11 10 296 Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette violin / violon viola / violon-alto cello / violoncelle Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource His House is not of this Land Description An account of the resource A chamber work for alto flute, bass clarinet, violin, viola, and cello, inspired by Cornelia Parker's art installation Anti-Mass. Premiered by the Left Coast Chamber Ensemble. Creator An entity primarily responsible for making the resource Holland, Jonathan Bailey Source A related resource from which the described resource is derived <a href="https://soundcloud.com/profjbh/his-house-is-not-of-this-land">https://soundcloud.com/profjbh/his-house-is-not-of-this-land</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Homage, from Piano Potpourrie Date A point or period of time associated with an event in the lifecycle of the resource 1990 Creator An entity primarily responsible for making the resource Perry, Zenobia Powell (1908-2004) Description An account of the resource Black composer Zenobia Powell Perry wrote on "Homage" for piano in 1990. As described in a short article by <a href="https://www.colorado.edu/project/hidden-voices/2021/03/18/homage-piano-potpourri-zenobia-powell-perry">Elizabeth Smith on Homage</a>: "Homage is a movement in the set Piano Potpourri. Composed in 1990, it employs a wide variety of different textures and techniques, including octaves, dense chords, and chromaticism. Homage is dedicated to black composer William Dawson, and is based on the spiritual “I’ve Been Buked and I’ve Been Scorned”, which is played unaccompanied at the beginning of the piece. It would be a good fit for a student at the advanced level due to the jumps in the left hand and complex pedaling, and the student would have to be a strong reader to notice the subtle changes between similar motives. Homage is published in the anthology Black Women Composers: A Century of Piano Music (1893-1990) edited by Helen Walker Hill and published by Hildegard Publishing. Zenobia Powell Perry (1908-2004) was a composer, professor and civil rights activist. She taught in some historically black colleges and universities. Her musical style is described as “music with clear, classic melodies.” She studied piano and violin in her childhood. Her most powerful musical experience was hearing Hazel Harrison (African-American pianist) in a concert." Duration: 4 minutes Source A related resource from which the described resource is derived Zenobia Powell Perry (biography, by Jeannie Gayle Pool), <a href="https://www.zenobiapowellperry.org/Musictopurchase.html">https://www.zenobiapowellperry.org/Musictopurchase.html</a> Zenobia Powell Perry (Wikipedia), <a href="https://en.wikipedia.org/wiki/Zenobia_Powell_Perry">https://en.wikipedia.org/wiki/Zenobia_Powell_Perry</a> Zenobia Powell Perry, Black Women Composers: A Century of Piano Music (score for Homage in this collection), <a href="https://www.hildegard.com/catalog.php?keyword=490-01070">https://www.hildegard.com/catalog.php?keyword=490-01070</a> fyrexianoff, "Zenobia Powell Perry - Homage" (YouTube), <a href="https://www.youtube.com/watch?v=BExDf2ceqFQ&ab_channel=fyrexianoff">https://www.youtube.com/watch?v=BExDf2ceqFQ&ab_channel=fyrexianoff</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Perry, Zenobia Powell (1908-2004) piano solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Homeland Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Loggins-Hull, Allison Description An account of the resource Black composer Allison Loggins-Hull composed "Homeland" for solo flute. Program notes on <a href="https://www.flutronix.com/shop/homeland/">flutronix.com state</a>: "'Homeland' (2018) was written shortly after Hurricane Maria stormed through Puerto Rico in 2017. Maria represented the increasing strength of natural disasters and the intense, sometimes deadly, repercussions of climate change. While this was going on, there was also a rise of political and social turmoil in the United States, and global unrest throughout the world, including the Civil War crisis in Syria. For weeks, the news was flooded with these stories. With so many people throughout the world dealing with tragic domestic issues, I began to think about the meaning of home during a crisis. What does home mean when the land has been destroyed? What does it mean when there’s been a