12 10 296 Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Introduction and Allegro Date A point or period of time associated with an event in the lifecycle of the resource 1958 Creator An entity primarily responsible for making the resource Moore, Udine Smith (1904-1989) Description An account of the resource Black composer Udine Eliza Anna Smith Moore (known as the "Dean of Black Women Composers") wrote "Introduction and Allegro" for clarinet and piano in 1958. Duration: 3 minutes Source A related resource from which the described resource is derived Udine Smith Moore (Wikipedia), <a href="https://en.wikipedia.org/wiki/Undine_Smith_Moore">https://en.wikipedia.org/wiki/Undine_Smith_Moore</a> Marcus Eley, "Introduction and Allegro" (YouTube), <a href="https://www.youtube.com/watch?v=ih9sPNtBrz0&amp;ab_channel=MarcusEley-Topic">https://www.youtube.com/watch?v=ih9sPNtBrz0&amp;ab_channel=MarcusEley-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 clarinet / clarinette duo Moore, Udine Smith (1904-1989) piano Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bass trombone / trombone basse piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Jazz Triptych Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Wilborn, David (b. 1961) Description An account of the resource Black composer David Wilborn composed "Jazz Triptych" for bass trombone and piano. According to Warwick Music website: "Jazz Triptych was written at the request of English bass trombonist Jonathan Warburton. It is a setting of three diverse jazz styles in a concert setting for bass trombone and piano. Each movement captures characters and rhythmic features of a particular jazz genre. Although originally composed, each movement references the compositional style of historical masters who are credited for making their own style of jazz popular. The movements express the idea of the composer meeting each historical figure individually in an attempt to gain a better understanding of their jazz style. Figuratively, the composer sets out on a pleasant walk with each composer for an interview. The result is a fusion of compositional ideas in which both personalities (the composer and the historical figure) emerge. Each jazz style becomes an expansion of a hybrid jazz-classical style. The featured genres include: ragtime, tango and boogie." Source A related resource from which the described resource is derived David Wilborn (bio, C. Alan Publications), <a href="https://c-alanpublications.com/wilborn-david/">https://c-alanpublications.com/wilborn-david/</a> Jordan Harris, "The Graduate Recital of Jordan Harris" [David F. Wilborn's Jazz Tiptych is the second work programmed] (YouTube), <a href="https://www.youtube.com/watch?v=InGX2_Rt5-k&amp;ab_channel=JordanHarris">https://www.youtube.com/watch?v=InGX2_Rt5-k&amp;ab_channel=JordanHarris</a> David Wilborn, Jazz Triptych (score), <a href="https://www.warwickmusic.com/p/jfG3/">https://www.warwickmusic.com/p/jfG3/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- bass trombone / trombone basse solo Wilborn, David (b. 1961) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Journal Entry Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource Holland, Jonathan Bailey Description An account of the resource Black composer Jonathan Bailey Holland composed "Journal Entry" in 2020. <br /><br />As written about the work by Jannina Norpoth on the Kaufman Music Center's website: "Originally written last year for a Black History Month performance at the Detroit Institute of Arts curated by Grammy-nominated violinist Jannina Norpoth. The concert titled “Transitive Vision,” explored how we envision our past, present, future and ourselves — tying into how we embrace our history, our spirituality and our identity." Commissioned by violinist Jannina Norpoth, the artist wrote in depth about the work in the comments of the video she uploaded to YouTube: "his video is inspired by Jonathan’s piece which he wrote for me to perform shortly before the pandemic began in February 2020. As I recall he wrote it after a personal loss of his own. In the first few months it resonated with me as a introspective meditation for the moment. I created my own “Journal Entry” one weekend in May grieving both the death of a friend and mentor (from COVID), whose funeral was also the same day as the one year anniversary losing of my last surviving grandparent. With that in mind I dedicated the imagery to the love, vision and perseverance of my Grandparents Dr. Alwin Barefield and Bessie “Babs” Barefield (pictured at the end). My Grandmother came to Detroit from rural Mississippi town named after her family and founded by my great-great-great grandparents in 1868 post slavery - her family being one of the only Black families in the state to own a Cotton Gin, the survival of the community when so many others were