4 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Bleu Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource Walker, George (1922-2018) Description An account of the resource Black composer George Theophilus Walker composed "Bleu" in 2011 for violin. Duration: 4.5 minutes Source A related resource from which the described resource is derived George Theophilus Walker (Wikipedia), <a href="https://en.wikipedia.org/wiki/George_Walker_(composer)">https://en.wikipedia.org/wiki/George_Walker_(composer)</a> George Walker, Bleu for violin (score), <a href="https://store.subitomusic.com/index.php?main_page=product_info&amp;cPath=3_121_1109&amp;products_id=6994">https://store.subitomusic.com/index.php?main_page=product_info&amp;cPath=3_121_1109&amp;products_id=6994</a> AlbanyRecordsUSA, "GEORGE WALKER: "Bleu" for unaccompanied violin" (YouTube), <a href="https://www.youtube.com/watch?v=7JKl93zInyw&amp;ab_channel=AlbanyRecordsUSA">https://www.youtube.com/watch?v=7JKl93zInyw&amp;ab_channel=AlbanyRecordsUSA</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- solo violin / violon Walker, George (1922-2018) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Blue/s Forms Date A point or period of time associated with an event in the lifecycle of the resource 1979 Creator An entity primarily responsible for making the resource Perkinson, Coleridge-Taylor (1932-2004) Description An account of the resource African-American composer Coleridge-Taylor Perkinson's "Blue/s Forms" for violin was composed in 1979. Duration: 7 minutes Source A related resource from which the described resource is derived Coleridge-Taylor Perkinson (Wikipedia), <a href="https://en.wikipedia.org/wiki/Coleridge-Taylor_Perkinson">https://en.wikipedia.org/wiki/Coleridge-Taylor_Perkinson</a> Coleridge-Taylor Perkinson, Blue/s Forms (score), <a href="https://www.sheetmusicplus.com/title/blue-s-forms-sheet-music/19262586">https://www.sheetmusicplus.com/title/blue-s-forms-sheet-music/19262586</a> MusicUNTOLD, "Coleridge-Taylor Perkinson, Blue/s Forms for Solo Violin: I. Plain Blue/s" (YouTube), <a href="https://www.youtube.com/watch?v=iFtwtIom7Zk&amp;ab_channel=MusicUNTOLD">https://www.youtube.com/watch?v=iFtwtIom7Zk&amp;ab_channel=MusicUNTOLD</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Lauren Keiser Music Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Perkinson, Coleridge-Taylor (1932-2004) solo violin / violon Musical Work / Ouvrage musical Instrumentation flute / flûte double bass / contrebasse Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Bridging and Branching Description An account of the resource From the composer: 'While thinking about the commission from Richard Hunt to write a work for Flute and Double Bass, I happened to notice in my living room a model of Richard's sculpture titled Bridging and Branching. The work stimulated a process that defined the composition. The piece is based on cells which exist in varying environments that change throughout the work. Its title also implies ways of linkage between the two instruments and the music is influenced by contemporary tends, jazz, Baroque, and Renaissance music.' Creator An entity primarily responsible for making the resource Anderson, TJ Source A related resource from which the described resource is derived https://www.flute4u.com/Anderson-TJ-Bridging-and-Branching.html Publisher An entity responsible for making the resource available Germany, Bote and Bock Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Caprice No. 1 Date A point or period of time associated with an event in the lifecycle of the resource 1995 Creator An entity primarily responsible for making the resource Ranjbaran, Behzad (b. 1955) Description An account of the resource Persian composer Behzad Ranjbaran was born in Tehran, Iran. He studied at the Rehran Music Conservatory. He immigrated to the USA in 1974, studying at Indiana University and later The Juilliard School, where he earned a DMA in Composition. His music is strongly rooted in Neo-Romanticism of the late 20th century, drawing from his cutlural roots by incorporating Persian musical modes and rhythms. He composed this "Caprice No. 1" for solo violin in 1995. Duration: 5 minutes Source A related resource from which the described resource is derived Behzad Ranjbaran (personal website), <a href="https://www.behzadranjbaran.com/">https://www.behzadranjbaran.com/</a> Behzad Ranjbaran (Wikipedia), <a href="https://en.wikipedia.org/wiki/Behzad_Ranjbaran">https://en.wikipedia.org/wiki/Behzad_Ranjbaran</a> Behzad Ranjbaran, Caprice No. 1 (score), <a href="https://www.presser.com/114-40904-caprice-no-1.html">https://www.presser.com/114-40904-caprice-no-1.