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      <name>Musical Work / Ouvrage musical</name>
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              <text>bassoon / basson</text>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>One for One</text>
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            <name>Date</name>
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              <elementText elementTextId="592">
                <text>[unknown, twentiety century]</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Bland, Edward (1926-2013)</text>
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                <text>Black composer and musical director Edward Osmund Bland composed "One On One" for bassoon and clarinet. As David Schwartz recounts in his liner notes for the album Legacy: Black Composers on which the work appears, the work "display[s] a style of counterpoint where each voice is connected to the other by no specific meter. The repartee between the instruments seems to evoke the asymmetry of the rhythms basketball players' feet make when rushing up and down a court, according to the notes. The work for bassoon alone is a capricious one that depicts the instrument's many colors, from serious to sarcastic humorous."</text>
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                <text>Duration: 4 minutes</text>
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                <text>Edward Osmund Bland (personal website, contact): &lt;a href="https://www.edblandmusic.com/ContactInfo.htm"&gt;https://www.edblandmusic.com/ContactInfo.htm&lt;/a&gt;</text>
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                <text>Edward Osmund Bland (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/Edward_Bland"&gt;https://en.wikipedia.org/wiki/Edward_Bland&lt;/a&gt;</text>
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                <text>Legacy: Works for Bassoon by African-American Composers (One on One, for Bassoon &amp;amp; Clarinet), All Music, &lt;a href="https://www.allmusic.com/performance/one-on-one-for-bassoon-clarinet-mq0001230167"&gt;https://www.allmusic.com/performance/one-on-one-for-bassoon-clarinet-mq0001230167&lt;/a&gt;</text>
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              <elementText elementTextId="599">
                <text>Castle of our Skins Concert Series, "One on One - Ed Bland" (YouTube), &lt;a href="https://www.youtube.com/watch?v=R19LQ0kYecA"&gt;https://www.youtube.com/watch?v=R19LQ0kYecA&lt;/a&gt;</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="600">
                <text>1950-1999</text>
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                <text>0-10 minutes</text>
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        <name>1950-1999</name>
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        <name>bassoon / basson</name>
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      <tag tagId="55">
        <name>Bland, Edward (1926-2013)</name>
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      <tag tagId="52">
        <name>clarinet / clarinette</name>
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        <name>duo</name>
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  <item itemId="60" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Musical Work / Ouvrage musical</name>
      <description/>
      <elementContainer>
        <element elementId="53">
          <name>Ensemble Type</name>
          <description/>
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            <elementText elementTextId="669">
              <text>solo</text>
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          <name>Instrumentation</name>
          <description/>
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              <text>bassoon / basson</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="661">
                <text>For Bassoon</text>
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          <element elementId="40">
            <name>Date</name>
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                <text>1979</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bland, Edward (1926-2013)</text>
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                <text>Black composer Edward Osmund Bland composed "For Bassoon" in 1979 on commission by the bassoonist Fail Hightower of New York City. </text>
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                <text>Ed Bland (personal website, contact)&amp;nbsp;&lt;a href="https://www.edblandmusic.com/ContactInfo.htm"&gt;https://www.edblandmusic.com/ContactInfo.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ed Bland (Wikipedia),&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Edward_Bland"&gt;https://en.wikipedia.org/wiki/Edward_Bland&lt;/a&gt;</text>
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              <elementText elementTextId="666">
                <text>Edward Bland, "For Bassoon" (score), &lt;a href="https://www.tfront.com/p-447728-for-bassoon-1979.aspx"&gt;https://www.tfront.com/p-447728-for-bassoon-1979.aspx&lt;/a&gt;</text>
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              <elementText elementTextId="667">
                <text>Claremont Chamber Orchestra, "Ed Bland 'For Bassoon'," (Facebook), &lt;a href="https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/"&gt;https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/&lt;/a&gt;</text>
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              <elementText elementTextId="3158">
                <text>Edward Bland, "For Bassoon" (Spotify), &lt;a href="https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ"&gt;https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ&lt;/a&gt;</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="668">