destroyed by the KKK has great significance. After her funeral my mother and I spent an evening cleaning out my grandparents home - a place where I spent a significant portion of my upbringing and that flooded me with happy and bittersweet memories. My Grandfather in his prime was a well respected Doctor, graduate of Howard Medical School and Army Veteran. He did his medical internship at Sydenham Hospital in Harlem - the first hospital in NYC to integrate patients and doctors. In my Grandfather’s old study I found something that impacted me greatly. Posted on the wall was the original newspaper clipping from 1968, where Olympians #tommiesmith &amp; #johncarlos gave the #blackpowersalute during the US National Anthem. To know that this is something he looked to for daily inspiration is incredibly impactful for me. To reflect on the fact that these athletes were stripped of their medals, robbed of their careers and - what they stood for some 50 years later is infuriatingly exactly the same. I recorded this video in front of a mirror to symbolize my own reflection - of myself, my privilege, my grief, my oppression, my survival and that of those who came before me. My journal entry." Duration: 5.5 minutes Source A related resource from which the described resource is derived Jonathan Bailey Holland (personal website), <a href="https://www.jonathanbaileyholland.com/about">https://www.jonathanbaileyholland.com/about</a> Jonathan Bailey Holland, Journal Entry (score), <a href="https://www.jonathanbaileyholland.com/klangefarbemusic/chamber/journal-entry-for-solo-violin">https://www.jonathanbaileyholland.com/klangefarbemusic/chamber/journal-entry-for-solo-violin</a> Jannina Norpoth, "Jannina Norpoth - Jonathan Bailey Holland 'Journal Entry'" (YouTube), <a href="https://www.youtube.com/watch?v=73jgVHx5Z0A">https://www.youtube.com/watch?v=73jgVHx5Z0A</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Holland, Jonathan Bailey solo violin / violon Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Journey Date A point or period of time associated with an event in the lifecycle of the resource 1990 Creator An entity primarily responsible for making the resource León, Tania (b. 1943) Description An account of the resource Cuban composer, conductor, educator and advisor to arts organization Tania León composed "Journey" for harp, flute and viola. The work was commissioned and premiered by the Jubal Trio. Duration: 4 minutes Source A related resource from which the described resource is derived Tania León (personal website), <a href="https://www.tanialeon.com/about">https://www.tanialeon.com/about</a> The Jubal Trio, "Journey" (YouTube), <a href="https://www.youtube.com/watch?v=A0VAzFvbIvw">https://www.youtube.com/watch?v=A0VAzFvbIvw</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 1950-1999 flute / flûte harp / harpe León, Tania (b. 1943) trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Juan Soldado Suite Date A point or period of time associated with an event in the lifecycle of the resource 2009 Creator An entity primarily responsible for making the resource Martin, Andrés Description An account of the resource Argentinian composer Andrés Martin wrote the "Juan Soldado Suite" for solo bass, a work with seven contrasting movements. <br /><br />On the website of the Juan Soldado Suite, Martin writes: "The piece uses the complete range of the instrument, exploring a variety of timbres and techniques, enriched by the use of basic electronic effects (Reverb, Delay, Chorus, etc.) which enhance the timbral variety and amplify certain harmonics and multiphonics. [...] Many of the movements of the Juan Soldado Suite are about different states of mind, such as “Rage” (musically describing Juan Soldado running for his life and the executors shooting him, watched by many of Tijuana´s citizens who wanted justice and to see him die…) or the “Elegy”, which imagines what Juan Soldado sang to himself when informed that he was sentenced to die. “The Myth” describes how the stories and rumors that began surfacing after his death grew and grew, until they brought to life the Myth of Juan Soldado, the Saint of Migrants. How can someone start as a murderer and rapist and end up being a Saint??? The Juan Soldado Suite does not intend to tell a linear story or be a descriptive work. The piece is inspired by this particular story, but also speaks to broader human ideas and experiences. Some movements of the Juan Soldado Suite for Solo Bass are currently published by the American publisher Really Good Music and can be purchased at their website: <a href="https://www.reallygoodmusic.com">www.reallygoodmusic.com</a>." Duration: 15 minutes Source A related resource from which the described resource is derived Andrés Martin (personal website), <a href="https://www.andresmartin.net/">https://www.andresmartin.net/</a> Juan