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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Game Play</text>
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                <text>&lt;a href="https://composers.com/composers/tj-anderson/game-play"&gt;https://composers.com/composers/tj-anderson/game-play&lt;/a&gt;</text>
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                <text>Anderson, TJ</text>
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                <text>2001</text>
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                <text>2000-</text>
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              <text>flute / flûte</text>
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              <text>piano</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gospel Ghost</text>
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                <text>&lt;a href="https://composers.com/composers/tj-anderson/gospel-ghost"&gt;https://composers.com/composers/tj-anderson/gospel-ghost&lt;/a&gt;</text>
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                <text>Anderson, TJ</text>
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                <text>2003</text>
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            <name>Format</name>
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            <elementText elementTextId="3318">
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            <elementText elementTextId="3319">
              <text>clarinet / clarinette</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Five Etudes and a Fancy</text>
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            <description>An account of the resource</description>
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                <text>https://composers.com/composers/tj-anderson/five-etudes-and-fancy-wind-quintet</text>
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                <text>Anderson, TJ</text>
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            <name>Date</name>
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              <elementText elementTextId="3315">
                <text>1964</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>0-10 minutes</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3317">
                <text>1950-1999</text>
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  <item itemId="230" public="1" featured="0">
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      <description/>
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          <name>Ensemble Type</name>
          <description/>
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              <text>solo</text>
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              <text>cello / violoncelle</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2729">
                <text>En el Mejor Momento de mi Vida</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2730">
                <text>2013</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2731">
                <text>Aquino, Darwin</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2732">
                <text>Dominican composer Darwin Aquino composed "En el Mejor Momento de mi Vida" (2013) for cello. &lt;br /&gt;&lt;br /&gt;The description for the work provided on the composer's website states: "The traditional Chaconne, usually found in Baroque dance suites, can be identified by its anacruses and harmonic ostinati on the lower register. This principle, with some modifications, is taken to the Cello with its infinite resources. Unstable pickups, register changes, contrasting dynamics, and vigorous caribbean rhythms are juxtaposed with the “Canto a San Antonio”, one of the principal ceremonial songs in the dominican popular religious tradition. This work, composed as a “Caribbean Cappriccio” for solo Cello, was written for the Panamanian cellist Isaac Casal."</text>
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                <text>Duration: 10 minutes</text>
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                <text>Darwin Aquino, "En el Mejor Momento de mi Vida (2013), for cello" (personal website), &lt;a href="https://darwinaquino.com/product/en-el-mejor-momento-de-mi-vida-2013/"&gt;https://darwinaquino.com/product/en-el-mejor-momento-de-mi-vida-2013/&lt;/a&gt;</text>
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                <text>Isaac Casal, "En el Mejor Momento de Mi Vida - Chacona Rota - Compositor Darwin Aquino" (YouTube), &lt;a href="https://www.youtube.com/watch?v=kV2c1VgNCWc&amp;amp;ab_channel=www.isaaccasal.com"&gt;https://www.youtube.com/watch?v=kV2c1VgNCWc&amp;amp;ab_channel=www.isaaccasal.com&lt;/a&gt;</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="2736">
                <text>2000-</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="2739">
                <text>10-20 minutes</text>
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              <text>horn / cor</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Musica invible for trumpet and Flügelhorn </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2314">
                <text>2005</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Arditto, Cecilia (b. 1966)</text>
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            <description>An account of the resource</description>
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                <text>Argentinian composer Cecilia Arditto's "Musica invible" was composed in 2005 for trumpet and flügelhorn. &lt;br /&gt;&lt;br /&gt;On the composer's website, a description of the work states: "Música invisible / invisible music is an accumulative project based on the exploration of new possibilities for different instruments. The research on unusual techniques comes together with the exploration of new perception techniques. A melody in 1/32 tones in the flute not only deals with microtonality but also creates a new listening context; a trumpet player playing their instrument into a tin of water not only opens new acoustic possibilities for the instrument but also changes the theatrical role of the player in the concert. The catalogue of physical curiosities is subordinated to the creation of different ways of thinking the instrument, working in the abstract zone where the instrument loses its familiarity and becomes invisible. Musica invisible aims at combining the composers' view together with the performer's experience, as two complementary sides of the musical composition process."</text>