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Ranjbaran, Behzad (b. 1955) solo violin / violon Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Chasé Date A point or period of time associated with an event in the lifecycle of the resource 1978 Creator An entity primarily responsible for making the resource Baiocchi, Regina Harris (b. 1956) Description An account of the resource Black composer Regina Harris Baiocchi composed "Chasé" for B flat clarinet and piano. The composition was premiered by Richard Nunley Jr. And Ester Hanviriyapunt in Chicago. Duration: 4 minutes Source A related resource from which the described resource is derived Regina Harris Baiocchi (personal website), <a href="https://reginaharrisbaiocchi.com/instrumental-music/">https://reginaharrisbaiocchi.com/instrumental-music/</a> Regina Harris Baiocchi, Biography (The History Makers) <a href="https://www.thehistorymakers.org/biography/regina-harris-baiocchi-40#:~:text=Music%20composer%20Regina%20Harris%20Baiocchi,Design%20and%20New%20York%20University">https://www.thehistorymakers.org/biography/regina-harris-baiocchi</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 Baiocchi, Regina Harris (b. 1956) clarinet / clarinette duo piano Musical Work / Ouvrage musical Instrumentation flute / flûte violin / violon viola / violon-alto cello / violoncelle harp / harpe Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Chinese Zodiak Suite Description An account of the resource The Chinese Zodiac Suite is the culmination of a three-year project to honor the partnership of Old Dominion University with Minzu University of Beijing, a cooperative effort to bridge the cultures of both sides. In his new composition, Hailstork uses Western musical language to depict the 12 animal signs of the zodiac from Eastern folklore. The suite was performed by the Minzu University student orchestra at a meeting with the Board of Directors of the Confucius Institute at Old Dominion University (CIODU) in Beijing. Executive director of the CIODU, Dr. Qiu Jin Hailstork, prefaced the performance with, “You can hear the sounds of rats scratching behind the walls; cows working hard in the fields; rabbits jumping up and down; a snake slithering through the grass; galloping horses and grazing sheep; a monkey swinging through the trees; the rooster, boss of the barnyard, crowing; the sleeping dog who wakes up and starts barking; and the poor pig, so sad because his life's only purpose is to be someone's dinner!” Creator An entity primarily responsible for making the resource Hailstork, Adolphus Source A related resource from which the described resource is derived <a href="https://www.presser.com/114-41915-chinese-zodiac-suite.html">https://www.presser.com/114-41915-chinese-zodiac-suite.html</a> Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 20+ minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type duo Instrumentation clarinet / clarinette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Clarinet Sonata Date A point or period of time associated with an event in the lifecycle of the resource 1990 Creator An entity primarily responsible for making the resource Baker, David (1931-2016) Description An account of the resource Black composer, conductor, and musician wrote the "Clarinet Sonata" in 1990. It was performed at the UBC Distinguished Artist Series in Canada. The Sonata is in three movements: 1. Blues 2. Loneliness 3. Dance Duration: 14 minutes Source A related resource from which the described resource is derived David Baker, Clarinet Sonata (score), <a href="https://www.halleonard.com/product/41476/clarinet-sonata">https://www.halleonard.com/product/41476/clarinet-sonata</a> James Campbell, "Sonata for Clarinet and Piano: I. Blues" (YouTube), <a href="https://www.youtube.com/watch?v=pI2kQqmqQJc&amp;ab_channel=JamesCampbell-Topic">https://www.youtube.com/watch?v=pI2kQqmqQJc&amp;ab_channel=JamesCampbell-Topic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Lauren Keiser Music Publishing Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 Baker, David (1931-2016) clarinet / clarinette duo piano Musical Work / Ouvrage musical Ensemble Type solo Instrumentation double bass / contrebasse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Collection of Solo Bass Works Date A point or period of time associated with an event in the lifecycle of the resource 2000s Creator An entity primarily responsible for making the resource Foley, Xavier Description An account of the resource African American bassist and composer Xavier Foley has written many works for double bass. These works can be purchased through <a href="https://xavierfoley.com/collections/individual-sheet-music">the composer's website</a> and in one large collection of solo works. Source A related resource from which the described resource is derived Xavier