19 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Lyric Suite for Viola, Op. 26a Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource Jones, Joseph Description An account of the resource Black composer, musician and conductor Joseph Jones wrote "Lyric Suite for Viola, Op. 26a" in 2020. Duration: 12 minutes Source A related resource from which the described resource is derived Joseph Jones (personal website), <a href="https://joachimamadeus.wixsite.com/josephjones/home">https://joachimamadeus.wixsite.com/josephjones/home</a> Jseph Jones, "Joseph Jones - Lyrics Suite for Viola, Op. 26a" (YouTube), <a href="https://www.youtube.com/watch?v=Mi8LqlGt-1c&ab_channel=JosephJones">https://www.youtube.com/watch?v=Mi8LqlGt-1c&ab_channel=JosephJones</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Jones, Joseph solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trumpet / trompette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Tromba Date A point or period of time associated with an event in the lifecycle of the resource 1981 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay wrote "Tromba" for the trumpet in 1983. Described in <a href="https://africlassical.blogspot.com/2009/12/ulysses-kays-tromba-on-john-holts.html">program notes</a> as "a free flowing piece sporting a stern Nocturne where the trumpet plays muted. Spirited vernacular sluices through the finale – perky, and decidedly fun. I need hardly add that the performers are all first class ambassadors for this new music – Kay’s Tromba was actually written in 1983 – and they have been accorded typically good notes and recorded sound.” Duration: 8 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay's 'Tromba' (program note), <a href="https://africlassical.blogspot.com/2009/12/ulysses-kays-tromba-on-john-holts.html">https://africlassical.blogspot.com/2009/12/ulysses-kays-tromba-on-john-holts.html</a> Ulysses Kay, Tromba (score), <a href="https://www.sheetmusicplus.com/title/tromba-sheet-music/4404094">https://www.sheetmusicplus.com/title/tromba-sheet-music/4404094</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Carl Fischer Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 duo Kay, Ulysses (1917-1995) piano trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Guitarra Date A point or period of time associated with an event in the lifecycle of the resource 1973, rev. 1985 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay wrote "Guitarra" for guitar in 1973, revised in 1985. The work was commissioned by (and dedicated to) Wilbur P. Cotton. Duration: 12 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay (bio, AfriClassical.com), <a href="https://chevalierdesaintgeorges.homestead.com/Kay.html">https://chevalierdesaintgeorges.homestead.com/Kay.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 guitar / guitare Kay, Ulysses (1917-1995) solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation flute / flûte oboe / hautbois Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for Flute and Oboe Date A point or period of time associated with an event in the lifecycle of the resource 1964 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay's "Suite for Flute and Oboe" is a four movement work dedicated to flutist Martin Heylman and oboist Ernest Serpentini of the Cleveland Symphony Orchestra. According to <a href="https://www.youtube.com/watch?v=iXYqShlYpyg">comments included</a> in a YouTube video of Megan Kyle and Kathryn Scarbrough, "The Suite is composed in a Neoclassic style using traditional Baroque and Classical forms with more progressive harmony influenced by Kay’s study with German composer Paul Hindemith. The movements, Prelude, Air, Minuet, and Gigue each stand on their own. The flute and oboe perform polyphonic and homophonic imitative and competing textures coupled with moments of florid unison sixteenth-note passages. Driving motivic rhythms carry the Prelude, Minuet, and Gigue movements, while the lyrical adagio Air contains shorter phrase lengths in wider intervals. The Minuet and Gigue are presented as traditional dance forms with lively, rhythmically accented exchanges in both voices. A keen ear and technical dexterity are required of both instruments." Duration: 5.5 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Suite for Flute and Oboe (Worldcat record), <a href="https://www.worldcat.org/title/suite-for-flute-and-oboe/oclc/681405993">https://www.worldcat.org/title/suite-for-flute-and-oboe/oclc/681405993</a> Masashi Kawasaki, "Ulysses Kay Suite for Flute & Oboe" (YouTube), <a