1 10 26 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Of Good and Evil Date A point or period of time associated with an event in the lifecycle of the resource 2000s Creator An entity primarily responsible for making the resource Scott, Jeff Description An account of the resource Black composer Jeff Scott wrote "Of Good and Evil" for oboe and piano. As written by the composer on the TrevCo publisher's website: "I’m drawn to the subject of good versus evil. Goddesses and demons, angels, and devils – I find it all fascinating and great source material for composing. In Of Good and Evil, the piano introduces the Devil’s motif in the opening bars of the first movement. Sweetly determined, the oboe dances with the darker angels, fighting to stay in the light, but temptation is always present – menacing, taunting, seducing, raging….Of Good and Evil was commissioned by Toyin Spellman-Diaz, and it affords me the opportunity to showcase an artist’s unique gifts." The work has three movements: 1. Waltz with a Devil 2. In Judgement of Mankind 3. Fly with the Orishas (*Note: The second movement can be sung or performed on oboe) Duration: 5 minutes Source A related resource from which the described resource is derived Jeff Scott (personal website), https://www.musicbyjeffreyscott.com/ Jeff Scott, Of Good and Evil (score), <a href="https://www.trevcomusic.com/products/scott-jeff-of-good-and-evil-ob-pn-1">https://www.trevcomusic.com/products/scott-jeff-of-good-and-evil-ob-pn-1</a> Jeff Scott, "Jeff Scott 'Of Good and Evil' for Oboe and Piano" (YouTube), <a href="https://www.youtube.com/watch?v=UMu93tIhAGQ&ab_channel=JeffScott">https://www.youtube.com/watch?v=UMu93tIhAGQ&ab_channel=JeffScott</a> Jeff Scott's 'Of Good and Evil': Interview and Performance with Bart Feller (YouTube), <a href="https://www.youtube.com/watch?v=ypx8U1KpD0c">https://www.youtube.com/watch?v=ypx8U1KpD0c</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo flute / flûte oboe / hautbois Scott, Jeff Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Six Variations on a Pende Tune Date A point or period of time associated with an event in the lifecycle of the resource [unknown, early twenty-first century] Creator An entity primarily responsible for making the resource Onovwerosuoke, Fred (b. 1960) Description An account of the resource Ghanaian composer Fred Onovwerosuoke's "Six Variations on a Pende Folk Tune" was written in the early twentieth-century for flute. The work "begins with a plaintive melody, but immediately graduate into a show piece of imageries, dances and intrigues about the wildlife communities around the Zambezi river in south central Africa. Some of the variations, particularly II, III and VI attempt to recapture some of the dance traditions among the Pende and Mlongo peoples from that region of Africa." Duration: 10 minutes Source A related resource from which the described resource is derived Fred Onovwerosuoke (personal website), <a href="https://fredomusic.com/">https://fredomusic.com/</a> Fred Onovwerosuoke (Wikipedia), <a href="https://en.wikipedia.org/wiki/Fred_Onovwerosuoke">https://en.wikipedia.org/wiki/Fred_Onovwerosuoke</a> Katie Grischow, "Six Variations on a Pende Tune by Fred Onovwerosuoke" (YouTube), <a href="https://www.youtube.com/watch?v=g6FKLpEah8c&ab_channel=KatieGrischow">https://www.youtube.com/watch?v=g6FKLpEah8c&ab_channel=KatieGrischow</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- flute / flûte Onovwerosuoke, Fred (b. 1960) solo Musical Work / Ouvrage musical Ensemble Type trio Instrumentation flute / flûte viola / violon-alto harp / harpe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource From New York, With Love - II Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Jie, Wang (b. 1980) Description An account of the resource Chinese-born American composer Wang Jie wrote "From New York, With Love II" for flute, viola and harp. Program notes for the composition on Jie's website state: "It’s been tickling my ears that countless New Yorkers are greeted every day by a musical motif as the new subway trains on the green and yellow lines pull out of their stations: c2 – f2 – e3. The exact mechanism that produces these unchanging tones is a mystery to me (another way of saying that having perfect pitch may be convenient but doesn’t guarantee a mechanical engineering degree). I’ve hijacked that three-note-motif tonight, relocating it from the raucous underworld to the clean acoustic canvas of this concert hall and transforming into a musical composition for Flute, Viola and Harp. Eager to dance in its new disguise, the motif is having a field day out here. Please dance with it for the next few moments because it’s sure to escape back to the subway stations before the MTA notices and causes delays." Duration: 8 minutes Source A related resource from