14 10 296 Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource time is an impatient thing Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2018 composition "time is an impatient thing" was written for Trio Alexander. A composition for harp, viola, and flute that places the harp at the forefront of free, improvisatory gestures. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, time is an impatient thing (2018) for Alto Flute, Viola, and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/time-is-an-impatient-thing-2018-for-alto-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe flute / flûte viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Melic Silhouettes Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, Frazier is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2015 composition "Melic Silhouettes" is a trio for flute, viola, and harp. It was written for Rosanna Moore and Trio Alexander. Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, Melic Silhouettes (2015) for Flute, Viola and Harp (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp">https://soundcloud.com/michael-frazier-music/melic-silhouettes-2015-for-flute-viola-and-harp</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Frazier, Michael (b. 1992) harp / harpe trio viola / violon-alto Musical Work / Ouvrage musical Ensemble Type trio Instrumentation harp / harpe piano saxophone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ursa Minor Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Frazier, Michael (b. 1992) Description An account of the resource Black and Latino composer Michael Frazier specializes in acoustic, electronic, and electroacoustic music. As described on his website, he is invested in "exploring a kind of music that has a connection to a broader history of Black creative artistry." His 2018 composition "Ursa Minor" represents the composer's love of the Ursa Minor constellation, this trio features a prominent tenor sax line inspired by John Coltrane’s “Naima.” Source A related resource from which the described resource is derived Michael Frazier (personal website), <a href="https://www.michaelfraziermusic.com/compositions">https://www.michaelfraziermusic.com/compositions</a> Michael Frazier Music, Ursa Minor (2018) for tenor sax, harp and piano (Soundcloud), <a href="https://soundcloud.com/michael-frazier-music/ursa-minor">https://soundcloud.com/michael-frazier-music/ursa-minor</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- Frazier, Michael (b. 1992) harp / harpe piano saxophone trio Musical Work / Ouvrage musical Ensemble Type solo Instrumentation horn / cor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource PoyoPoyo Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Fujikura, Dai (b. 1977) Description An account of the resource Japanese composer Dai Fujikura wrote "Poyopoyo" on commission from Nobuaki Fukukawa, to whom the composition is also dedicated. This one movement work was premiered in Nagoya, October 2012. A highly challenging work for unaccompanied horn. On his website, Fujikura writes: "In Japanese the word poyopoyo describes something soft and squidgy, with a velvety texture - like the cheek of a four month old baby, which is how old my daughter was when I wrote this work. I experimented many things with the horn player Nobuaki Fukukawa whom the work was written for. I wanted to find a sound which is the antithesis of the stereotypical horn sound. To me the horn often sounds big and macho, and plays fanfare like music. I looked for sensitive, quiet, soft, and poetic sounds to symbolise poyopoyo. I experimented with the player over online video conferencing to get this effect. We settled on using a bass trombone harmon mute or a specially made harmon mute for horn. The player can open or close the mute with his hand to make the wah-wah effect, and throughout this piece the speed of this wah-wah effect varies to represent poyopoyo." Duration: 9 minutes Source A related resource from which the described resource is derived Dai Fujikura, "Dai Fujikura - poyopoyo for horn" (YouTube), <a href="https://www.youtube.com/watch?v=IcC0n-YhMx8&ab_channel=DaiFujikura">https://www.youtube.com/watch?v=IcC0n-YhMx8&ab_channel=DaiFujikura</a> Dai Fujikura, Poyopoyo : For Horn (2012) (score), <a href="https://www.tfront.com/p-431868-poyopoyo-for-horn-2012.aspx">https://www.tfront.com/p-431868-poyopoyo-for-horn-2012.aspx</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Ricordi Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Fujikura, Dai (b. 1977) horn / cor solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Samarasa Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Fujikura, Dai (b. 1977) Description An account of the resource Japanese composer Dai Fujikura's "Samarasa" was composed in 2010 with a new version in 2014. As written on his website, Fujikura states: "'Samarasa' is a rough translation for 'mind at rest' in Sanskrit. I composed this piece for the violinist Hae-Sun Kang who is with Ensemble InterContemporain, commissioned by the Messiaen Festival which takes place in the French Alps. As I set to work on this piece, my focus fell on the right arm of the performer and the movement and speed of the bow. Whereas contemporary music tends to focus on the pitches (which would be the performer’s “left hand”, and its fingering) - and quite understandably