13 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danzas Latinoamericanas Date A point or period of time associated with an event in the lifecycle of the resource 1998 Creator An entity primarily responsible for making the resource Elizondo, José L. (b. 1972) Description An account of the resource Mexican composer José L. Elizondo composed "Danzas Latinoamericanas" (Latin American Dances) by commission from Mexican cellist Carlos Prieto (to whom the composition is also dedicated). The work has three movements, which can be performed as a suite or independently: 1. Otoño en Buenos Aires (Autumn in Buenos Aires) - a "passionate tango that pays homage to the music of Astor Piazzolla and Carlos Gardel." 2. Pan de Azúcar (Sugar Loaf Mountain) - "is named after the famous mountain in Rio de Janeiro. It is inspired by Brazilian bossa nova. It echoes the sensuous music of Antonio Carlos Jobim and Heitor Villa-Lobos. The melodies in this piece are expressive, melancholic and peaceful, with a general mood of 'joyful serenity'." 3. Atardecer Tapatío (Sunset in Guadalajara) - "is inspired by Mexican jarabe folk-dance music and the sound of 'mariachi' bands. The music is worry-free, festive and full of life. It is a tribute to the composer's homeland." The work has been arranged for Flute, English Horn and various other instruments. Available here: <a href="https://www.joseelizondo.com/scores-danzas.html">https://www.joseelizondo.com/scores-danzas.html</a> Duration: 10-15 minutes Source A related resource from which the described resource is derived José L. Elizondo (personal website), <a href="https://www.joseelizondo.com/biography.html">https://www.joseelizondo.com/biography.html</a> José L. Elizondo, Danzas Latinoamericanas (score), <a href="https://joseelizondo.com/scores/danzas-flute-i-ii-iii.pdf">https://joseelizondo.com/scores/danzas-flute-i-ii-iii.pdf</a> José L. Elizondo, Danzas Latinoamericanas (scores for other instrumentations), <a href="https://www.joseelizondo.com/scores-danzas.html">https://www.joseelizondo.com/scores-danzas.html</a> José Elizondo Music, "'Danzas Latinoamericanas' by Jose Elizondo. Performed by Pavel Barabaschuk" (YouTube), <a href="https://www.youtube.com/watch?v=uX8zXHnI3_Q&ab_channel=JoseElizondoMusic">https://www.youtube.com/watch?v=uX8zXHnI3_Q&ab_channel=JoseElizondoMusic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Elizondo, José L. (b. 1972) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danzas Barrocas Date A point or period of time associated with an event in the lifecycle of the resource 2009 Creator An entity primarily responsible for making the resource Elizondo, José L. (b. 1972) Description An account of the resource Mexican composer José L. Elizondo's "Danzas Barrocas" (Baroque Dances) was dedicated to Mexican cellist Carlos Prieto. As indicated on the composer's website: the Baroque "Dances is a suite of 3 short dances in Baroque style, inspired by Bach's cello suites. Carlos Prieto and Alvaro Bitrán premiered the work on June 3, 2009 at the Museo de Arte Contemporáneo MARCO, in Monterrey, Nuevo León in Mexico." The Dances were composed for cello, but have been arranged for Contrabass, Flute, Bassoon, and Piano. Scores and recordings available on the composer's website. Duration: 7 minutes Source A related resource from which the described resource is derived José L. Elizondo, Works list (scores and recordings), <a href="https://www.joseelizondo.com/scores-all.html">https://www.joseelizondo.com/scores-all.html</a> José L. Elizondo, Danzas Barrocas (score for bassoon), <a href="https://joseelizondo.com/scores/baroquedances-bassoon-i-ii-iii.pdf">https://joseelizondo.com/scores/baroquedances-bassoon-i-ii-iii.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Elizondo, José L. (b. 1972) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Palabras de Maderas Date A point or period of time associated with an event in the lifecycle of the resource 2003/2007 Creator An entity primarily responsible for making the resource Escalona-Mijares, Mirtru Description An account of the resource Venezuelan composer Mirtu Escalona-Mijares composed and dedicated "Palabras de Maderas" for Cyprien Busolini at the Fondation Suisse, Cité Interntionale Universitaire de Paris. As written on the publisher's website: "Paris - France.Love, Peace, Tolerance, Respect, Conscience, -and a number of words that I unfairly do not quote- I imagine them sculpted in a material as beautiful as wood. An organic material that we can work and embellish, but also destroy and disintegrate completely. For me the viola has the noblest sound of all string instruments, and in this piece represents the human being in constant search of himself." Duration: 6-10 minutes Source A related resource from which the described resource is derived Mirtu Escalona Mijares, Palabras de Maderas (score), <a href="https://www.babelscores.com/catalogs/instrumental/palabras-de-maderas">https://www.babelscores.com/catalogs/instrumental/palabras-de-maderas</a> Mirtu Escalona Mijares, Palabras de Maderas (Soundcloud), <a href="https://www.babelscores.com/catalogs/instrumental/palabras-de-maderas">https://soundcloud.com/mirtru/palabras-de-maderas</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Babel Scores Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Escalona-Mijares, Mirtru solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Darshan Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Esmail, Reena (b. 1983) Description An account of the resource Indian American composer Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces. As written in the program notes made available on her website: "Darshan means ‘seeing’ in Hindi. In the Hindu religion, to give ‘darshan’ is to see and worship God. As Vijay and I worked on this music together over three years, we began to see the divine in one another. This movement, in Raag Charukeshi, is the first movement of five, which will be written over a span of five years. It explores grief, in its many facets and forms." "Darshan" was commissioned by Vijay Gupta. It was first premiered (in its first iteration) with Taos New Music Group in Taos, New Mexico on September 22, 2018. Access the audio guide: <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Duration: 5.5 minutes Source A related resource from which the described resource is derived Reena Esmail, Darshan (program notes, personal website), <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Vijay Gupta, "Darshan - Charukeshi: Reena Esmail - Vijay Gupta, violin" (YouTube), <a