Soldado Suite (website), <a href="https://juansoldadosuite.wordpress.com/about/">https://juansoldadosuite.wordpress.com/about/</a> Rob Catinella, "Andrés Martin, Juan Soldado Suite - Elegia" [2nd movement] (YouTube), <a href="https://www.youtube.com/watch?v=BHNvQFJp7ec&amp;ab_channel=RobertCatinella">https://www.youtube.com/watch?v=BHNvQFJp7ec&amp;ab_channel=RobertCatinella</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- double bass / contrebasse Martin, Andrés solo Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource JUBA Description An account of the resource Juba for flute choir (2P, 6C, 2A, 1B, CB) gives homage to its namesake: a rhythmic dance found in the origins of both African-American and West African cultures. Premiered in 2014 by the National Flute Association High School Flute Choir under the direction of Katherine Borst-Jones at the Chicago conference. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.vcolemanmusic.com/store/p7/JUBA_(Digital_Download).html">https://www.vcolemanmusic.com/store/p7/JUBA_(Digital_Download).html</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Kleine Blume Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Hosokawa, Toshio (b. 1955) Description An account of the resource Japanese composer Toshio Hosokawa's "Kleine Blume" is a one movement work written in honour of the 50th birthday of Michael Haefliger. The composition was premiered by Stefan Dohr in Bilbaeo, Spain in May 2011. Duration: 5 minutes Source A related resource from which the described resource is derived Toshio Hosokawa, Kleine Blume - for the 50th Birthday of Michael Haefliger (score), <a href="https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx">https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Schott Japan 2000- horn / cor Hosokawa, Toshio (b. 1955) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Königliches Thema Date A point or period of time associated with an event in the lifecycle of the resource 1976 Creator An entity primarily responsible for making the resource Yun, Isang (1917-1995) Description An account of the resource Koren born German composer Isang Yun composed "Königliches Thema" in 1976 for solo violin. Duration: 8 minutes Source A related resource from which the described resource is derived Isang Yun (Wikipedia), <a href="https://en.wikipedia.org/wiki/Isang_Yun">https://en.wikipedia.org/wiki/Isang_Yun</a> Isang Yun, Königliches Thema (score), <a href="https://www.boosey.com/shop/prod//2406295">https://www.boosey.com/shop/prod//2406295</a> Alican Süner, "Isang Yun "Königliches Thema" for Solo Violin | Alican Süner" (YouTube), <a href="https://www.youtube.com/watch?v=-oo5-cstFWs&amp;ab_channel=AlicanS%C3%BCner">https://www.youtube.com/watch?v=-oo5-cstFWs&amp;ab_channel=AlicanS%C3%BCner</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 solo violin / violon Yun, Isang (1917-1995) Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource L'amour Eternal Description An account of the resource I. Andantino fluente II. Allegretto e poco agitato III. Moderato e molto expressivo Creator An entity primarily responsible for making the resource Adams, H Leslie Source A related resource from which the described resource is derived <a href="https://composers.com/composers/h-leslie-adams/lamour-eternel-flute-and-piano">https://composers.com/composers/h-leslie-adams/lamour-eternel-flute-and-piano</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012 Format The file format, physical medium, or dimensions of the resource 10-20 minutes Type The nature or genre of the resource Musical Work / Ouvrage musical Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource La memoria Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Sierra, Roberto (b. 1953) Description An account of the resource Puerto Rican composer Roberto Sierra composed "La Memoria" on commission from Matt Haimovitz. Duration: 8 minutes Source A related resource from which the described resource is derived Roberto Sierra (personal website), <a href="https://www.robertosierra.com/">https://www.robertosierra.com/</a> Roberto Sierra (Wikipedia), <a href="https://en.wikipedia.org/wiki/Roberto_Sierra">https://en.wikipedia.org/wiki/Roberto_Sierra</a> Roberto Sierra, La Memoria (score), <a href="https://store.subitomusic.com/index.php?main_page=product_info&amp;cPath=3_117_212&amp;products_id=7938">https://store.subitomusic.com/index.php?main_page=product_info&amp;cPath=3_117_212&amp;products_id=7938</a> albinonius, "Robert Sierra: La memoria (for solo cello)" (YouTube), <a href="https://www.youtube.com/watch?v=Cpg6FxZRJ6A&amp;ab_channel=albinonius">https://www.youtube.com/watch?v=Cpg6FxZRJ6A&amp;ab_channel=albinonius</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Subito Music Corporation Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Sierra, Roberto (b. 1953) solo