href="https://www.youtube.com/watch?v=eQLsx2n1juI&ab_channel=MasashiKawasaki">https://www.youtube.com/watch?v=eQLsx2n1juI&ab_channel=MasashiKawasaki</a> Geneseo Wind Quintet, "Suite for Flute and Oboe (Kay)" (YouTube), <a href="https://www.youtube.com/watch?v=iXYqShlYpyg">https://www.youtube.com/watch?v=iXYqShlYpyg</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 duo flute / flûte Kay, Ulysses (1917-1995) oboe / hautbois Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite in B Date A point or period of time associated with an event in the lifecycle of the resource 1943 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay "composed his 'Suite in B for Oboe and Piano' in 1943, finishing the piece at Quonset Point, Rhode Island in July. He withdrew the work, along with several other compositions, in the mid-1950s. The distinguished musicologist, lexicographer, and composer Nicholas Slonimsky (1894-1995) commented on this act of self-criticism in an article published in 1957: 'Some of the material he rejects is of excellent quality and it would be a pity if he would physically destroy the manuscripts.' Kay did try to destroy all the copies of the Suite in B for Oboe and Piano, but a few have survived. Slonimsky's assessment is correct, at least in this instance. The 'Suite in B for Oboe and Piano' is a fine work, reflecting careful craftsmanship. Cast in three movements, the work pays homage to the multi-movement structure of a NeoBaroque suite with its opening Prelude, the Recitative and Air, and the final Dance. Kay employed a twentieth-century harmonic language: The first movement begins in B minor and ends in D major. The second movement is in D major but ends on a tonic major seventh chord. The final movement explores some different tonal areas but is firmly rooted in B major. Prairie Dawg Press is proud to be able to make the Suite in B for Oboe and Piano available once again to oboists. We hope that it will prove to be a useful addition to the recital repertoire. The 'Suite in B' received its first public performance while Kay was in residence at the American Academy in Rome as a recipient of the American Prix de Rome. Oboist Pietro Accaroni and pianist Gherardo Macarini premiered the piece on 29 November 1949." Duration: 10 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Suite in B (score), <a href="https://stores.imaginemusicpublishing.com/suite-in-b/">https://stores.imaginemusicpublishing.com/suite-in-b/</a> Kay Ulysses Kay, Suite in B Minor (score), <a href="https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn">https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn</a> Ulysses Kay, "Ulysses Kay: Suite in B" (YouTube), <a href="https://www.youtube.com/watch?v=w3KaTwKd7KI">https://www.youtube.com/watch?v=w3KaTwKd7KI</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Publisher An entity responsible for making the resource available Imagine Music Publishing Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 duo guitar / guitare Kay, Ulysses (1917-1995) oboe / hautbois Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Sonata for Bassoon and Piano Date A point or period of time associated with an event in the lifecycle of the resource 1941 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay wrote this one-movement piece in 1941 while he was studying at Yale with Paul Hindemith. According to the <a href="https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/">publisher's website</a>, "The Sonata for Bassoon and Piano has been unavailable for fifty years and is now presented for the first time in a clean, legible edition." Duration: 6 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Sonata for Bassoon and Piano (score), <a href="https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/">https://stores.imaginemusicpublishing.com/sonata-for-bassoon-and-piano-pdp003/</a> Lecolion Washington, Jr., Legacy: Works for Bassoon by African-American Composers (AllMusic), <a href="https://www.allmusic.com/album/legacy-works-for-bassoon-by-african-american-composers-mw0001865472">https://www.allmusic.com/album/legacy-works-for-bassoon-by-african-american-composers-mw0001865472</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1900-1949 bassoon / basson duo Kay, Ulysses (1917-1995) piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Melodia Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Lacy, Eric Brian Description An account of the resource Black composer Eric Brian "Lacy's Melodia" is a collection of five short pieces for solo flute. Source A