24 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Spiritual Fantasy No. 4 Date A point or period of time associated with an event in the lifecycle of the resource 1981 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Spiritual Fantasy No. 4" for piano was composed in 1981 on commission from Vivian Taylor. Taylor premiered the work in Boston Massachusetts. The description for the work from the <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4">American Composers Alliance website states</a>: "As an accomplished jazz musician, Fredrick Tillis expresses himself by infusing European classical music tradition with the spirit of American Black vernacular music. Spiritual Fantasy No. 4 for Piano (1981) draws from various Gospel melodies including Nobody Knows the Trouble I’ve Seen, Jacob’s Ladder, and others. Tillis' Spritual Fantasy series for various solo and ensemble combinations are widely known by performers and scholars." Duration: 10.5 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Spiritual Fantasy No. 4 (score), <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4">https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-4</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 piano solo Tillis, Frederick C. (1930-2020) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Spiritual Fantasy No. 5 Date A point or period of time associated with an event in the lifecycle of the resource 1982 Creator An entity primarily responsible for making the resource Tillis, Frederick C. (1930-2020) Description An account of the resource Black composer Frederick C. Tillis's "Spiritual Fantasy No. 5" for horn and piano was composed in 1982 and premiered by Laura Klock. Duration: 8.5 minutes Source A related resource from which the described resource is derived Frederick C. Tillis (personal website), <a href="https://www.fredtillis.com/">https://www.fredtillis.com/</a> Frederick C. Tillis (Wikipedia), <a href="https://en.wikipedia.org/wiki/Frederick_C._Tillis">https://en.wikipedia.org/wiki/Frederick_C._Tillis</a> Frederick C. Tillis, Spiritual Fantasy No. 5 (score), <a href="https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-5">https://composers.com/composers/frederick-c-tillis/spiritual-fantasy-no-5</a> Laura Klock, "Spiritual Fantasy No. 5" (YouTube), <a href="https://www.youtube.com/watch?v=XPTGr7vdz4I&t=43s&ab_channel=LauraKlock-Topic">https://www.youtube.com/watch?v=XPTGr7vdz4I&t=43s&ab_channel=LauraKlock-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 duo horn / cor piano Tillis, Frederick C. (1930-2020) Musical Work / Ouvrage musical Instrumentation flute / flûte cello / violoncelle piano Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Still Waters III Description An account of the resource For piano, flute, and cello. Set of three playing scores. Creator An entity primarily responsible for making the resource Davis, Anthony Publisher An entity responsible for making the resource available G Schirmer Inc Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Story for 2 Flutes Description An account of the resource Derek Douglas Carter (b.1994, he/him) is a composer, conductor, and artist currently residing in Kentucky. His music has been performed across the Midwest, New England, the South, as well as in Canada, Poland, and Spain. Carter has been a festival participant in the Charlotte New Music Festival, Synthetis Summer Courses, the Valencia International Performance Academy, the Loretto Project, and Domaine Forget. He has worked with ensembles and soloists including the Illinois State Symphonic Winds, University of Louisville Symphony Orchestra, University of Louisville Sinfonietta, Orchestra Enigmatic, Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash Trio, Durward Ensemble, Orlando Cela, Parker Ramsey, Mieko Kanno, and a plethora of student performers. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Streams Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource Chang, Dorothy (b. 1970) Description An account of the resource Chinese American composer Dorothy Chang (and professor of music at the University of British Columbia) composed "Streams for Viola" on commission by the Canada Council for the Arts. Duration: 11 minutes Source A related resource from which the described resource is derived Dorothy Chang (personal website), <a href="https://www.dorothychang.com/">https://www.dorothychang.com/</a> Dorothy Chang (Wikipedia), <a href="https://en.wikipedia.org/wiki/Dorothy_Chang">https://en.wikipedia.org/wiki/Dorothy_Chang</a> Nobleviola, "Dorothy Chang 'Streams' for solo viola" (Soundcloud), <a href="https://soundcloud.com/nobleviola/dorothy-chang-streams-for-solo">https://soundcloud.com/nobleviola/dorothy-chang-streams-for-solo</a> Dorothy Chang, "Streams : for solo viola" (WorldCat), <a href="https://www.worldcat.org/title/streams-for-solo-viola/oclc/1122512422&referer=brief_results">https://www.worldcat.org/title/streams-for-solo-viola/oclc/1122512422&referer=brief_results</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Chang, Dorothy (b. 1970) solo viola / violon-alto Musical Work / Ouvrage musical Ensemble Type duo Instrumentation flute / flûte oboe / hautbois Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for Flute and Oboe Date A point or period of time associated with an event in the lifecycle of the resource 1964 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay's "Suite for Flute and Oboe" is a four movement work dedicated to flutist Martin Heylman and oboist Ernest Serpentini of the Cleveland Symphony Orchestra. According to <a href="https://www.youtube.com/watch?v=iXYqShlYpyg">comments included</a> in a YouTube video of Megan Kyle and Kathryn Scarbrough, "The Suite is composed in a Neoclassic style using traditional Baroque and Classical forms with more progressive harmony influenced by Kay’s study with German composer Paul Hindemith. The movements, Prelude, Air, Minuet, and Gigue each stand on their own. The flute and oboe perform polyphonic and homophonic imitative and competing textures coupled with moments of florid unison sixteenth-note passages. Driving motivic rhythms carry the Prelude, Minuet, and Gigue movements, while the lyrical adagio Air contains shorter phrase lengths in wider intervals. The Minuet and Gigue are presented as traditional dance forms with lively, rhythmically accented exchanges in both voices. A keen ear and technical dexterity are required of both instruments." Duration: 5.5 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Suite for Flute and Oboe (Worldcat record), <a href="https://www.worldcat.org/title/suite-for-flute-and-oboe/oclc/681405993">https://www.worldcat.org/title/suite-for-flute-and-oboe/oclc/681405993</a> Masashi Kawasaki, "Ulysses Kay Suite for Flute & Oboe" (YouTube), <a href="https://www.youtube.com/watch?v=eQLsx2n1juI&ab_channel=MasashiKawasaki">https://www.youtube.com/watch?v=eQLsx2n1juI&ab_channel=MasashiKawasaki</a> Geneseo Wind Quintet, "Suite for Flute and Oboe (Kay)" (YouTube), <a href="https://www.youtube.com/watch?v=iXYqShlYpyg">https://www.youtube.com/watch?v=iXYqShlYpyg</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 duo flute / flûte Kay, Ulysses (1917-1995) oboe / hautbois Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor organ / orgue Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for Horn and Organ Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource Lu, Wayne (b. 1970) Description An account of the resource Chinese American composer Wayne Lu wrote "Suite For horn and organ" in 2011. The work has four movements: I. Exult II. Illuminate III. Purify IV. Rejoice. This work was composed to be performed with organist Tim Meier. The score is available for purchase on Theodore Front (linked below) and was edited by Kurt Gorman. Source A related resource from which the described resource is derived Wayne Lu (Veritas Music Publishing bio), <a href="https://www.veritasmusicapublishing.com/exec.php">https://www.veritasmusicapublishing.com/exec.php</a> Wayne Lu, Suite (score), <a href="https://www.tfront.com/p-325154-suite-for-horn-and-organ-edited-by-kurt-gorman.aspx">https://www.tfront.com/p-325154-suite-for-horn-and-organ-edited-by-kurt-gorman.aspx</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Veritas Music Publishing 2000- duo horn / cor Lu, Wayne (b. 1970) organ / orgue Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for Solo Violin Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Hailstork, Adolphus (b. 1941) Description An account of the resource Black composer Adolphus Cunningham Hailstork III's compositional style blends musical ideas from both the African American and European traditions. The <a href="https://www.carlfischer.com/114-41857-suite+for+solo+violin.html">publisher's website</a> shares the following program notes for the "Suite for Solo Violin": "Dedicated to Paul Kim. Cast in a formal mold inspired by the Bach partitas, Hailstork’s four-movement Suite for Solo Violin begins with a perky Prelude, followed by a March with a few subtle winks at music from the Prelude. The third movement is a beautiful Melody with slow-fast-slow form, and the Finale incorporates a few remembrances of the previous movements in building a dramatic drive to the finish." Duration: 11 minutes Source A related resource from which the described resource is derived Adolphus Hailstork (personal website), <a href="https://www.adolphushailstork.com/">https://www.adolphushailstork.com/</a> Adolphus Hailstork (Wikipedia), <a href="https://en.wikipedia.org/wiki/Adolphus_Hailstork">https://en.wikipedia.org/wiki/Adolphus_Hailstork</a> Adolphus Hailstork, Suite for Solo Violin (score), <a href="https://www.swstrings.com/product/music/any/SH-114-41857;jsessionid=A9688BF6C21C05CC6B96C125AAB2CF21">https://www.swstrings.com/product/music/any/SH-114-41857;jsessionid=A9688BF6C21C05CC6B96C125AAB2CF21</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Hailstork, Adolphus (b. 1941) solo violin / violon Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite for the Duo (French horn and piano) Date A point or period of time associated with an event in the lifecycle of the resource 1966 Creator An entity primarily responsible for making the resource Strayhorn, William Thomas ("Billy") (1915-1967) Description An account of the resource Black composer Billy Strayhorn composed "Suite for the Duo" in 1966. As described on a <a href="https://billystrayhorn.com/strayhorns-suite-for-the-duo-now-available-from-hal-leonard-music-publishing/#:~:text=Originally%20a%20distinctive%20representation%20of,%E2%80%9CNorth%20by%20Southwest%20Suite%E2%80%9D.">website dedicated</a> to the composer's life and work, "Originally a distinctive representation of jazz with the French horn, piano and string bass, Billy Strayhorn worked with the French horn-piano duo of Dwike Mitchell and Willie Ruff on a suite that he originally titled “North by Southwest Suite”. Mitchell and Ruff recorded the suite after Strayhorn’s passing as ‘Suite for the Duo’." Duration: 5 minutes Source A related resource from which the described resource is derived Billy Strayhorn (personal website), <a href="https://billystrayhorn.com/">https://billystrayhorn.com/</a> Billy Strayhorn (Britannica), <a href="https://www.britannica.com/biography/Billy-Strayhorn">https://www.britannica.com/biography/Billy-Strayhorn</a> Billy Strayhorn, Suite for the Duo (score), <a href="https://www.sheetmusicdirect.com/se/ID_No/476134/Product.aspx">https://www.sheetmusicdirect.com/se/ID_No/476134/Product.aspx</a> Keplerlabel, "Suite for the Duo" (YouTube), <a href="https://www.youtube.com/watch?v=jeUCtYxaNY8">https://www.youtube.com/watch?v=jeUCtYxaNY8</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Hal Leonard Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 duo horn / cor piano Strayhorn, William Thomas ("Billy") (1915-1967) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation oboe / hautbois piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Suite in B Date A point or period of time associated with an event in the lifecycle of the resource 1943 Creator An entity primarily responsible for making the resource Kay, Ulysses (1917-1995) Description An account of the resource Black composer Ulysses Kay "composed his 'Suite in B for Oboe and Piano' in 1943, finishing the piece at Quonset Point, Rhode Island in July. He withdrew the work, along with several other compositions, in the mid-1950s. The distinguished musicologist, lexicographer, and composer Nicholas Slonimsky (1894-1995) commented on this act of self-criticism in an article published in 1957: 'Some of the material he rejects is of excellent quality and it would be a pity if he would physically destroy the manuscripts.' Kay did try to destroy all the copies of the Suite in B for Oboe and Piano, but a few have survived. Slonimsky's assessment is correct, at least in this instance. The 'Suite in B for Oboe and Piano' is a fine work, reflecting careful craftsmanship. Cast in three movements, the work pays homage to the multi-movement structure of a NeoBaroque suite with its opening Prelude, the Recitative and Air, and the final Dance. Kay employed a twentieth-century harmonic language: The first movement begins in B minor and ends in D major. The second movement is in D major but ends on a tonic major seventh chord. The final movement explores some different tonal areas but is firmly rooted in B major. Prairie Dawg Press is proud to be able to make the Suite in B for Oboe and Piano available once again to oboists. We hope that it will prove to be a useful addition to the recital repertoire. The 'Suite in B' received its first public performance while Kay was in residence at the American Academy in Rome as a recipient of the American Prix de Rome. Oboist Pietro Accaroni and pianist Gherardo Macarini premiered the piece on 29 November 1949." Duration: 10 minutes Source A related resource from which the described resource is derived Ulysses Simpson Kay (Wikipedia), <a href="https://en.wikipedia.org/wiki/Ulysses_Kay">https://en.wikipedia.org/wiki/Ulysses_Kay</a> Ulysses Kay, Suite in B (score), <a href="https://stores.imaginemusicpublishing.com/suite-in-b/">https://stores.imaginemusicpublishing.com/suite-in-b/</a> Kay Ulysses Kay, Suite in B Minor (score), <a href="https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn">https://www.trevcomusic.com/products/pdp-044-kay-ulysses-suite-in-b-ob-pn</a> Ulysses Kay, "Ulysses Kay: Suite in B" (YouTube), <a href="https://www.youtube.com/watch?v=w3KaTwKd7KI">https://www.youtube.com/watch?v=w3KaTwKd7KI</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1900-1949 Publisher An entity responsible for making the resource available Imagine Music Publishing Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1900-1949 duo guitar / guitare Kay, Ulysses (1917-1995) oboe / hautbois