipedia.org/wiki/Edward_Bland</a> Edward Bland, "For Bassoon" (score), <a href="https://www.tfront.com/p-447728-for-bassoon-1979.aspx">https://www.tfront.com/p-447728-for-bassoon-1979.aspx</a> Claremont Chamber Orchestra, "Ed Bland 'For Bassoon'," (Facebook), <a href="https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/">https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/</a> Edward Bland, "For Bassoon" (Spotify), <a href="https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ">https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson Bland, Edward (1926-2013) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource The Pied Piper of Harlem Date A point or period of time associated with an event in the lifecycle of the resource 1980 Creator An entity primarily responsible for making the resource Hailstork, Adolphus (b. 1941) Description An account of the resource Black composer Adolphus Cunningham Hailstork III's compositional style blends musical ideas from both the African American and European traditions. As provided by the publisher, "The Pied Piper of Harlem" for flute is a three movement solo piece with contrasting African-American musical styles; suitable for students and professional players. Duration: 8 minutes Source A related resource from which the described resource is derived Adolphus Hailstork (personal website), <a href="https://www.adolphushailstork.com/">https://www.adolphushailstork.com/</a> Adolphus Hailstork (Wikipedia), <a href="https://en.wikipedia.org/wiki/Adolphus_Hailstork">https://en.wikipedia.org/wiki/Adolphus_Hailstork</a> Adolphus Hailstorm, The Pied Piper of Harlem (score), <a href="https://www.flute4u.com/Hailstork-A-The-Pied-Piper-of-Harlem.html">https://www.flute4u.com/Hailstork-A-The-Pied-Piper-of-Harlem.html</a> Pan Harmonia, "Adolphus C. Hailstork: The Pied Piper of Harlem, solo flute - I. Here Come De Piper" (YouTube), <a href="https://www.youtube.com/watch?v=GbHQ6kNJcos">https://www.youtube.com/watch?v=GbHQ6kNJcos</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available International Opus Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 flute / flûte Hailstork, Adolphus (b. 1941) solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for the Duo (French horn and piano) Date A point or period of time associated with an event in the lifecycle of the resource 1966 Creator An entity primarily responsible for making the resource Strayhorn, William Thomas ("Billy") (1915-1967) Description An account of the resource Black composer Billy Strayhorn composed "Suite for the Duo" in 1966. As described on a <a href="https://billystrayhorn.com/strayhorns-suite-for-the-duo-now-available-from-hal-leonard-music-publishing/#:~:text=Originally%20a%20distinctive%20representation%20of,%E2%80%9CNorth%20by%20Southwest%20Suite%E2%80%9D.">website dedicated</a> to the composer's life and work, "Originally a distinctive representation of jazz with the French horn, piano and string bass, Billy Strayhorn worked with the French horn-piano duo of Dwike Mitchell and Willie Ruff on a suite that he originally titled “North by Southwest Suite”. Mitchell and Ruff recorded the suite after Strayhorn’s passing as ‘Suite for the Duo’." Duration: 5 minutes Source A related resource from which the described resource is derived Billy Strayhorn (personal website), <a href="https://billystrayhorn.com/">https://billystrayhorn.com/</a> Billy Strayhorn (Britannica), <a href="https://www.britannica.com/biography/Billy-Strayhorn">https://www.britannica.com/biography/Billy-Strayhorn</a> Billy Strayhorn, Suite for the Duo (score), <a href="https://www.sheetmusicdirect.com/se/ID_No/476134/Product.aspx">https://www.sheetmusicdirect.com/se/ID_No/476134/Product.aspx</a> Keplerlabel, "Suite for the Duo" (YouTube), <a href="https://www.youtube.com/watch?v=jeUCtYxaNY8">https://www.youtube.com/watch?v=jeUCtYxaNY8</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Hal Leonard Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 duo horn / cor piano Strayhorn, William Thomas ("Billy") (1915-1967) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Fantasia On a Theme By Charlie Haden: For Turiya Date A point or period of time associated with an event in the lifecycle of the resource 1996 Creator An entity primarily responsible for making the resource Bryant, Freddie Description An account of the resource Black composer Freddie Bryant's "Fantasia on a Theme by Charlie