political disaster, or a human disaster? How does a person feel patriotic when they feel unwelcomed at the same time? Homeland is a musical interpretation and exploration of those questions. The flute opens with timbral trills representing troubled waters, then transitions into passages that are anxious and distorted. There is a moment of hope and optimism, a remembrance of past struggles that have been overcome, followed by an off-putting play on the Star Spangled Banner, representing an unraveling of patriotism. In the end we come full circle, still with unanswered and unresolved questions." Commissioned by The Texas Flute Society for the 2018 Myrna Brown Competition. Duration: 6.5 minutes Source A related resource from which the described resource is derived Allison Loggins-Hull (personal website), <a href="https://allisonloggins.com/">https://allisonloggins.com/</a> Allison Loggins-Hull, Homeland (score), <a href="https://www.flutronix.com/shop/homeland/">https://www.flutronix.com/shop/homeland/</a> Tara Oconnor, "Allison Loggins-Hull: Homeland" (YouTube), <a href="https://www.youtube.com/watch?v=Ddm1pwPcOLE">https://www.youtube.com/watch?v=Ddm1pwPcOLE</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- flute / flûte Loggins-Hull, Allison solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource ignis fatuus Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Balter, Marcos (b. 1974) Description An account of the resource Brazilian composer Marcos Balter composed "ignis fatuus" for solo violin. The work was premiered in June 2008 and was a semifinalist at the International Violin Competition, DePaul Concert Hall in Chicago, IL. Program notes, as included on the publisher's website: "Commissioned by the Holland America Music Society as the compulsory piece of its 2008 International Violin Competition, ignis fatuus (translation: foolish light; also known as “will-o’-the-wisp” or feau follet) is an extensive exploration of polyphonic textures for solo violin using Paganini's Caprice No. 6 as a non-literal point of departure." Duration: 6.5 minutes Source A related resource from which the described resource is derived Marcos Balter (personal website), <a href="https://marcosbalter.com/works/">https://marcosbalter.com/works/</a> fernando riederer, "Marcos Balter - Ignis fatuus (2008)" (YouTube), <a href="https://www.youtube.com/watch?v=2r_wqjFBS4g&t=30s&ab_channel=fernandoriederer">https://www.youtube.com/watch?v=2r_wqjFBS4g&t=30s&ab_channel=fernandoriederer</a> Marcos Balter, ignis fatuus (score), <a href="https://www.eamdc.com/psny/composers/marcos-balter/works/ignis-fatuus/">https://www.eamdc.com/psny/composers/marcos-balter/works/ignis-fatuus/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available PSNY Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Balter, Marcos (b. 1974) solo violin / violon Musical Work / Ouvrage musical Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Impromptu in A Minor: Romance de Pan Description An account of the resource The manuscript of the Impromptu in A minor, Romance de pan, first performed in 1922, was rediscovered in the Royal College of Music Library collection and performed in Brighton in 2018. Sussex Landscape was played in 2019 by the Chineke! Creator An entity primarily responsible for making the resource Avril, Coleridge-Taylor Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource In My Bed Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource Guidry, Joy Description An account of the resource Black composer Joy Guidry composed "In My Bed" for solo bass on commission by Bass Players for Black Composers. As written on the composer's website, the work is in "three parts setting in, clenching, falling in. This piece represents the debilitating nature of depression." Duration: 5 minutes Source A related resource from which the described resource is derived Joy Guidry, In My Bed (personal website, score), <a href="https://www.guidrybassoon.com/compositions/p/in-my-bed">https://www.guidrybassoon.com/compositions/p/in-my-bed</a> Bass Players for Black Composers, "BPBC Presents: Joy Guidry: In My Bed || Ross Wightman, double bass" (YouTube), <a href="https://www.youtube.com/watch?v=60yUviUj7m8&ab_channel=BassPlayersForBlackComposers">https://www.youtube.com/watch?v=60yUviUj7m8&ab_channel=BassPlayersForBlackComposers</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- double