so - I was more fascinated with the right arm, as was the case with my viola piece “flux”. The first part begins with the same note being played alternately on three strings, where the violinist’s bow maintains its normal movement while the “left hand” shifts geographically on violin’s fingerboard. This unconventional method produces an irregular kind of melody. During the compositional process I tried drawing the neck of a violin on a piece of paper and placing my fingers along it. The constant cross-string technique employed in the piece is another “unnatural” characteristic unique to string instruments." Duration: 9 minutes Source A related resource from which the described resource is derived Dai Fujikura, "Dai Fujikura - 'Samarasa' (new version) for violin" (YouTube), <a href="https://www.youtube.com/watch?v=CW0sCWPvaj0">https://www.youtube.com/watch?v=CW0sCWPvaj0</a> Dai Fujikura, Samarasa (score), <a href="https://www.prestomusic.com/sheet-music/products/7635905--dai-fujikura-samarasa">https://www.prestomusic.com/sheet-music/products/7635905--dai-fujikura-samarasa</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Ricordi Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Fujikura, Dai (b. 1977) solo violin / violon Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Three Visions Date A point or period of time associated with an event in the lifecycle of the resource 1936 Creator An entity primarily responsible for making the resource Grant Still, William (1895-1978) Description An account of the resource Black composer William Grant Still (known as the "Dean of Afro-American Composers") wrote the "Three Visions" suite in 1935 for solo piano. As written in the<a href="https://en.wikipedia.org/wiki/Three_Visions"> Wikipedia article</a> on this work, the composer's daughter Judith Anne Still indicated that "The three segments of the suite, Dark Horsemen, Summerland, and Radiant Pinnacle, tell the story of the human soul after death: the body expires, and the soul goes on to an apocalyptic judgment. If it is seen that the past life has been a good one, the soul may enter “heaven,” or “Summerland”. After a period of time, the soul may reincarnate to learn additional earthly lessons on the human plane. Some souls reincarnate many times in a constant circular progress toward Godly perfection." Three Visions was composed by Still for his wife, Verna Arvey, who first played the composition in Los Angeles in 1936. Duration: 11 minutes Source A related resource from which the described resource is derived William Grant Still, "Three Visions" (Wikipedia), <a href="https://en.wikipedia.org/wiki/Three_Visions">https://en.wikipedia.org/wiki/Three_Visions</a> Opus Illuminate, "William Grant Still: Three Visions" (YouTube), <a href="https://www.youtube.com/watch?v=dVnoNlG1dGY">https://www.youtube.com/watch?v=dVnoNlG1dGY</a> William Grant Still, Three Visions (score), <a href="https://musescore.com/moonlarke/william-grant-still-three-visions-1936">https://musescore.com/moonlarke/william-grant-still-three-visions-1936</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 Grant Still, William (1895-1978) piano solo Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette violin / violon Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Collide-oscope I Description An account of the resource The creative output of Anthony R. Green (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a collaboration, or social justice work. Creator An entity primarily responsible for making the resource Green, Anthony R. Source A related resource from which the described resource is derived <a href="https://www.anthonyrgreen.com/">https://www.anthonyrgreen.com/</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte violin / violon cello / violoncelle piano percussion Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ohkyanoos Description An account of the resource premiered by Ensemble Transmission during the 5th Pharos International Contemporary Music Festival, Nicosia, Cyprus, October 2013 (Anthony R. Green, conductor) Creator An entity primarily responsible for making the resource Green, Anthony R. Source A related resource from which the described resource is derived <a href="https://www.anthonyrgreen.com/works">https://www.anthonyrgreen.com/works</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte voice / voix viola / violon-alto cello / violoncelle Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Oh, Freedom! Creator An entity primarily responsible for making the resource Green, Anthony R. Source A related resource from which the described resource is derived <a href="https://www.anthonyrgreen.com/works">https://www.anthonyrgreen.com/works</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte viola / violon-alto harp / harpe Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Probono Description An account of the resource The creative output of Anthony R. Green (b. 1984; composer, performer, social justice artist) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a collaboration, or social justice work. Creator An entity primarily responsible for making the resource Green, Anthony R. Source A related resource from which the described resource is derived <a href="https://www.anthonyrgreen.com/bio">https://www.anthonyrgreen.com/bio</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000-