7 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation flute / flûte Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Descent from Parnassus Date A point or period of time associated with an event in the lifecycle of the resource 2012 Creator An entity primarily responsible for making the resource Balter, Marcos (b. 1974) Description An account of the resource Brazilian composer Marcos Balter composed "Descent from Parnassus" for solo flute. As included in the comments of Claire Chase's performance at the Art Institute of Chicago: "The Art Institute of Chicago commissioned a new work for Chase in January 2012 by the Chicago-based Brazilian composer and longtime collaborator Marcos Balter. The piece, scored for solo flutist doubling a virtuoso vocal part (from Dante’s Canto Paradiso), is inspired by Cy Twombly’s The First Part of the Return from Parnassus (1961), which resides in the Institute’s permanent collection. A short film of the work performed at the Art Institute in front of the painting was produced by Karen Chester with videography by Ross Karre." Duration: 12 minutes Source A related resource from which the described resource is derived Marcos Balter (personal website), <a href="https://marcosbalter.com/works/">https://marcosbalter.com/works/</a> Marcos Balter (coontact form), <a href="https://marcosbalter.com/contact/">https://marcosbalter.com/contact/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Balter, Marcos (b. 1974) flute / flûte solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Douland Date A point or period of time associated with an event in the lifecycle of the resource 2001 Creator An entity primarily responsible for making the resource Alvarado, Boris (b. 1962) Description An account of the resource Chilean composer Boris Alvarado wrote "Douland" for Cello in 2001. Duration: 9 minutes Source A related resource from which the described resource is derived Boris Alvarado, "Douland (2001) doble aria para violoncelo solo" (YouTube), <a href="https://www.youtube.com/watch?v=VJMSRxYPo68">https://www.youtube.com/watch?v=VJMSRxYPo68</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- Alvarado, Boris (b. 1962) cello / violoncelle solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Dream and Variations Date A point or period of time associated with an event in the lifecycle of the resource 1974 Creator An entity primarily responsible for making the resource Moore, Dorothy Rudd (1940-2022) Description An account of the resource Black composer Dororthy Rudd Moore's "Dream and Variations" for solo piano was composed in September 1974. As written in an article by <a href="https://www.colorado.edu/project/hidden-voices/2020/04/26/dream-and-variations-dorothy-rudd-moore">Anastasia Pavlenko</a>: "Dream and Variations is a substantial work for solo piano written by D. Moore in September 1974. Twenty-one pages long, the piece is graded as advanced level. It consists of an introduction, a theme, and six variations. Unlike Moore’s “Dream Variation” from the song cycle From the Dark Tower, the piece has nothing to do with Langston Hughe’s poem “Dream Variation.” According to the separate program notes provided by the composer, this piece brings a darker, even nightmarish interpretation to the dream idea. Extremely atonal in nature, the variations are built on two characters: dreamy and mischievous. Full of octaves and dense chords, this piece requires a pianist who has good stamina, well-mastered pianistic skills, big hands, and ability to produce big sound. Some other difficulties are jumps, changing key signatures, chromaticism, and changing tempo markings within each variation. Additionally, it requires a performer to have an exceptional interpretative vision to highlight thematic connection between variations, which is not easily distinguished. Dorothy Rudd Moore (b. 1940) is an African-American composer and educator. Originally from Wilmington, Delaware, Moore began her musical path with studying piano and clarinet, singing in a school choir, and aspiring to be a composer. Her parents fully supported such aspiration, and so Moore ended up studying Composition at Howard University with Mark Flex, in France with Nadia Boulanger, and in New York with Chou Wen Chung. She wrote numerous works which include symphonic works, chamber music, song cycles, one opera, and some piano pieces. Her works are available through the American Composers Alliance. In 1968 she became a co-founder of the Society of Black Composers in