6 10 296 Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette percussion violin / violon cello / violoncelle Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Dancing With the Shadow Description An account of the resource Alberga, Eleanor. Published by Oxford University Press, Oxford, England. Copyright 1997. The ballet Suite From Dancing With The Shadow is scored for flute, clarinet, percussion, piano, violin, and cello. 1: Duo 2: Quintet 3: Sextet Creator An entity primarily responsible for making the resource Alberga, Eleanor Source A related resource from which the described resource is derived <a href="https://eleanoralberga.com/dancing-with-the-shadow/">https://eleanoralberga.com/dancing-with-the-shadow/</a> Publisher An entity responsible for making the resource available Oxford University Press Date A point or period of time associated with an event in the lifecycle of the resource 1990 Format The file format, physical medium, or dimensions of the resource 20+ minutes Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza De La Mariposa Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource Coleman, Valerie Description An account of the resource Black composer Valerie Coleman's "Danza de la Mariposa" "is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players." (from publisher's website) Duration: 7 minutes Source A related resource from which the described resource is derived Valerie Coleman, Danza de la Mariposa (Dance of the Butterfly) (score), <a href="https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html">https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html</a> FlutistSarahMiles, "Danza de la Mariposa" for solo flute by Valerie Coleman; Performed by Sarah Miles" (YouTube), <a href="https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles">https://www.youtube.com/watch?v=5WodsjApuyY&ab_channel=FlutistSarahMiles</a> Valerie Coleman, Danza de la Mariposa (score), <a href="https://www.fluteworld.com/product/danza-de-la-mariposa/">https://www.fluteworld.com/product/danza-de-la-mariposa/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Coleman, Valerie flute / flûte solo Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type solo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza de la Mariposa Description An account of the resource Valerie Coleman’s Danza de la Mariposa is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.presser.com/114-41504-danza-de-la-mariposa.html">https://www.presser.com/114-41504-danza-de-la-mariposa.html</a> Publisher An entity responsible for making the resource available Presser Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danza Di Tre Bambole Creator An entity primarily responsible for making the resource Adams, H Leslie Source A related resource from which the described resource is derived https://composers.com/composers/h-leslie-adams/danza-di-tre-bambole Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes Subject The topic of the resource Flute, Piccolo, And Piano Description An account of the resource H. Leslie Adams' Danza di tre bambole (Dance of three dolls) for piccolo, flute, and piano is a charming capriccio that begins with the piccolo stating the theme, the flute joining after the initial statement, and the piano then joining as the third doll for a full concert dance movement. Bears certain similarities to Saint-Saens' Tarantelle for flute and clarinet. Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danzas Barrocas Date A point or period of time associated with an event in the lifecycle of the resource 2009 Creator An entity primarily responsible for making the resource Elizondo, José L. (b. 1972) Description An account of the resource Mexican composer José L. Elizondo's "Danzas Barrocas" (Baroque Dances) was dedicated to Mexican cellist Carlos Prieto. As indicated on the composer's website: the Baroque "Dances is a suite of 3 short dances in Baroque style, inspired by Bach's cello suites. Carlos Prieto and Alvaro Bitrán premiered the work on June 3, 2009 at the Museo de Arte Contemporáneo MARCO, in Monterrey, Nuevo León in Mexico." The Dances were composed for cello, but have been arranged for Contrabass, Flute, Bassoon, and Piano. Scores and recordings available on the composer's website. Duration: 7 minutes Source A related resource from which the described resource is derived José L. Elizondo, Works list (scores and recordings), <a href="https://www.joseelizondo.com/scores-all.html">https://www.joseelizondo.com/scores-all.html</a> José L. Elizondo, Danzas Barrocas (score for bassoon), <a href="https://joseelizondo.com/scores/baroquedances-bassoon-i-ii-iii.pdf">https://joseelizondo.com/scores/baroquedances-bassoon-i-ii-iii.pdf</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Elizondo, José L. (b. 1972) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Danzas Latinoamericanas Date A point or period of time associated with an event in the lifecycle of the resource 1998 Creator An entity primarily responsible for making the resource Elizondo, José L. (b. 1972) Description An account of the resource Mexican composer José L. Elizondo composed "Danzas Latinoamericanas" (Latin American Dances) by commission from Mexican cellist Carlos Prieto (to whom the composition is also dedicated). The work has three movements, which can be performed as a suite or independently: 1. Otoño en Buenos Aires (Autumn in Buenos Aires) - a "passionate tango that pays homage to the music of Astor Piazzolla and Carlos Gardel." 2. Pan de Azúcar (Sugar Loaf Mountain) - "is named after the famous mountain in Rio de Janeiro. It is inspired by Brazilian bossa nova. It echoes the sensuous music of Antonio Carlos Jobim and Heitor Villa-Lobos. The melodies in this piece are expressive, melancholic and peaceful, with a general mood of 'joyful serenity'." 