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                <text>Duration: 15 minutes</text>
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                <text>Cecilia Arditto (personal website), &lt;a href="https://wordpress.ceciliaarditto.com/musica-invisible/"&gt;https://wordpress.ceciliaarditto.com/musica-invisible/&lt;/a&gt;</text>
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                <text>Cecilia Arditto (works), &lt;a href="https://wordpress.ceciliaarditto.com/works-post-wp/"&gt;https://wordpress.ceciliaarditto.com/works-post-wp/&lt;/a&gt;</text>
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                <text>2000-</text>
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            <name>Format</name>
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        <name>Arditto, Cecilia (b. 1966)</name>
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                <text>Suite para cello solo</text>
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                <text>2003</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="3102">
                <text>Arismendi, Diana (b. 1962)</text>
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                <text>Venezuelan composer Diana Arismendi composed "Suite para cello solo" in 2003. Composed in six movement, the Suite has an Oberture, Allemande, Courante, Sarabanda, Interludio, and Giga.</text>
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                <text>Diana Arismendi, "suite para cello solo Diana Arismendi" (YouTube), &lt;a href="https://www.youtube.com/watch?v=Gdg6WTLkEOQ&amp;amp;ab_channel=DianaArismendi"&gt;https://www.youtube.com/watch?v=Gdg6WTLkEOQ&amp;amp;ab_channel=DianaArismendi&lt;/a&gt;</text>
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                <text>Diana Arismendi, Suite : For Cellow Solo (2003) (score), &lt;a href="https://www.tfront.com/p-480309-suite-for-cello-solo-2003.aspx"&gt;https://www.tfront.com/p-480309-suite-for-cello-solo-2003.aspx&lt;/a&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3108">
                <text>Latin American Frontiers International Pub.</text>
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                <text>They Claim</text>
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                <text>Arismendi, Diana (b. 1962)</text>
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                <text>Venezuelan composer Diana Arismendi composed "They Claim" for solo double bass. Dedicated to Edicson Ruiz, They Claim is a one movement work, a challenging piece with political undertones.</text>
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                <text>doublebassVenezuela, "They Claim for Solo Doublebass" (YouTube), &lt;a href="https://www.youtube.com/watch?v=uCxg5qZZZmM&amp;amp;ab_channel=doublebassVenezuela"&gt;https://www.youtube.com/watch?v=uCxg5qZZZmM&amp;amp;ab_channel=doublebassVenezuela&lt;/a&gt;</text>
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                <text>Diana Arismendi, They Claim: For Solo Double Bass (score), &lt;a href="https://www.tfront.com/p-480310-they-claim-for-solo-double-bass-2010.aspx"&gt;https://www.tfront.com/p-480310-they-claim-for-solo-double-bass-2010.aspx&lt;/a&gt;</text>
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                <text>Latin American Frontiers International Pub.</text>
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          <name>Instrumentation</name>
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                <text>Crepuscule d'une nuit d'ete</text>
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                <text>On 19 April 1924, Coleridge-Taylor married Harold Dashwood, in the Croydon parish church. She initially composed and conducted using her first name and maiden surname. After their divorce she dropped her first name, thereafter going as Avril Coleridge-Taylor professionally.[2] In the 1930s she was living at The Studio, 4A Hill Road in St John's Wood.[3]&#13;
&#13;
Coleridge-Taylor was invited on a tour of South Africa in 1952, during the period of apartheid,[4] arriving on the inaugural flight of the Comet jet from Croydon to Johannesburg.[5] Originally she was supportive of, or neutral to the South African apartheid system; she was taken as White and was mostly White-European in ancestry.[6] When the South African government learned that her father was not White (being biracial, he would have been considered Coloured under its system), it denied her work as a conductor and composer.[7]</text>
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                <text>https://www.google.com/url?q=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0002020013&amp;amp;sa=D&amp;amp;source=editors&amp;amp;ust=1704682164956274&amp;amp;usg=AOvVaw2AGJX1wN1ds75aBya2fGam</text>
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                <text>Impromptu in A Minor: Romance de Pan</text>
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                <text>The manuscript of the Impromptu in A minor, Romance de pan, first performed in 1922, was rediscovered in the Royal College of Music Library collection and performed in Brighton in 2018. Sussex Landscape was played in 2019 by the Chineke! </text>
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&#13;
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                <text>Regina Harris Baiocchi (personal website), &lt;a href="https://reginaharrisbaiocchi.com/instrumental-music/"&gt;https://reginaharrisbaiocchi.com/instrumental-music/&lt;/a&gt;</text>
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                <text>Regina Harris Baiocchi, Biography (The History Makers) &lt;a href="https://www.thehistorymakers.org/biography/regina-harris-baiocchi-40#:~:text=Music%20composer%20Regina%20Harris%20Baiocchi,Design%20and%20New%20York%20University"&gt;https://www.thehistorymakers.org/biography/regina-harris-baiocchi&lt;/a&gt;</text>
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