related resource from which the described resource is derived Eric Brian Lacy (personal website), <a href="https://www.ericbrianlacy.com/home">https://www.ericbrianlacy.com/home</a> Eric Brian Lacy, Melodia (score excerpts), <a href="https://www.ericbrianlacy.com/_files/ugd/08826c_3a39a9a21e834accb6480765c5338f7b.pdf">https://www.ericbrianlacy.com/_files/ugd/08826c_3a39a9a21e834accb6480765c5338f7b.pdf</a> Eric Brian Lacy, contact form, <a href="https://www.ericbrianlacy.com/contact">https://www.ericbrianlacy.com/contact</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- flute / flûte Lacy, Eric Brian solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Abraham's Sons: In Memoriam Trayvon Martin Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Lee III, James Description An account of the resource Black composer James Lee III composed "Abraham's Sons" for solo cello, in dedication to the family of Trayvon Martin. Duration: 5.5 minutes Source A related resource from which the described resource is derived James Lee III (personal website), <a href="https://www.jameslee3music.com/biography">https://www.jameslee3music.com/biography</a> James Lee III, Abraham's Sons (score), <a href="https://www.jwpepper.com/Abraham%27s-Sons/10490272.item#.YXDzrNn0m0s">https://www.jwpepper.com/Abraham%27s-Sons/10490272.item#.YXDzrNn0m0s</a> Timothy Holley, "James Lee III: Abraham's Sons: In Memoriam Trayvon Martin (2013)" (YouTube), <a href="https://www.youtube.com/watch?v=YR6hkkAaqEc&ab_channel=TimothyHolley">https://www.youtube.com/watch?v=YR6hkkAaqEc&ab_channel=TimothyHolley</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Subito Music Publishiing Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Lee III, James solo Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trumpet / trompette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Frenetic Dream Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource Lee, HyeKyung (b. 1959) Description An account of the resource Korean American composer HyeKyung Lee has written for diverse genres and media. As written on Jack Sutte's website: "Frenetic Dream was written for Jack Sutte in 2001. Frenetic Dream makes use of a minimal amount of material (stated in the opening) which is then manipulated in various ways, first in a percussive manner and then more lyrical and romantic. The outer parts have a jagged rhythmic drive while the middle section has lyric melodic lines over perpetual motion. 'HyeKyung’s music shows a penchant for colorful timbres, expressive lines, and lively rhythmic interaction of instruments. The result is a darkly expressive music'...” Duration: 12 minutes Source A related resource from which the described resource is derived HyeKyung Lee (personal website), <a href="https://www.hyekyunglee.com/works">https://www.hyekyunglee.com/works</a> HyeKyung Lee, works (access to recording), <a href="https://www.hyekyunglee.com/works">https://www.hyekyunglee.com/works</a> HyeKyung Lee, Frenetic Dream (score), <a href="https://www.hyekyunglee.com/store/frenetic-dream">https://www.hyekyunglee.com/store/frenetic-dream</a> Jack Sutte, Frenetic Dream (recording), <a href="https://jacksutte.com/sounds/beyond-the-moon/">https://jacksutte.com/sounds/beyond-the-moon/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo Lee, HyeKyung (b. 1959) piano trumpet / trompette Musical Work / Ouvrage musical Ensemble Type solo Instrumentation guitar / guitare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Paisanos Semos! Date A point or period of time associated with an event in the lifecycle of the resource 1984 Creator An entity primarily responsible for making the resource León, Tania (b. 1943) Description An account of the resource Cuban composer, conductor, educator and advisor to arts organization Tania León composed "¡Paisanos Semos!" for guitar. Duration: 4.5 minutes Source A related resource from which the described resource is derived Tania León (personal website), <a href="https://www.tanialeon.com/about">https://www.tanialeon.com/about</a> Ana Maria Rosado, "Paisanos Semos!" (YouTube), <a href="https://www.youtube.com/watch?v=foo7eDGGc3M">https://www.youtube.com/watch?v=foo7eDGGc3M</a> Tania León, Paisanos semos! (score in Juilcat catalogue), <a href="https://library.juilliard.edu/record=b1003238?_ga=2.184713516.40253181.1640922610-442175251.1634920481">https://library.juilliard.edu/record=b1003238?_ga=2.184713516.40253181.1640922610-442175251.1634920481</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 guitar / guitare León, Tania (b. 1943) solo