New York City. Moore is considered to be one of the leading composers of color that began their musical career in the XX century." Duration: 14 minutes Source A related resource from which the described resource is derived Dorthy Rudd Moore (bio on American Composers Alliance), <a href="https://composers.com/composers/dorothy-rudd-moore">https://composers.com/composers/dorothy-rudd-moore</a> Dorothy Rudd Moore, Dream and Variations (description), <a href="https://www.colorado.edu/project/hidden-voices/2020/04/26/dream-and-variations-dorothy-rudd-moore">https://www.colorado.edu/project/hidden-voices/2020/04/26/dream-and-variations-dorothy-rudd-moore</a> Dorthy Rudd Moore, Dream and Variations (score), <a href="https://composers.com/composers/dorothy-rudd-moore/dream-and-variations">https://composers.com/composers/dorothy-rudd-moore/dream-and-variations</a> American Composers Alliance, "Dorothy Rudd Moore - Dream and Variations (1974)" (YouTube), <a href="https://www.youtube.com/watch?v=rluIZ73UJiY&t=1s&ab_channel=AmericanComposersAlliance">https://www.youtube.com/watch?v=rluIZ73UJiY&t=1s&ab_channel=AmericanComposersAlliance</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 Moore, Dorothy Rudd (1940-2022) piano solo Musical Work / Ouvrage musical Ensemble Type ensemble Instrumentation flute / flûte clarinet / clarinette violin / violon cello / violoncelle piano percussion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Duo from Dancing witht the Shafow Date A point or period of time associated with an event in the lifecycle of the resource 1990 Creator An entity primarily responsible for making the resource Alberga, Eleanor (b. 1949) Description An account of the resource Jamaican composer Eleanor Alberga's "Dancing with the Shadow" was composed in 1990 for flute, clarinet, violin, piano and percussion (temple blocks, 2 cow bellws, 2 Atun Pans, shaker, Sus cymbal or Tam tam) Commissioned by Lontano/Sue MacLennan Dance & Co., it was premiered on March 21, 1990 at The Place Theatre, UK by Odaline de la Martinez and Lontano. Duration: 25 minutes Source A related resource from which the described resource is derived Eleanor Alberga (personal website), <a href="https://eleanoralberga.com/dancing-with-the-shadow/">https://eleanoralberga.com/dancing-with-the-shadow/</a> The Wellesz Company, "Eleanor Alberga: Suiite from Dancing with the shadow (1990)" (YouTube) <a href="https://www.youtube.com/watch?v=AxQ3acoWXY0">https://www.youtube.com/watch?v=AxQ3acoWXY0</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 20+ minutes 1950-1999 20+ minutes Alberga, Eleanor (b. 1949) cello / violoncelle clarinet / clarinette ensemble flute / flûte percussion piano violin / violon Musical Work / Ouvrage musical Ensemble Type duo Instrumentation harp / harpe percussion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource echoes from within brightening fabric… fragments of quickened light… Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Mumford, Jeffrey (b. 1955) Description An account of the resource Black composer Jeffrey Mumford's "echoes from within brightening fabric… fragments of quickened light…" received its first performance on 11 October 2015. Duration: 7.5 minutes Source A related resource from which the described resource is derived Jeffrey Mumford (personal website), <a href="https://www.jeffreymumford.com/">https://www.jeffreymumford.com/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo harp / harpe Mumford, Jeffrey (b. 1955) percussion Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Echos nº 2 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource Machado, Henrique Description An account of the resource Brazilian composer Henrique Machado composed "Echos No. 2" for solo cello. Source A related resource from which the described resource is derived Henrique Machado (personal website), <a href="https://www.henriquemachadocompositor.com/">https://www.henriquemachadocompositor.com/</a> Henrique Machado, "Echos n2" (YouTube), <a href="https://www.youtube.com/watch?v=FCC_u1_OVqs&ab_channel=HenriqueMachadoCompositor">https://www.youtube.com/watch?v=FCC_u1_OVqs&ab_channel=HenriqueMachadoCompositor</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle Machado, Henrique solo Musical Work / Ouvrage musical Instrumentation flute / flûte cello / violoncelle piano Ensemble Type trio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ecstatic Samba Description An account of the resource Winner of the 2018 Tribeca New Music YCC (Division 