bass / contrebasse Guidry, Joy solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource In the Bottoms Date A point or period of time associated with an event in the lifecycle of the resource 1913 Creator An entity primarily responsible for making the resource Dett, Robert Nathaniel (1882-1943) Description An account of the resource Black Canadian-American composer, organist, pianist, choral director, and music professor Robert Nathaniel Dett's "In the Bottoms", is subtitled "Suite caractéristique". The suite for piano has five movements: 1. Prelude (Night) 2. His Song 3. Honey (Humoresque) 4. Barcarolle (Morning) 5. Dance (Juba) The fifth movement of "In the Bottoms" is one of his most played works. Duration: 15 minutes Source A related resource from which the described resource is derived Robert Nathaniel Dett (Wikipedia), <a href="https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett">https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett</a> Robert Nathaniel Dett, "In the Bottoms" (score, IMSLP), <a href="https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)">https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)</a> SoupyMold, "Robert Nathaniel Dett, In the Bottoms (1913)" (YouTube), <a href="https://www.youtube.com/watch?v=3Um4sAWVxUg">https://www.youtube.com/watch?v=3Um4sAWVxUg</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 Dett, Robert Nathaniel (1882-1943) piano solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Incantation and Dance Date A point or period of time associated with an event in the lifecycle of the resource 1945 Creator An entity primarily responsible for making the resource Still, William Grant (1895-1978) Description An account of the resource Black composer William Grant Still (known as the "Dean of Afro-American Composers") wrote the "Incantation and Dance" for oboe and piano. Duration: 5.5 minutes Source A related resource from which the described resource is derived William Grant Still (website), <a href="https://williamgrantstillmusic.com/">https://williamgrantstillmusic.com/</a> William Grant Still (Wikipedia), <a href="https://en.wikipedia.org/wiki/William_Grant_Still">https://en.wikipedia.org/wiki/William_Grant_Still</a> William Grant Still, Incantation and Dance (score), <a href="https://www.sheetmusicplus.com/title/incantation-and-dance-sheet-music/4620541">https://www.sheetmusicplus.com/title/incantation-and-dance-sheet-music/4620541</a> Pedja Muzijevic, "Incantation and Dance for Oboe and Piano" (YouTube), <a href="https://www.youtube.com/watch?app=desktop&v=PitTVEfIco0">https://www.youtube.com/watch?app=desktop&v=PitTVEfIco0</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1900-1949 duo guitar / guitare oboe / hautbois Still, William Grant (1895-1978) Musical Work / Ouvrage musical Instrumentation flute / flûte tuba Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Inflections Description An account of the resource <div>Composed by Kenneth Amis. Music of Black Composers and Artists. Charming flute and tuba duet in 8 short movements. Score and Parts. 21 pages. Duration 9 minutes, 30 seconds. Amis Musical Circle - Digital #AMC-ME-013. Published by Amis Musical Circle - Digital (AQ.AMC-ME-013). </div> <div class="html-slot-container"></div> <a href="https://www.amismusicalcircle.com/mixed/me-013.htm">https://www.amismusicalcircle.com/mixed/me-013.htm</a> Creator An entity primarily responsible for making the resource Amis, Kenneth Publisher An entity responsible for making the resource available Amis Musical Circle Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Inspiration Description An account of the resource David Baker is best know for his jazz music but this engaging piece is rooted in the more classical flute style. The music is unmistakeably American and both the fast and contrasting slow melodies are wide and expansive. There are plenty of notes to play too which, together with a lively accompaniment, ensure that the outer sections sparkle. The inner calm of the brief centre is beautiful and paves the way for the spirited ending. This is not a jazz piece but it is a great one! Creator An entity primarily responsible for making the resource Baker, David Publisher An entity responsible for making the resource available Lauren Keiser Music Publishing Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999