12 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Set of Dance Tunes for solo violin Date A point or period of time associated with an event in the lifecycle of the resource 1978 Creator An entity primarily responsible for making the resource DaCosta, Noel (1929-2002) Description An account of the resource Nigerian Jamaican composer, jazz violinist, and choral conductor Noel G. Da Costa compoosed a "Set of Dance Tunes" for solo violin. Duration: 13 minutes Source A related resource from which the described resource is derived Noel G. Da Costa (Wikipedia), <a href="https://en.wikipedia.org/wiki/Noel_DaCosta">https://en.wikipedia.org/wiki/Noel_DaCosta</a> Noel Da Costa, "A set of dance tunes : for solo violin (1978), based on American fiddle tunes (WorldCat), <a href="https://www.worldcat.org/title/set-of-dance-tunes-for-solo-violin-1978-based-on-american-fiddle-tunes/oclc/60785791">https://www.worldcat.org/title/set-of-dance-tunes-for-solo-violin-1978-based-on-american-fiddle-tunes/oclc/60785791</a> Rachel Barton Pine, "Blues Dialogues: Music By Black Composers" (YouTube), <a href="https://www.youtube.com/watch?v=zu74zIw2b1s&list=OLAK5uy_napvtbdr4-JEFf3Be68_Q1rAi1u0L0KHo&index=9&ab_channel=RachelBartonPine-Topic">https://www.youtube.com/watch?v=zu74zIw2b1s&list=OLAK5uy_napvtbdr4-JEFf3Be68_Q1rAi1u0L0KHo&index=9&ab_channel=RachelBartonPine-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 DaCosta, Noel (1929-2002) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Wood That Sings Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Davids, Brent Michael Description An account of the resource American Indian citizen of the Stockbridge-Munsee Band of the Mohican Nation, Brent Michael Davids' "Wood That Sings" was composed for solo violin. As written on the composer's website, "Wood That Sings is composed for solo viiolin with scordatura re-tuning of its low string, evokes the rhythms and refrains of the single-stringed Apache violin. The Western violin's G string is tuned down to a low A in bass clef, creating the characteristic 'buzzy' quality that spawned the Apache violin's 'buzzer' nickname. The work contains an Apache violin-like melody and the rhythms borrow from both the duple and triple beats of indigenous songs. Western musical techniques are also incorporated, such as double, triple and quadruple stops, harmonic and tritone sonorities, and printed music notation, all of which do not occur in traditional Apache violin songs. Often twisting and leaping from one to another, the indigenous and western phrases bounce like horsehair bows would dance on either a Western or Apache stringed instrument. The work is intended to be a strong, challenging, virtuosic, shake-a-leg experience for both performer and audience." The work was comissiooned by Dr. Katherine McLin and edited by Michael DiBarry. Source A related resource from which the described resource is derived Brent Michael Davids (bio), <a href="https://www.seeadot.com/composers/brent-michael-davids">https://www.seeadot.com/composers/brent-michael-davids</a> Brent Michael Davids, Wood That Songs (score), <a href="https://www.brentmichaeldavids.com/store.html?fbclid=IwAR16g-1W6FQn5sp_5UTazLAgwFR-sL_yOxhPyRrX_T-csgknNcZrqEzl4VI#">https://www.brentmichaeldavids.com/store.html?fbclid=IwAR16g-1W6FQn5sp_5UTazLAgwFR-sL_yOxhPyRrX_T-csgknNcZrqEzl4VI#</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Davids, Brent Michael solo violin / violon Musical Work / Ouvrage musical Instrumentation flute / flûte cello / violoncelle piano Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Still Waters III Description An account of the resource For piano, flute, and cello. Set of three playing scores. Creator An entity primarily responsible for making the resource Davis, Anthony Publisher An entity responsible for making the resource available G Schirmer Inc Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Tableau No. V Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Davis, Tyson (b. 2000) Description An account of the resource Black composer Tyson Gholston Davis wrote "Tableau No. V" as part of a series of solo pieces. Each work, as the composer reflected, is for a different solo instrument and explores the expressive possibilities. Some composers of the latter half of the 20th century have explored this idea, notably Luciano Berio (14 Sequenzas), Vincent Persichetti (25 Parables), and Elliott Carter (6 Figments and 5 Retrachings). Coincidentally, these