Foley, The Solo Book: includes all double bass solo composed by Xavier Foley (scores), <a href="https://xavierfoley.com/collections/individual-sheet-music/products/the-solo-book">https://xavierfoley.com/collections/individual-sheet-music/products/the-solo-book</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- double bass / contrebasse Foley, Xavier solo Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette violin / violon Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Collide-oscope I Description An account of the resource The creative output of Anthony R. Green (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a collaboration, or social justice work. Creator An entity primarily responsible for making the resource Green, Anthony R. Source A related resource from which the described resource is derived <a href="https://www.anthonyrgreen.com/">https://www.anthonyrgreen.com/</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Colour Study in Rupaktaal Date A point or period of time associated with an event in the lifecycle of the resource 2007 Creator An entity primarily responsible for making the resource Wijeratne, Dinuk (b. 1978) Description An account of the resource Sri Lankan-born Canadian composer Dinuk Wijeratne composed "Colour Study in Rupaktaal" in 2007. The work was commissioned by pianist David Jalbert and received its world premiere at "Music Toronto" series in Toronto, Ontario in May 2007. <br /><br />Wijeratne's original program notes appear on his website: “I always say, perhaps only in half-jest, that in my next life I will be a Tabla player. Though I am a South-Asian with an exclusively Western Classical musical training, I grew up with the sounds of Indian Classical music in my ear. The various elements of Western music, such as harmony, texture etc., have undergone both unceasing evolutions and drastic revolutions throughout history. The classical music of the Indian subcontinent, however, focuses primarily on two of these elements: melody (set in ‘raga’), and rhythm (set in ‘tala’). From a Western perspective it is perhaps unusual to listen to a music that concerns itself, not with the type of multi-voice counterpoint we expect from Bach or Brahms, but rather the rich, nuanced interplay of melody and rhythm. I was drawn instantly to its unique rhythmic language. Over the years, as I delved deeper, I was awed by the great rhythm virtuosi of the North Indian tradition, and developed an obsession for the music associated with the king of Indian percussion instruments: the tabla. The word ‘rupaktaal‘ is bipartite: taal, meaning ‘set in a rhythmic cycle’, and rupak meaning ‘of seven beats’. In a traditional solo tabla recital, the taal is maintained by an accompanist who plays an underlying, cyclic melody, which continues throughout the percussion soloist’s many rhythmic and virtuosic variations. ‘Colour Study in RupakTaal‘ establishes such a melody at the outset, in the left hand, rather like a ground-bass. Soon afterwards, a second melodic line is established, representing the rhythmic variations of the tabla. For a few minutes, the two melodic lines are heard separately before being heard in counterpoint for the rest of the piece; the right hand weaving its tabla-inspired patterns around the ground-bass. The nature of the original tabla composition is such that the two lines are always in counterpoint. The ground-bass remains in one tempo, while each repetition of the right hand tabla line appears at a faster tempo at each successive repetition. The effect is a sense of acceleration from slow to as-fast-as-possible, with the right hand constantly changing into ‘higher gears’. True to a traditional tabla recital, there are moments of resolution after every few cycles, when the endings of both lines coincide as precisely and climactically as the tabla soloist can make them. Although the piano is simultaneously playing both the character of ‘tabla soloist’ and ‘sympathetic accompanist’, it was never my intention to recreate a traditional Indian tabla composition for the piano. I have chosen instead to use the original rhythmic concept – i.e. one line which accelerates incrementally away from another – as a scaffolding upon which one can experiment quite liberally with colour, as the title suggests.” Duration: 12-13 minutes Source A related resource from which the described resource is derived Dinuk Wijeratne (personal website), <a href="https://www.dinukwijeratne.com/">https://www.dinukwijeratne.com/</a> Dinuk Wijeratne, Colour Study in Rupaktaal (score), <a href="https://www.dinukwijeratne.com/colour-study-in-rupaktaal/">https://www.dinukwijeratne.com/colour-study-in-rupaktaal/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- piano solo Wijeratne, Dinuk (b. 1978)