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                <text>Tone-Grafting</text>
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            <description>An account of the resource</description>
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                <text>Commissioned and Premiered by the Radius Ensemble, 2009</text>
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                <text>Holland, Jonathan Bailey</text>
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                <text>2009</text>
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                <text>0-10 minutes</text>
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                <text>2000-</text>
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              <text>flute / flûte</text>
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                <text>Monochrome</text>
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            <description>An account of the resource</description>
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                <text>Commissioned by the New Gallery Concert Series&#13;
Performers: Jessi Rosinski, Flute; Jesse Irons, Violin; Raphael Popper-Keiser, Cello; Jennfer Elowski-Fox, Piano</text>
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                <text>Holland, Jonathan Bailey</text>
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                <text>&lt;a href="https://soundcloud.com/profjbh/monochrome-by-jonathan-bailey"&gt;https://soundcloud.com/profjbh/monochrome-by-jonathan-bailey&lt;/a&gt;</text>
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                <text>10-20 minutes</text>
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                <text>2000-</text>
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                <text>Between Days</text>
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                <text>for alto flute, Bb clarinet, cello, piano&#13;
&#13;
Duration: 11 minutes&#13;
&#13;
commissioned by Ensemble New Amsterdam</text>
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                <text>&lt;a href="https://www.jonathanbaileyholland.com/klangefarbemusic/p/between-days"&gt;https://www.jonathanbaileyholland.com/klangefarbemusic/p/between-days&lt;/a&gt;</text>
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                <text>2000-</text>
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      <name>Musical Work / Ouvrage musical</name>
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              <text>flute / flûte</text>
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              <text>percussion</text>
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              <text>voice / voix</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Love Songs</text>
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            <description>An account of the resource</description>
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                <text>Love Songs (8') is a song cycle by Jonathan Bailey Holland with text by Sandra Cisneros. The work was premiered by Caprice Corona, soprano and Alison d'Amato, piano in 1999. It is scored for high voice and piano.</text>
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            <name>Creator</name>
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                <text>Holland, Jonathan Bailey</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="4013">
                <text>&lt;a href="https://songofamerica.net/song/love-songs/"&gt;https://songofamerica.net/song/love-songs/&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>0-10 minutes</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="4015">
                <text>English </text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>2000-</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Songs for Voice and Guitar</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>[1800s]</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Holland, Justin (1819-1877)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Black composer Justin Holland is one of the most important American guitarists of his generation and (as written on the Amaranth Publishing website) one of the first Black men to contribute to the classical guitar. &#13;
&#13;
His Songs for Voice &amp; Guitar are available for purchase via Amaranth Publishing.</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="655">
                <text>Justin Holland (biography), Amaranth Publishing, &lt;a href="https://www.amaranthpublishing.com/JustinHolland.html"&gt;https://www.amaranthpublishing.com/JustinHolland.html&lt;/a&gt;</text>
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                <text>Justin Holland (scores), &lt;a href="https://www.amaranthpublishing.com/JustinHolland.html#music"&gt;https://www.amaranthpublishing.com/JustinHolland.html#music&lt;/a&gt;</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1850-1899</text>
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        <name>Holland, Justin (1819-1877)</name>