Haden": 'For Turiya' was originally recorded in 1996. As indicated in linernotes on the <a href="https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf">composer's website</a>, "It is a through-composed piece using the theme from Charlie Haden’s beautiful For Turiya (dedicated to Alice Coltrane) as a starting point. As a “fantasia” it is a free form improvisation and does not stick to the form of Haden’s original as “variations” would in the classical tradition. It was transcribed by Karl Marino, one of my brilliant students from Berklee and now can be played as a “classical” piece without improvisation." Duration: 7.5 minutes Source A related resource from which the described resource is derived Freddie Bryant, "Fantasia on a Theme by Charlie Haden: For Turiya" (YouTube), <a href="https://www.youtube.com/watch?v=oVJ1BziXFKA&feature=emb_title">https://www.youtube.com/watch?v=oVJ1BziXFKA&feature=emb_title</a> Freddie Bryant, "Fantasia on a Theme by Charlie Haden" (score), <a href="https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf">https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf</a> Kitty Axelson-Berry, "A Few Questions for Jazz Guitarist Freddie Bryant" (Amhers INDY), <a href="https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/">https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Bryant, Freddie guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Three Movements For Piano Date A point or period of time associated with an event in the lifecycle of the resource 1964 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Three Movements For Piano" was composed in 1964. Duration: 9 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Three Movements For Piano (score), <a href="https://composers.com/composers/frederick-c-tillis/three-movements-piano">https://composers.com/composers/frederick-c-tillis/three-movements-piano</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 piano solo Tillis, Frederick C. (1930-2020) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Deformation V Date A point or period of time associated with an event in the lifecycle of the resource 1993 Creator An entity primarily responsible for making the resource Nash, Gary Powell Description An account of the resource Black composer Gary Nash composed "Deformation V" for bassoon and piano. As described on the <a href="https://garynash.musicaneo.com/about.html">composer's website</a>: "Deformation V, a six minute, single movement composition for bassoon and piano, completed February 6, 1993 was composed for Barrick Stees, bassoon and Phillip Hosford, piano and premiered by Mark Alex Williams, bassoon and Choonwoo Kim, piano on April 25, 1993 at the “Premieres of New Music Concert” at Michigan State University, East Lansing, MI. Out of all other “Deformation” compositions written by Gary Powell Nash, Deformation V is the most successful, in regards to the title relating to the overall musical outcome. Using J.S. Bach’s Allegro from Sonata II in A minor for Solo Violin as a major premise, Nash took the 3 most common musical events from the J.S. Bach model, which include five note arpeggios, octave displacement and the motive 8th, 16th, 16th, 8th, 8th, 8th, 8th, 8th note rhythm and manufactured newer melodies and musical events. Deformation V commences with the bassoon performing a direct quote from the J.S. Bach model while the piano plays sustained dissonances underneath, occurring through the first eight measures. At measure 9, the music becomes more and more obscure from the model as Nash implements those newer discoveries into the composition. Such discoveries/musical events include quintuplet rhythms derived from the five note arpeggios and metric modulations based on those same patterns. Deformation V features fast paced music throughout much of the composition with a contrasting slow section in the middle, which concludes with a solo cadenza and return to the fast music in the opening section, as also displayed in all other Gary Powell Nash “Deformations”." Duration: 6 minutes Source A related resource from which the described resource is derived Gary Nash (personal website), <a href="https://garynash.musicaneo.com/about.html">https://garynash.musicaneo.com/about.html</a> Gary Nash, Deformation V (score), <a href="https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550">https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson duo Nash, Gary Powell piano