                <text>1950-1999</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="671">
                <text>0-10 minutes</text>
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        <name>0-10 minutes</name>
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      <tag tagId="56">
        <name>bassoon / basson</name>
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      <tag tagId="55">
        <name>Bland, Edward (1926-2013)</name>
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        <name>solo</name>
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  </item>
  <item itemId="79" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Musical Work / Ouvrage musical</name>
      <description/>
      <elementContainer>
        <element elementId="53">
          <name>Ensemble Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="903">
              <text>trio</text>
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              <text>voice / voix</text>
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              <text>harp / harpe</text>
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            <elementText elementTextId="906">
              <text>piano</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ballad of the Brown King Chorus</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1954</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bonds, Margaret (1913-1972)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="898">
                <text>Black composer Margaret Bonds composed "The Ballad of the Brown King" in the early 1950s. A Cantata, it is one of her most frequently composed works. The Ballad was written in honor of the African king Balthazar, to text by Langston Hughes. It was premiered in December 1954 in New York by the George McClain Choir.&#13;
&#13;
&#13;
</text>
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              <elementText elementTextId="899">
                <text>Duration: 3 minutes (first movement)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="900">
                <text>The Ballad of the Brown King (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/The_Ballad_of_the_Brown_King"&gt;https://en.wikipedia.org/wiki/The_Ballad_of_the_Brown_King&lt;/a&gt;</text>
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              <elementText elementTextId="901">
                <text>The Dessoff Choirs, "The Ballad of the Brown King: I. Of the Three Wise Men" (YouTube), &lt;a href="https://www.youtube.com/watch?v=kQE-S3b4FA0"&gt;https://www.youtube.com/watch?v=kQE-S3b4FA0&lt;/a&gt;</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="902">
                <text>1950-1999</text>
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                <text>0-10 minutes</text>
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            <name>Language</name>
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                <text>English</text>
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        <name>Bonds, Margaret (1913-1972)</name>
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        <name>harp / harpe</name>
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        <name>voice / voix</name>
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  <item itemId="80" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Musical Work / Ouvrage musical</name>
      <description/>
      <elementContainer>
        <element elementId="53">
          <name>Ensemble Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="918">
              <text>solo</text>
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          <name>Instrumentation</name>
          <description/>
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              <text>piano</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Troubled Waters</text>
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            <name>Date</name>
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                <text>1967</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="910">
                <text>Bonds, Margaret (1913-1972)</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Black composer Margaret Bonds composed "Troubled Water" for piano. &lt;br /&gt;&lt;br /&gt;As &lt;a href="https://www.youtube.com/watch?v=ozJXgZjiZfU&amp;amp;ab_channel=JoelFan"&gt;Joel Fan describes&lt;/a&gt; in the comments on recorded performance on YouTube, "The poet Maya Angelou described "Troubled Water" as one of Margaret Bonds masterpieces. Based on the spiritual "Wade in the Water", Margaret Bonds conveys the power, and the emotional history of a form of communication used between slaves. A very spiritual piece, and one of my favorites. Visit my blogpost to learn more about her, and hear more of her incredible music."</text>
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                <text>Duration: 5 minutes </text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Bonds (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/Margaret_Bonds"&gt;https://en.wikipedia.org/wiki/Margaret_Bonds&lt;/a&gt;</text>
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              <elementText elementTextId="914">
                <text>Black Women Composers : A Century of Piano Music (Juilcat catalogue), &lt;a href="https://library.juilliard.edu/record=b1004295?_ga=2.165507903.1812231947.1643392936-442175251.1634920481"&gt;https://library.juilliard.edu/record=b1004295?_ga=2.165507903.1812231947.1643392936-442175251.1634920481&lt;/a&gt;</text>
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                <text>Samantha Ege, "Troubled Water by Margaret Bonds (Samantha Ege, piano)" (YouTube), &lt;a href="https://www.youtube.com/watch?v=hf4tZHXROwc"&gt;https://www.youtube.com/watch?v=hf4tZHXROwc&lt;/a&gt;</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="917">