3. Atardecer Tapatío (Sunset in Guadalajara) - "is inspired by Mexican jarabe folk-dance music and the sound of 'mariachi' bands. The music is worry-free, festive and full of life. It is a tribute to the composer's homeland." The work has been arranged for Flute, English Horn and various other instruments. Available here: <a href="https://www.joseelizondo.com/scores-danzas.html">https://www.joseelizondo.com/scores-danzas.html</a> Duration: 10-15 minutes Source A related resource from which the described resource is derived José L. Elizondo (personal website), <a href="https://www.joseelizondo.com/biography.html">https://www.joseelizondo.com/biography.html</a> José L. Elizondo, Danzas Latinoamericanas (score), <a href="https://joseelizondo.com/scores/danzas-flute-i-ii-iii.pdf">https://joseelizondo.com/scores/danzas-flute-i-ii-iii.pdf</a> José L. Elizondo, Danzas Latinoamericanas (scores for other instrumentations), <a href="https://www.joseelizondo.com/scores-danzas.html">https://www.joseelizondo.com/scores-danzas.html</a> José Elizondo Music, "'Danzas Latinoamericanas' by Jose Elizondo. Performed by Pavel Barabaschuk" (YouTube), <a href="https://www.youtube.com/watch?v=uX8zXHnI3_Q&ab_channel=JoseElizondoMusic">https://www.youtube.com/watch?v=uX8zXHnI3_Q&ab_channel=JoseElizondoMusic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Elizondo, José L. (b. 1972) solo Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Dark Flowers Description An account of the resource Composer Jonathan Bailey Holland has written music that has been performed across the country and around the world. He has been commissioned and performed by the orchestras of Atlanta, Baltimore, BBC, Cincinnati, Detroit, Indianapolis, Kalamazoo, Los Angeles, Minnesota, New World, Philadelphia, San Antonio, South Bend, and others, as well as the Abeo Quartet, Da Capo Chamber Players, der/gelbe/klang, Left Coast Chamber Ensemble, Network for New Music, Present Music, Radius Ensemble, Plymouth Music Series, and more. Creator An entity primarily responsible for making the resource Holland, Jonathan Bailey Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Darshan Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource Esmail, Reena (b. 1983) Description An account of the resource Indian American composer Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces. As written in the program notes made available on her website: "Darshan means ‘seeing’ in Hindi. In the Hindu religion, to give ‘darshan’ is to see and worship God. As Vijay and I worked on this music together over three years, we began to see the divine in one another. This movement, in Raag Charukeshi, is the first movement of five, which will be written over a span of five years. It explores grief, in its many facets and forms." "Darshan" was commissioned by Vijay Gupta. It was first premiered (in its first iteration) with Taos New Music Group in Taos, New Mexico on September 22, 2018. Access the audio guide: <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Duration: 5.5 minutes Source A related resource from which the described resource is derived Reena Esmail, Darshan (program notes, personal website), <a href="https://www.reenaesmail.com/catalog-item/darshan/">https://www.reenaesmail.com/catalog-item/darshan/</a> Vijay Gupta, "Darshan - Charukeshi: Reena Esmail - Vijay Gupta, violin" (YouTube), <a href="https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta">https://www.youtube.com/watch?v=ArzRqKm_seU&ab_channel=VijayGupta</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Esmail, Reena (b. 1983) solo violin / violon Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette saxophone violin / violon cello / violoncelle piano Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Dawn Description An account of the resource Derek Douglas Carter is a composer and conductor whose music has been performed across the eastern United States, as well as in Canada, Poland, and Spain. He has worked with ensembles including Ensemble Dal Niente, Beo String Quartet, E-Mex Ensemble, Ensemble Paramirabo, Longleash, Durward Ensemble, Orlando Cela, Mieko Kanno, and a plethora of student performers and ensembles. Carter holds a BM in Music Composition/Theory from Illinois State, as well as an MM in Music Composition and an MM in Orchestral Conducting from the University of Louisville. Creator An entity primarily responsible for making the resource Carter, Derek Douglas Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bassoon / basson piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Deformation V Date A point or period of time associated with an event in the lifecycle of the resource 1993 Creator An entity primarily responsible for making the resource Nash, Gary Powell Description An account of the resource Black composer Gary Nash composed "Deformation V" for bassoon and piano. As described on the <a href="https://garynash.musicaneo.com/about.html">composer's website</a>: "Deformation V, a six minute, single movement composition for bassoon and piano, completed February 6, 1993 was composed for Barrick Stees, bassoon and Phillip Hosford, piano and premiered by Mark Alex Williams, bassoon and Choonwoo Kim, piano on April 25, 1993 at the “Premieres of New Music Concert” at Michigan State University, East Lansing, MI. Out of all other “Deformation” compositions written by Gary Powell Nash, Deformation V is the most successful, in regards to the title relating to the overall musical outcome. Using J.S. Bach’s Allegro from Sonata II in A minor for Solo Violin as a major premise, Nash took the 3 most common musical events from the J.S. Bach model, which include five note arpeggios, octave displacement and the motive 8th, 16th, 16th, 8th, 8th, 8th, 8th, 8th note rhythm and manufactured newer melodies and musical events. Deformation V commences with the bassoon performing a direct quote from the J.S. Bach model while the piano plays sustained dissonances underneath, occurring through the first eight measures. At measure 9, the music becomes more and more obscure from the model as Nash implements those newer discoveries into the composition. Such discoveries/musical events include quintuplet rhythms derived from the five note arpeggios and metric modulations based on those same patterns. Deformation V features fast paced music throughout much of the composition with a contrasting slow section in the middle, which concludes with a solo cadenza and return to the fast music in the opening section, as also displayed in all other Gary Powell Nash “Deformations”." Duration: 6 minutes Source A related resource from which the described resource is derived Gary Nash (personal website), <a href="https://garynash.musicaneo.com/about.html">https://garynash.musicaneo.com/about.html</a> Gary Nash, Deformation V (score), <a href="https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550">https://www.sheetmusicplus.com/title/deformation-v-digital-sheet-music/19906550</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson duo Nash, Gary Powell piano