are some of my favorite composers. This Tableau was written for my friend Andrew Gantzer (Juilliard '23)." (See YouTube video in sources) Duration: 4 minutes Source A related resource from which the described resource is derived Tyson Davis (personal website), <a href="https://tysongholsdaviscomposer.com/">https://tysongholsdaviscomposer.com/</a> Tyson Davis, Tableau No. V (score), <a href="https://www.bassplayersforblackcomposers.com/scores/p/davis-tableau-no-v">https://www.bassplayersforblackcomposers.com/scores/p/davis-tableau-no-v</a> Tyson Gholston Davis, "Tyson Gholston Davis: Tableau No. V, for solo double bass (2019)" (YouTube), <a href="https://www.youtube.com/watch?v=j06JXhN3R5w&ab_channel=TysonGholstonDavis">https://www.youtube.com/watch?v=j06JXhN3R5w&ab_channel=TysonGholstonDavis</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Davis, Tyson (b. 2000) double bass / contrebasse solo Musical Work / Ouvrage musical Instrumentation flute / flûte cello / violoncelle piano Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ecstatic Samba Description An account of the resource Winner of the 2018 Tribeca New Music YCC (Division 2) Creator An entity primarily responsible for making the resource Day, Kevin Source A related resource from which the described resource is derived <a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwjkw8WIntmDAxWBFFkFHSppBswQwqsBegQICRAG&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D5W92mamsVvE&usg=AOvVaw0ZstPnzs_VueLACsai3gqi&opi=89978449">Kevin Day: Ecstatic Samba • Kaleidoscope Chamber OrchestraYouTube · Kaleidoscope Chamber Orchestra6 minutes, 26 secondsDec 22, 2022</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource In the Bottoms Date A point or period of time associated with an event in the lifecycle of the resource 1913 Creator An entity primarily responsible for making the resource Dett, Robert Nathaniel (1882-1943) Description An account of the resource Black Canadian-American composer, organist, pianist, choral director, and music professor Robert Nathaniel Dett's "In the Bottoms", is subtitled "Suite caractéristique". The suite for piano has five movements: 1. Prelude (Night) 2. His Song 3. Honey (Humoresque) 4. Barcarolle (Morning) 5. Dance (Juba) The fifth movement of "In the Bottoms" is one of his most played works. Duration: 15 minutes Source A related resource from which the described resource is derived Robert Nathaniel Dett (Wikipedia), <a href="https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett">https://en.wikipedia.org/wiki/Robert_Nathaniel_Dett</a> Robert Nathaniel Dett, "In the Bottoms" (score, IMSLP), <a href="https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)">https://imslp.org/wiki/In_the_Bottoms_(Dett,_Robert_Nathaniel)</a> SoupyMold, "Robert Nathaniel Dett, In the Bottoms (1913)" (YouTube), <a href="https://www.youtube.com/watch?v=3Um4sAWVxUg">https://www.youtube.com/watch?v=3Um4sAWVxUg</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 Dett, Robert Nathaniel (1882-1943) piano solo Musical Work / Ouvrage musical Instrumentation flute / flûte saxophone cello / violoncelle Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Migration Miniatures Description An account of the resource This piece is a seven-movement suite of scenes, inspired by my solo road trip from Bloomington, Indiana to Los Angeles, California. Creator An entity primarily responsible for making the resource Dundee, Corey Source A related resource from which the described resource is derived <a href="http://www.coreydundee.com/migration-minia">http://www.coreydundee.com/migration-minia</a> Format The file format, physical medium, or dimensions of the resource 10-20 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte viola / violon-alto percussion Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource A Sunrise Elsewhere Description An account of the resource A Sunrise Elsewhere is an attempt to characterize the sky’s continuous transformation during dawn and dusk. The title references the fact that each sunset is simultaneously a sunrise in another location – accordingly, the piece is a palindrome with respect to form and harmony (A‐B‐C‐B’‐A’). The piece begins with all three voices in equally emerging roles. The flute then has soloistic material over a harmonic line in the vibraphone and viola that gradually increases in rhythmic activity. The three voices become furiously intertwined and then switch