2) Creator An entity primarily responsible for making the resource Day, Kevin Source A related resource from which the described resource is derived <a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwjkw8WIntmDAxWBFFkFHSppBswQwqsBegQICRAG&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D5W92mamsVvE&usg=AOvVaw0ZstPnzs_VueLACsai3gqi&opi=89978449">Kevin Day: Ecstatic Samba • Kaleidoscope Chamber OrchestraYouTube · Kaleidoscope Chamber Orchestra6 minutes, 26 secondsDec 22, 2022</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Elegía errante Date A point or period of time associated with an event in the lifecycle of the resource 2009 Creator An entity primarily responsible for making the resource Palau, Carolina Noguera (b. 1979) Description An account of the resource Colombian composer Carolina Noguera Palau's "Elegia Errante" was composed for solo viola. Duration: 10 minutes Source A related resource from which the described resource is derived Carolina Noguera Palau (bio on BabelScores), <a href="https://www.babelscores.com/CarolinaNogueraPalau">https://www.babelscores.com/CarolinaNogueraPalau</a> Carolina Noguera Palau, Elegía errante (score), <a href="https://www.babelscores.com/catalogs/instrumental/solo/elegia-errante">https://www.babelscores.com/catalogs/instrumental/solo/elegia-errante</a> Clara Petrozzi, "Carolina Noguera: Elegía errante" (YouTube), <a href="https://www.youtube.com/watch?v=CtmSZqjl0P4&list=PL194B6FCB548B29D4&index=34&ab_channel=ClaraPetrozzi">https://www.youtube.com/watch?v=CtmSZqjl0P4&list=PL194B6FCB548B29D4&index=34&ab_channel=ClaraPetrozzi</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Palau, Carolina Noguera (b. 1979) solo viola / violon-alto Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Elegy Description An account of the resource “I lay down in my grave and watch my children grow” is the first line of Maya Angelou’s poem, Elegy. Elegy for flute solo and ensemble, is a single movement tour de force inspired by this epic poem, written for Alexa Still and Uptown Flutes, and premiered at the 2015 National Flute Association Convention. The beginning is slow and cadenza like, featuring a cacophony of virtuoso individual rips, trills and wails within the flute ensemble, while the solo line soars above it all with a melody reminiscent of traditional spirituals. The soulful revival-like beginning quickly shifts into a spirited call and response, followed by a infectious dance section (representing young generations) amid layers of accompanying African rhythms, ending with a highly charged recapitulation. The result is a captivating, soul stirring journey. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.vcolemanmusic.com/store/p43/ELEGY_for_Flute_Ensemble_and_Soloist_(digital_pdf_download).html">https://www.vcolemanmusic.com/store/p43/ELEGY_for_Flute_Ensemble_and_Soloist_(digital_pdf_download).html</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource En el Mejor Momento de mi Vida Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource Aquino, Darwin Description An account of the resource Dominican composer Darwin Aquino composed "En el Mejor Momento de mi Vida" (2013) for cello. The description for the work provided on the composer's website states: "The traditional Chaconne, usually found in Baroque dance suites, can be identified by its anacruses and harmonic ostinati on the lower register. This principle, with some modifications, is taken to the Cello with its infinite resources. Unstable pickups, register changes, contrasting dynamics, and vigorous caribbean rhythms are juxtaposed with the “Canto a San Antonio”, one of the principal ceremonial songs in the dominican popular religious tradition. This work, composed as a “Caribbean Cappriccio” for solo Cello, was written for the Panamanian cellist Isaac Casal." Duration: 10 minutes Source A related resource from which the described resource is derived Darwin Aquino, "En el Mejor Momento de mi Vida (2013), for cello" (personal website), <a href="https://darwinaquino.com/product/en-el-mejor-momento-de-mi-vida-2013/">https://darwinaquino.com/product/en-el-mejor-momento-de-mi-vida-2013/</a> Isaac Casal, "En el Mejor Momento de Mi Vida - Chacona Rota - Compositor Darwin Aquino" (YouTube), <a href="https://www.youtube.com/watch?v=kV2c1VgNCWc&ab_channel=www.isaaccasal.com">https://www.youtube.com/watch?v=kV2c1VgNCWc&ab_channel=www.isaaccasal.com</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- Aquino, Darwin cello / violoncelle solo