which the described resource is derived Wang Jie (Wikipedia), <a href="https://en.wikipedia.org/wiki/Wang_Jie_(composer)">https://en.wikipedia.org/wiki/Wang_Jie_(composer)</a> Wang Jie, From New York, with Love - II (program notes), <a href="https://wangjiemusic.com/from-new-york-with-love-ii/">https://wangjiemusic.com/from-new-york-with-love-ii/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- flute / flûte harp / harpe Jie, Wang (b. 1980) trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation flute / flûte percussion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource From New York, With Love Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Jie, Wang (b. 1980) Description An account of the resource Chinese-born American composer Wang Jie wrote "From New York, With Love" for flute or piccolo and percussion. Program notes for the composition on the composer's website indicate: "It’s been tickling my ears that countless New Yorkers are greeted every day by a musical motif as the new subway trains on the green and yellow lines pull out of their stations: c2 – f2 – e3. The exact mechanism that produces these unchanging tones is a mystery to me (another way of saying that having perfect pitch may be convenient but doesn’t guarantee a mechanical engineering degree). I’ve hijacked that three-note-motif tonight, relocating it from the raucous underworld to the clean acoustic canvas of this concert hall and transforming into a musical composition for Flute, Viola and Harp. Eager to dance in its new disguise, the motif is having a field day out here. Please dance with it for the next few moments because it’s sure to escape back to the subway stations before the MTA notices and causes delays." Duration: 8 minutes Source A related resource from which the described resource is derived Wang Jie (Wikipedia), <a href="https://en.wikipedia.org/wiki/Wang_Jie_(composer)">https://en.wikipedia.org/wiki/Wang_Jie_(composer)</a> Wang Jie, From New York, With Love (score), <a href="https://wangjiemusic.com/portfolio_page/from-new-york-with-love/">https://wangjiemusic.com/portfolio_page/from-new-york-with-love/</a> Queerflöte, "Wang, Jie - 'From New York, With Love'" (Soundcloud), <a href="https://soundcloud.com/shia-patricia-cardona/01-wang-jie-from-new-york-with-love-12-9-14m4a">https://soundcloud.com/shia-patricia-cardona/01-wang-jie-from-new-york-with-love-12-9-14m4a</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo flute / flûte Jie, Wang (b. 1980) percussion Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Descent from Parnassus Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Balter, Marcos (b. 1974) Description An account of the resource Brazilian composer Marcos Balter composed "Descent from Parnassus" for solo flute. As included in the comments of Claire Chase's performance at the Art Institute of Chicago: "The Art Institute of Chicago commissioned a new work for Chase in January 2012 by the Chicago-based Brazilian composer and longtime collaborator Marcos Balter. The piece, scored for solo flutist doubling a virtuoso vocal part (from Dante’s Canto Paradiso), is inspired by Cy Twombly’s The First Part of the Return from Parnassus (1961), which resides in the Institute’s permanent collection. A short film of the work performed at the Art Institute in front of the painting was produced by Karen Chester with videography by Ross Karre." Duration: 12 minutes Source A related resource from which the described resource is derived Marcos Balter (personal website), <a href="https://marcosbalter.com/works/">https://marcosbalter.com/works/</a> Marcos Balter (coontact form), <a href="https://marcosbalter.com/contact/">https://marcosbalter.com/contact/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Balter, Marcos (b. 1974) flute / flûte solo Musical Work / Ouvrage musical Ensemble Type trio Instrumentation guitar / guitare flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Todas as Manhãs-Homenagem a Luiz Bonfá Date A point or period of time associated with an event in the lifecycle of the resource [2015] Creator An entity primarily responsible for making the resource Luis, João Description An account of the resource Brazilian composer João Luiz is a two-time Latin Grammy nominee guitarist, educator and composer. As written in the liner notes of an album by Luiz's ensemble Trio Virado, "Todas as Manhãs-Homenagem a Luiz Bonfá" was orginally for three guitars and written for the Mannes Guitar Seminar in 2011. The work "describes some of the scenes in the award-winning 1958 Brazilian film Blatk Orpheus. The famous song "Manha de Carnaval" by Luiz Bonfá is the main theme of the piece, which is the theme and variations backwards. There are a total of thirteen variations, culminating in a dramatic return of the Bonfa song. Todas as Manhãs notonly tells the