roles – the viola takes on an affected and dramatic lyricism while the flute and vibraphone continue the harmonic line, this time progressively subsiding. The piece ends in reverse with regard to how it began – receding into the distance. The title can also be taken to represent a strange alien sunrise taking place on a distant planet. Creator An entity primarily responsible for making the resource Dundee, Corey Source A related resource from which the described resource is derived <a href="http://www.coreydundee.com/a-sunrise-elsewhere">http://www.coreydundee.com/a-sunrise-elsewhere</a> Date A point or period of time associated with an event in the lifecycle of the resource 2013 Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Mulch Awareness Month Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource Dunston, Nick (b. 1996) Description An account of the resource African American bassist and composer Nick Dunston has been named in the New York Times as an "indispensable player of th eNew York avant-garde." His composition, "Mulch Awareness Month" was composed for contrabass. The piece, as Dunston explains at the start of Samuel Zagnit's July 2020 performance on YouTube, tries to "provide with the performer a set of tools for improvising, for cultivating a sonic environment, and for then explorig that sonic environment. while also providing the performer with a sense of direction and suggestions for performing." Duration: 7.5 minutes Source A related resource from which the described resource is derived Nick Dunston: Mulch Awareness Month for solo double bass (blog and recording), <a href="https://dbbpublications.gumroad.com/l/mulchawarenessmonth">https://dbbpublications.gumroad.com/l/mulchawarenessmonth</a> Nick Dunston, Mulch Awareness Month (score), <a href="https://www.bassplayersforblackcomposers.com/scores/p/dunston-mulch-awareness-month">https://www.bassplayersforblackcomposers.com/scores/p/dunston-mulch-awareness-month</a> Bass Players for Black Composers, "Nick Dunston: Mulch Awareness Month" (YouTube), <a href="https://www.youtube.com/watch?v=iRjHMDONZ6k&ab_channel=BassPlayersForBlackComposers">https://www.youtube.com/watch?v=iRjHMDONZ6k&ab_channel=BassPlayersForBlackComposers</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- double bass / contrebasse Dunston, Nick (b. 1996) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Excursión a la Montaña Date A point or period of time associated with an event in the lifecycle of the resource 1994 Creator An entity primarily responsible for making the resource Elizondo, José L. (b. 1972) Description An account of the resource Mexican composer José L Elizondo composed "Excursión a la Montaña" in dedication to flutist Kim Sopata. As described on the <a href="https://www.joseelizondo.com/scores-winds.html">composer's website</a>: "Excursión a la Montaña tells the story of the first excursion of a child to the top of a little mountain. Stylistically, the piece is inspired by the music of Debussy and Prokofiev. In addition to impressionistic harmonies, it incorporates elements of Mexican music and Spanish Flamenco music. This piece was originally written for a friend of the composer, flutist Kim Sopata. This piece has been championed, in particular, by flutists Orlando Cela and Sefika Kutluer, who have performed it extensively around the world. This piece was premiered by Kim Sopata on April 17th, 1995 at Northwestern University in Evanston, Illinois. The orchestra version was created especially for Turkish flutist Sefika Kutluer and was performed for the first time in her album “Latin Romance” by Sefika, accompanied by the Bratislava Strings Orchestra, conducted by Marian Lejava. The recording took place on 2013 in Slovakia." Composed for Flute, arranged also for Alto Sax, Bassoon, Oboe, and Cello. (Scores available via website) Duration: 6 minutes Source A related resource from which the described resource is derived Jose Elizondo Music, "Excursión a la Montaña" by José Elizondo. Performed by Sefika Kutluer" (YouTube), <a href="https://www.youtube.com/watch?v=WVSz0_hXK88&ab_channel=JoseElizondoMusic">https://www.youtube.com/watch?v=WVSz0_hXK88&ab_channel=JoseElizondoMusic</a> José L. Elizondo, Excursión a la Montaña (score), <a href="https://joseelizondo.com/scores/excursion-oboe.pdf">https://joseelizondo.com/scores/excursion-oboe.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Elizondo, José L. (b. 1972) flute / flûte solo