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                <text>A Dream</text>
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                <text>Dr. Hicks is a graduate of the New England Conservatory of Music (BM in composition, ’76), the University of Massachusetts (Lowell), (MM in Pianist, composer, performer, lecturer, recording artist, arranger, and conductor, Geoffrey Dana Hicks is a musician of many talents. In February of 2002, the Geoffrey Hicks Quartet entertained hundreds of guests at the John F. Kennedy Library in Boston, to celebrate Senator Edward M. Kennedy’s seventieth birthday, in an evening celebration that also featured cellist Yo-Yo Ma.&#13;
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                <text>Coty</text>
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                <text>1976</text>
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                <text>Hilliard, Quincy C. (b. 1954)</text>
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                <text>Black composer Quincy C. Hilliard is a composer and professor in the School of Music &amp; Performing Arts at the University of Louisiana at Lafayette. &#13;
&#13;
In 2012, "Coty" was recorded on an album that was nominated for a Grammy Award.&#13;
&#13;
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                <text>Duration: 8 minutes</text>
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                <text>Quincy C. Hilliard (faculty profile at University of Louisiana at Lafayette), &lt;a href="https://music.louisiana.edu/faculty/hilliard"&gt;https://music.louisiana.edu/faculty/hilliard&lt;/a&gt;</text>
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                <text>Carlos &amp;amp; Breenen Duo, "Carlos &amp;amp; Brennen: Coty (by Quincy Hilliard)" (YouTube), &lt;a href="https://www.youtube.com/watch?v=_yYxnztiR4k&amp;amp;ab_channel=Carlos%26BrennenDuo"&gt;https://www.youtube.com/watch?v=_yYxnztiR4k&amp;amp;ab_channel=Carlos%26BrennenDuo&lt;/a&gt;</text>
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                <text>1950-1999</text>
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        <name>Hilliard, Quincy C. (b. 1954)</name>
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                <text>Encore: For Horn in F and Piano</text>
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                <text>Hilliard, Quincy C. (b. 1954)</text>
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                <text>Black composer Quincy C. Hilliard is a composer and professor in the School of Music &amp;amp; Performing Arts at the University of Louisiana at Lafayette. &lt;br /&gt;&lt;br /&gt;As written about "Encore" on the publisher's website: "Written as Concerto for Young Artist(s) and Band on commission from 1999 New Music Festival of Sandusky, Ohio, Encore has been published in the multiple versions and can be played by any standard wind and brass instrument. These versions are all compatible with the published band edition (Concerto for Young Artist{s}and Band-YPS11). The piece is in one movement, ABA form with a lyrical "Andante" framed by the opening "Allegro con energico" and its repeat. Encore - Quincy C. Hilliard"</text>
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                <text>Quincy C. Hilliard (faculty profile at University of Louisiana at Lafayette), &lt;a href="https://music.louisiana.edu/faculty/hilliard"&gt;https://music.louisiana.edu/faculty/hilliard&lt;/a&gt;</text>
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                <text>Quincy C. Hilliard, Encore : For Horn in F and Piano (score), &lt;a href="https://www.tfront.com/p-142183-encore-for-horn-in-f-and-piano.aspx"&gt;https://www.tfront.com/p-142183-encore-for-horn-in-f-and-piano.aspx&lt;/a&gt;</text>
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                <text>John F. Howe, "Quincy C. Hilliard: Encore | Performed by Jon F. Howe" (YouTube), &lt;a href="https://www.youtube.com/watch?v=7YN-Y1Kt0AQ&amp;amp;ab_channel=JonF.Howe-Composer"&gt;https://www.youtube.com/watch?v=7YN-Y1Kt0AQ&amp;amp;ab_channel=JonF.Howe-Composer&lt;/a&gt;</text>
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                <text>Carl Fischer</text>
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                <text>Holland, Jonathan Bailey	</text>
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                <text>&lt;a href="https://www.jonathanbaileyholland.com/klangefarbemusic/p/sonata-for-flute-and-piano"&gt;https://www.jonathanbaileyholland.com/klangefarbemusic/p/sonata-for-flute-and-piano&lt;/a&gt;</text>
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                <text>Holland, Jonathan Bailey</text>
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                <text>Black composer Jonathan Bailey Holland composed "Journal Entry" in 2020. &lt;br /&gt;&lt;br /&gt;As written about the work by Jannina Norpoth on the Kaufman Music Center's website: "Originally written last year for a Black History Month performance at the Detroit Institute of Arts curated by Grammy-nominated violinist Jannina Norpoth. The concert titled “Transitive Vision,” explored how we envision our past, present, future and ourselves — tying into how we embrace our history, our spirituality and our identity." Commissioned by violinist Jannina Norpoth, the artist wrote in depth about the work in the comments of the video she uploaded to YouTube: "his video is inspired by Jonathan’s piece which he wrote for me to perform shortly before the pandemic began in February 2020. As I recall he wrote it after a personal loss of his own. In the first few months it resonated with me as a introspective meditation for the moment. I created my own “Journal Entry” one weekend in May grieving both the death of a friend and mentor (from COVID), whose funeral was also the same day as the one year anniversary losing of my last surviving grandparent. With that in mind I dedicated the imagery to the love, vision and perseverance of my Grandparents Dr. Alwin Barefield and Bessie “Babs” Barefield (pictured at the end). My Grandmother came to Detroit from rural Mississippi town named after her family and founded by my great-great-great grandparents in 1868 post slavery - her family being one of the only Black families in the state to own a Cotton Gin, the survival of the community when so many others were destroyed by the KKK has great significance. After her funeral my mother and I spent an evening cleaning out my grandparents home - a place where I spent a significant portion of my upbringing and that flooded me with happy and bittersweet memories. My Grandfather in his prime was a well respected Doctor, graduate of Howard Medical School and Army Veteran. He did his medical internship at Sydenham Hospital in Harlem - the first hospital in NYC to integrate patients and doctors. In my Grandfather’s old study I found something that impacted me greatly. Posted on the wall was the original newspaper clipping from 1968, where Olympians #tommiesmith &amp;amp; #johncarlos gave the #blackpowersalute during the US National Anthem. To know that this is something he looked to for daily inspiration is incredibly impactful for me. To reflect on the fact that these athletes were stripped of their medals, robbed of their careers and - what they stood for some 50 years later is infuriatingly exactly the same. I recorded this video in front of a mirror to symbolize my own reflection - of myself, my privilege, my grief, my oppression, my survival and that of those who came before me. My journal entry."</text>
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                <text>Jonathan Bailey Holland (personal website), &lt;a href="https://www.jonathanbaileyholland.com/about"&gt;https://www.jonathanbaileyholland.com/about&lt;/a&gt;</text>
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                <text>Jonathan Bailey Holland, Journal Entry (score), &lt;a href="https://www.jonathanbaileyholland.com/klangefarbemusic/chamber/journal-entry-for-solo-violin"&gt;https://www.jonathanbaileyholland.com/klangefarbemusic/chamber/journal-entry-for-solo-violin&lt;/a&gt;</text>
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                <text>Jannina Norpoth, "Jannina Norpoth - Jonathan Bailey Holland 'Journal Entry'" (YouTube), &lt;a href="https://www.youtube.com/watch?v=73jgVHx5Z0A"&gt;https://www.youtube.com/watch?v=73jgVHx5Z0A&lt;/a&gt;</text>
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