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      <name>Musical Work / Ouvrage musical</name>
      <description/>
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          <name>Ensemble Type</name>
          <description/>
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            <elementText elementTextId="2886">
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          <name>Instrumentation</name>
          <description/>
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              <text>piano</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Miko Dance: Concerto for Horn in F and Orchestra</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2877">
                <text>2006</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2878">
                <text>Hoshina, Hiroshi (b. 1936)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2879">
                <text>Japanese composer, Hiroshi Hoshina's "Miko Dance" is a free-style concerto for solo horn and orchestra. The work was composed at the request of the Hoshina Academy Chamber Orhcestra Ensemble Harmonia.</text>
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                <text>Duration: 13 minutes</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2881">
                <text>Hiroshi Hoshina (Wind Repertory Project), &lt;a href="https://www.windrep.org/Hiroshi_Hoshina"&gt;https://www.windrep.org/Hiroshi_Hoshina&lt;/a&gt;</text>
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                <text>Hiroshi Hoshina, Miko Dance (score), &lt;a href="https://www.tfront.com/p-267956-miko-dance-concerto-for-horn-in-f-and-orchestra-2006-reduction-for-horn-and-piano.aspx"&gt;https://www.tfront.com/p-267956-miko-dance-concerto-for-horn-in-f-and-orchestra-2006-reduction-for-horn-and-piano.aspx&lt;/a&gt;</text>
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                <text>Philharmonic Winds HAMAMATSU, "Miko Dance for Solo Horn and Wind Orchestra by Hiroshi Hoshina" (YouTube), &lt;a href="https://www.youtube.com/watch?v=Ibn_e9ihPPg&amp;amp;ab_channel=PhilharmonicWindsHAMAMATSUMusicOffice"&gt;https://www.youtube.com/watch?v=Ibn_e9ihPPg&amp;amp;ab_channel=PhilharmonicWindsHAMAMATSUMusicOffice&lt;/a&gt;</text>
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                <text>2000-</text>
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                <text>Edition Bim</text>
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        <name>Hoshina, Hiroshi (b. 1936)</name>
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                <text>Japanese composer Toshio Hosokawa's "Kleine Blume" is a one movement work written in honour of the 50th birthday of Michael Haefliger. The composition was premiered by Stefan Dohr in Bilbaeo, Spain in May 2011.</text>
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                <text>Toshio Hosokawa, Kleine Blume - for the 50th Birthday of Michael Haefliger (score), &lt;a href="https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx"&gt;https://www.tfront.com/p-454300-kleine-blume-for-the-50th-birthday-of-michael-haefliger-for-horn.aspx&lt;/a&gt;</text>
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                <text>Schott Japan</text>
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                <text>Hughes, Chad "Sir Wick" (b. 1977)</text>
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                <text>Black composer Chad "Sir Wick" Hughes fell in love with cello suites in 1995. &lt;br /&gt;&lt;br /&gt;As written on his website, "As I came home (to the dorms) from marching band practice at the University of Michigan, I heard not only a glorious euphonium sound, but I heard this beautiful melody in C coming from the dorm's practice rooms. I had to find out who and what it was. As I knocked on the door, I introduced myself and then met Matthew Summers, a fellow music major (now currently in the President's Own Marine Band. A week or two later, we went to the library so I could get my own copy of the music. Coincidently I had just met Leo Eguchi and Minitria Slade who were violoncello performance majors. They had a sound that was just quite mesmerizing. I would ask them questions repeatedly so I could learn how to write for this instrument. I had no idea about bowings, double-stops, bow techniques. I was a kid in a candy store. Years later, the tuba/euph studio at UM had to learn various movements from the cello suites. I went to the library to grab some recordings. Somehow someway, the video of Mstislav Rostropovich performing the Suites was already playing in the library. He quickly became my favorite cellist. Maybe it was the quality of his CDs. His tone just captured me. The musicality of his cello suites got me hooked on his first note. Forever a fan! Right around the time I was about to graduate, I ran into our cello professor, Anthony Elliott. He kindly asked me to write him a piece. I was floored. No professor had ever asked me that. Honestly, I was nervous. I hadn't really written solo music before, mostly orchestra music. Unbeknownst to me, Prof. Elliott was putting together a concert and CD of African-American compositions. I just used Bach as my mode and listened over and over to Rostropovich. I didn't write six movements as he did, but decided to use the dance forms."&lt;br /&gt;&lt;br /&gt; The "First Suite for Solo Violoncello" has a minuet, courante and gigue.</text>