                <text>1950-1999</text>
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            <name>Format</name>
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        <name>piano</name>
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      <description/>
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          <name>Instrumentation</name>
          <description/>
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              <text>flute / flûte</text>
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                <text>Composition No. 152</text>
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                <text>In one movement. A brief, unmetered piece. The two instruments mostly perform in sync, but there are also some opportunities for improvisation.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Braxton, Anthony</text>
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                <text>&lt;a href="https://tricentricfoundation.org/store/composition-no-152-duo"&gt;https://tricentricfoundation.org/store/composition-no-152-duo&lt;/a&gt;</text>
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                <text>Composition No. 146 (Moogie and Stetson)</text>
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                <text>Braxton, Anthony</text>
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                <text>https://rateyourmusic.com/release/album/anthony-braxton/composition-no-146-moogie-and-stetson/</text>
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                <text>Fantasia On a Theme By Charlie Haden: For Turiya</text>
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                <text>Bryant, Freddie</text>
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                <text>Black composer Freddie Bryant's "Fantasia on a Theme by Charlie Haden": 'For Turiya' was originally recorded in 1996. &lt;br /&gt;&lt;br /&gt;As indicated in linernotes on the &lt;a href="https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf"&gt;composer's website&lt;/a&gt;, "It is a through-composed piece using the theme from Charlie Haden’s beautiful For Turiya (dedicated to Alice Coltrane) as a starting point. As a “fantasia” it is a free form improvisation and does not stick to the form of Haden’s original as “variations” would in the classical tradition. It was transcribed by Karl Marino, one of my brilliant students from Berklee and now can be played as a “classical” piece without improvisation."</text>
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                <text>Duration: 7.5 minutes</text>
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              <elementText elementTextId="771">
                <text>Freddie Bryant, "Fantasia on a Theme by Charlie Haden: For Turiya" (YouTube),&amp;nbsp;&lt;a href="https://www.youtube.com/watch?v=oVJ1BziXFKA&amp;amp;feature=emb_title"&gt;https://www.youtube.com/watch?v=oVJ1BziXFKA&amp;amp;feature=emb_title&lt;/a&gt;</text>
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                <text>Freddie Bryant, "Fantasia on a Theme by Charlie Haden" (score), &lt;a href="https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf"&gt;https://www.freddiebryant.com/cms/wp-content/uploads/2020/06/Fantasia-on-a-Theme-by-Charlie-Haden.pdf&lt;/a&gt;</text>
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                <text>Kitty Axelson-Berry, "A Few Questions for Jazz Guitarist Freddie Bryant" (Amhers INDY), &lt;a href="https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/"&gt;https://www.amherstindy.org/2022/04/01/a-few-questions-for-jazz-guitarist-freddie-bryant/&lt;/a&gt;</text>
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                <text>1950-1999</text>
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            <name>Date</name>
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                <text>Black composer Freddie Bryant's Anthem for "Unity" is a 12-minute multi-movement piece for guitar and clarinet. The work was commissioned by Darryl Harper.</text>
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                <text>Darryl Harper, "Anthem for Unity" (Soundcloud), &lt;a href="https://soundcloud.com/darryl-harper-jazz/2-03-anthem-for-unity"&gt;https://soundcloud.com/darryl-harper-jazz/2-03-anthem-for-unity&lt;/a&gt;</text>
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                <text>Voyeuristic Absurdities</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="3446">
                <text>Leslie Savoy Burrs has captivated audiences across the United States and Europe with his exciting, distinctive sound -- an inspired combination of classical virtuosity and dazzling improvisation. He has appeared as guest soloist and composer with the Philadelphia Orchestra, Baltimore, Atlanta, Louisville, New Jersey and Richmond Symphonies. In addition, his performances with the Duke Ellington Band, The Philly Pops and the Moers Jazz Festival in Germany distinguish him as an artist of great depth and versatility.</text>
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      <description/>
      <elementContainer>
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            <description>An account of the resource</description>
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&#13;
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                <text>Eduardo Caballero, biography (Ulysses Network), &lt;a href="https://ulysses-network.eu/profiles/individual/624/"&gt;https://ulysses-network.eu/profiles/individual/624/&lt;/a&gt;</text>
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