story of Black Orpheus but also shows a variety of techniques, rhythms, and colors characteristic of Brazilian dances. The version for guitar, flute, and viola is dedicated to Trio Virado." Duration: 11 minutes Source A related resource from which the described resource is derived João Luiz (faculty profile, Hunter College), <a href="https://music.hunter.cuny.edu/faculty/full-time-faculty/joao-luiz/">https://music.hunter.cuny.edu/faculty/full-time-faculty/joao-luiz/</a> Trio Virado, "Todas as Manhãs-Homenagem a Luiz Bonfa" (YouTube), <a href="https://www.youtube.com/watch?v=9-6se5J2Z-s">https://www.youtube.com/watch?v=9-6se5J2Z-s</a> Trio Virado, Mangebeira (album, liner notes), <a href="https://www.soundset.com/album_files/SR1075/trioviradomangabeira_upload.pdf">https://www.soundset.com/album_files/SR1075/trioviradomangabeira_upload.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- flute / flûte guitar / guitare Luis, João trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Melic Silhouettes Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2015 composition "Melic Silhouettes" is a trio for flute, viola, and harp. It was written for Rosanna Moore and Trio Alexander. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, Melic Silhouettes (2015) for Flute, Viola and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource time is an impatient thing Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2018 composition "time is an impatient thing" was written for Trio Alexander. A composition for harp, viola, and flute that places the harp at the forefront of free, improvisatory gestures. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, time is an impatient thing (2018) for Alto Flute, Viola, and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza De La Mariposa Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Coleman, Valerie Description An account of the resource Black composer Valerie Coleman's "Danza de la Mariposa" "is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players." (from publisher's website) Duration: 7 minutes Source A related resource from which the described resource is derived Valerie Coleman, Danza de la Mariposa (Dance of the Butterfly) (score), <a href="https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html">https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html</a> FlutistSarahMiles, "Danza de la Mariposa" for solo flute by Valerie Coleman; Performed by Sarah Miles" (YouTube), <a href="https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles">https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles</a> Valerie Coleman, Danza de la Mariposa (score), <a href="https://www.fluteworld.com/product/danza-de-la-mariposa/">https://www.fluteworld.com/product/danza-de-la-mariposa/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Coleman, Valerie flute / flûte solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource On a Poem by Miho Nonaka: Harvard Square Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Okpebholo, Shawn (b. 1981) Description An account of the resource Black composer Shawn Okpebholo composed "On a Poem by Miho Nonaka: Harvard Square" in 2013 for solo flute. As written on the composer's website: "This composition – inspired by Harvard Square, a poem by the Japanese poet, Miho Nonaka – is a work for solo flute, composed for and premiered by virtuoso flutist, Caen Thomason-Redus. It was not my intention to, necessarily, text paint each word of the poem; rather, I tried to evoke the essence of the poem’s meaning. In one word, Nonaka describes her poem as being about ‘resonance.’ A natural term in the music world, the word ‘resonance’, figuratively speaking, can also mean evoking images, memories and emotions, which she beautifully achieves in Harvard Square. This composition is for the virtuoso flutist, utilizing various extended flute techniques. for example, the composition begins with the flute playing bamboo tones, a way for the modern western flute to, by using nontraditional fingerings (which I notated in the score), sound like a shakuhachi flute, a Japanese bamboo flute." Duration: 13 minutes Source A related resource from which the described resource is derived Shawn Okpebholo (personal website), <a href="https://www.shawnokpebholo.com/contact">https://www.shawnokpebholo.com/contact</a> Lisa Jaklitsch Westervelt, "Shawn Okpebholo - On a Poem by Miho Nonaka: Harvard Square for solo flute (Lisa Westervelt, Flute)" (YouTube), <a href="https://www.youtube.com/watch?v=nCNL08qN2pI">https://www.youtube.com/watch?v=nCNL08qN2pI</a> Shawn Okpebholo, On a Poem by Miho Nonaka: Harvard Square (score), <a href="https://www.shawnokpebholo.com/store/hi-1">https://www.shawnokpebholo.com/store/hi-1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- flute / flûte Okpebholo, Shawn (b. 1981) solo