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                <text>Chad "Sir Wick" Hughes (personal website), &lt;a href="https://sirwickmusic.com/about"&gt;https://sirwickmusic.com/about&lt;/a&gt;</text>
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                <text>Chad "Sir Wick" Hughes, First Suite for Solo Violoncello (score), &lt;a href="https://sirwickmusic.com/product/551739"&gt;https://sirwickmusic.com/product/551739&lt;/a&gt;</text>
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                <text>Sir Wick Music, "First Suite for Solo Violoncello (Sir Wick); Anthony Elliott, cello" (YouTube), &lt;a href="https://www.youtube.com/watch?v=4Tqa1e4b_yA&amp;amp;ab_channel=SirWickMusic"&gt;https://www.youtube.com/watch?v=4Tqa1e4b_yA&amp;amp;ab_channel=SirWickMusic&lt;/a&gt;</text>
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                <text>From New York, With Love</text>
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                <text>Jie, Wang (b. 1980)</text>
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              <elementText elementTextId="2671">
                <text>Chinese-born American composer Wang Jie wrote "From New York, With Love" for flute or piccolo and percussion. &lt;br /&gt;&lt;br /&gt;Program notes for the composition on the composer's website indicate: "It’s been tickling my ears that countless New Yorkers are greeted every day by a musical motif as the new subway trains on the green and yellow lines pull out of their stations: c2 – f2 – e3. The exact mechanism that produces these unchanging tones is a mystery to me (another way of saying that having perfect pitch may be convenient but doesn’t guarantee a mechanical engineering degree). I’ve hijacked that three-note-motif tonight, relocating it from the raucous underworld to the clean acoustic canvas of this concert hall and transforming into a musical composition for Flute, Viola and Harp. Eager to dance in its new disguise, the motif is having a field day out here. Please dance with it for the next few moments because it’s sure to escape back to the subway stations before the MTA notices and causes delays."</text>
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                <text>Wang Jie (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/Wang_Jie_(composer)"&gt;https://en.wikipedia.org/wiki/Wang_Jie_(composer)&lt;/a&gt;</text>
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                <text>Wang Jie, From New York, With Love (score), &lt;a href="https://wangjiemusic.com/portfolio_page/from-new-york-with-love/"&gt;https://wangjiemusic.com/portfolio_page/from-new-york-with-love/&lt;/a&gt;</text>
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                <text>Queerflöte, "Wang, Jie - 'From New York, With Love'" (Soundcloud), &lt;a href="https://soundcloud.com/shia-patricia-cardona/01-wang-jie-from-new-york-with-love-12-9-14m4a"&gt;https://soundcloud.com/shia-patricia-cardona/01-wang-jie-from-new-york-with-love-12-9-14m4a&lt;/a&gt;</text>
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          <description/>
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                <text>Chinese-born American composer Wang Jie wrote "From New York, With Love II" for flute, viola and harp. &lt;br /&gt;&lt;br /&gt;Program notes for the composition on Jie's website state: "It’s been tickling my ears that countless New Yorkers are greeted every day by a musical motif as the new subway trains on the green and yellow lines pull out of their stations: c2 – f2 – e3. The exact mechanism that produces these unchanging tones is a mystery to me (another way of saying that having perfect pitch may be convenient but doesn’t guarantee a mechanical engineering degree). I’ve hijacked that three-note-motif tonight, relocating it from the raucous underworld to the clean acoustic canvas of this concert hall and transforming into a musical composition for Flute, Viola and Harp. Eager to dance in its new disguise, the motif is having a field day out here. Please dance with it for the next few moments because it’s sure to escape back to the subway stations before the MTA notices and causes delays."</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Wang Jie (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/Wang_Jie_(composer)"&gt;https://en.wikipedia.org/wiki/Wang_Jie_(composer)&lt;/a&gt;</text>
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                <text>Wang Jie, From New York, with Love - II (program notes), &lt;a href="https://wangjiemusic.com/from-new-york-with-love-ii/"&gt;https://wangjiemusic.com/from-new-york-with-love-ii/&lt;/a&gt;</text>
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