href="https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta">https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Esmail, Reena (b. 1983) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Neverland Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Neverland" (2008) as a musical narrative based on a dream. The work was premiered in part by Dr. Julie Goldberg at Vandercook College of Music in Chicago (2007) and premiered in full at Yale University in 2008. I. Summons II. Feast III. Game Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Neverland (score), <a href="https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8">https://thomasflippin.com/products/iv2df8o5ge1hd9csyi3qis6l6tclx8</a> Thomas Flippin, Neverland (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Scenes From America Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Scenes from America" (2012) to depict the "transition from childhood to adulthood across three American scenes." I. Salt Creek, CA II. Chicago, IL III. New York Minute The work was premiered in part by Kenji Haba for Vox Novus series in NYC in 2011 and later premiered in full at the St. Louis Botanical Gardens Theater. Duration: 7 minutes Source A related resource from which the described resource is derived Thomas Flippin, Scenes from America (score), <a href="https://thomasflippin.com/products/scenes-from-america">https://thomasflippin.com/products/scenes-from-america</a> Emmanuel Lacopo, "Scenes from America // Thomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=e1ALYOSysJc">https://www.youtube.com/watch?v=e1ALYOSysJc</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Vellini Publications Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ten Kingdoms Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin composed "Ten Kingdoms" (2014) based on the writings of Bartolome de las Casas. The composition was premiered in part with Madeleine Davidson at the Brooklyn Conservatory of Music in October 2012, and later in part with Christopher Mallett at Sheldon Concert Hall and Placitas New Mexico. I. Sail -- “Those that arriv'd ...from the remotest parts of Spain, and who pride themselves in the Name of Christians.” II. Trudge -- “Inhabitants would soon have wrought away their lives by hard working in the Mines, so that [the Spanish Prefect] might accumulate Gold by their bodies and Souls." III. Breathe -- “There can be nothing more cruel and detestable than the tyrannical usage of the Spainiards towards the Indians in their Pearl Fishing...If [they] rest themselves the Hangman is immediately upon them in a canoe... beating them [and] dragging them by the hair underwater, that they may drudge again.” Duration: 8 minutes Source A related resource from which the described resource is derived Thomas Flippin, Ten Kingdoms (score), <a href="https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo">https://thomasflippin.com/products/ten-kingdoms-for-guitar-duo</a> CCM Guitar Studio, "Ten Kingdoms - Thoomas Flippin" (YouTube), <a href="https://www.youtube.com/watch?v=Ew0r8H9gdpo">https://www.youtube.com/watch?v=Ew0r8H9gdpo</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo Flippin, Thomas guitar / guitare Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Soldier's Sonata Date A point or period of time associated with an event in the lifecycle of the resource 2007 Creator An entity primarily responsible for making the resource Flippin, Thomas Description An account of the resource Black composer Thomas Flippin's "A Soldier's Sonata" (2007, rev. 2020) depicts the psyche of a soldier in conflict. As indicated on the composer's website, it was "based on my relationships with Bosnian musicians Denis Azabagic and Vesna Mehinovic. Premiered in full at the Norfolk Music Festival, 2007. First movement is optional." Duration: 9 minutes Source A related resource from which the described resource is derived Thomas Flippin, A Soldier's Sonata (score), <a href="https://thomasflippin.com/products/a-soldiers-sonata">https://thomasflippin.com/products/a-soldiers-sonata</a> Thomas Flippin, A Soldier's Sonata (Spotify), <a href="https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1">https://open.spotify.com/album/76AddejumgqqS2ny4FFMOn?si=XgL4s1kRRnycRSlWsbaRaQ&nd=1</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Flippin, Thomas guitar / guitare solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Collection of Solo Bass Works Date A point or period of time associated with an event in the lifecycle of the resource 2000s Creator An entity primarily responsible for making the resource Foley, Xavier Description An account of the resource African American bassist and composer Xavier Foley has written many works for double bass. These works can be purchased through <a href="https://xavierfoley.com/collections/individual-sheet-music">the composer's website</a> and in one large collection of solo works. Source A related resource from which the described resource is derived Xavier Foley, The Solo Book: includes all double bass solo composed by Xavier Foley (scores), <a href="https://xavierfoley.com/collections/individual-sheet-music/products/the-solo-book">https://xavierfoley.com/collections/individual-sheet-music/products/the-solo-book</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- double bass / contrebasse Foley, Xavier solo Musical Work / Ouvrage musical Instrumentation flute / flûte oboe / hautbois clarinet / clarinette bassoon / basson horn / cor Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Music After Catherine Description An account of the resource After returning from a trip, a traveler often tells of the events that have taken place on his, her or their journey. This was no different for my trip to Oklahoma City for my grandmother’s 90th birthday. What seemed to be a routine trip soon turned into canceled flights, sixteen hours in an airport, lots of time alone, and a seventy-five minute drive before making it back to Greensboro. Music After Catherine depicts these events along with the emotions associated with them as I tried to return home. 1. Bittersweet 2. Longing 3. Happily Creator An entity primarily responsible for making the resource Ford, Am're Source A related resource from which the described resource is derived <a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwjJvfXiotmDAxUsEFkFHfLWBNoQFnoECBAQAQ&url=https%3A%2F%2Fsoundcloud.com%2Famre-ford&usg=AOvVaw04ck82mY387dahgRFw9ffx&opi=89978449">Am're FordSoundCloud · Am're Ford40+ followers</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000-