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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sonata for Flute and Harp in E Flat Major</text>
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            <name>Date</name>
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                <text>[1700s]</text>
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                <text>Chevalier de Saint-georges, Joseph Bologne (1745-1799)</text>
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                <text>Black Creole violinist, conductor and composer Joseph Bologne, Chevalier de Saint-Georges (often referred to as "The Black Mozart") was a prolific French composer of the classical era. Born on the French Caribbean island of Guadeloupe and was sent to study in France at the age of 17. &#13;
&#13;
His "Sonata for Flute and Harp" in E-Flat Major is in the public domain. Score linked in the sources.&#13;
&#13;
</text>
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                <text>Duration: 9 minutes</text>
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                <text>Abbat Anonymous, "Chevalier de Saint-Georges (1974-1799) - Sonata for Harp and Flute Obligato in E Flat Major" (YouTube), &lt;a href="https://www.youtube.com/watch?v=i84O3uRCq-s"&gt;https://www.youtube.com/watch?v=i84O3uRCq-s&lt;/a&gt;</text>
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                <text>Joseph Bologne, Chevalier de Saint-George, "Sonata for Flute and Harp in E-Flat Major" (score), &lt;a href="https://www.expandingthemusictheorycanon.com/wp-content/uploads/2022/04/Bologne-Flute-and-Harp-Sonata.pdf"&gt;https://www.expandingthemusictheorycanon.com/wp-content/uploads/2022/04/Bologne-Flute-and-Harp-Sonata.pdf&lt;/a&gt;</text>
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                <text>1700-1799</text>
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        <name>Chevalier de Saint-georges, Joseph Bologne (1745-1799)</name>
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        <name>duo</name>
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        <name>flute / flûte</name>
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        <name>harp / harpe</name>
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          <name>Ensemble Type</name>
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              <text>solo</text>
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          <name>Instrumentation</name>
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              <text>piano</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Adagio in F Minor</text>
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            <name>Date</name>
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                <text>[1700s]</text>
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                <text>Chevalier de Saint-georges, Joseph Bologne (1745-1799)</text>
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                <text>Black Creole violinist, conductor and composer Joseph Bologne, Chevalier de Saint-Georges composed the "Adagio in F Minor" for solo piano. The work was published in 1977. </text>
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              <elementText elementTextId="1189">
                <text>Chevalier de Saint-Geoorges, Adagio in F Minor (score), &lt;a href="https://www.sheetmusicplus.com/title/adagio-in-f-minor-sheet-music/1805993"&gt;https://www.sheetmusicplus.com/title/adagio-in-f-minor-sheet-music/1805993&lt;/a&gt;</text>
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                <text>Maria Corley, "Adagio in F Minor by Joseph Bologne, Chevalier de Saint-Georges" (YouTube), &lt;a href="https://www.youtube.com/watch?v=Cj-mq0Ao99o&amp;amp;ab_channel=MariaCorley"&gt;https://www.youtube.com/watch?v=Cj-mq0Ao99o&amp;amp;ab_channel=MariaCorley&lt;/a&gt;</text>
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                <text>1950-1999</text>
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        <name>Chevalier de Saint-georges, Joseph Bologne (1745-1799)</name>
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        <name>piano</name>
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        <name>solo</name>
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      <name>Musical Work / Ouvrage musical</name>
      <description/>
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          <name>Ensemble Type</name>
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              <text>solo</text>
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          <name>Instrumentation</name>
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              <text>violin / violon</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2220">
                <text>Four Portraits for Violin</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2221">
                <text>2016</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2222">
                <text>Childs, Billy (b. 1957)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2223">
                <text>Black composer, jazz pianist, arranger and conductor Billy Childs comosed "Four Portraits for Violin" on commission from Rachel Barton Pine. The premiere took place in 2017 by Rachel Barton Pine at the University of Kentucky. &lt;br /&gt;&lt;br /&gt;The work contains four movements: &lt;br /&gt;1. Prelude and Allegro&lt;br /&gt;2. Adagio Lirico&lt;br /&gt;3. Pavane&lt;br /&gt;4. Gigue.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2224">
                <text>Billy Childs (personal website), https://billychilds.com/</text>
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              <elementText elementTextId="2225">
                <text>Billy Childs (Wikipedia), &lt;a href="https://en.wikipedia.org/wiki/Billy_Childs"&gt;https://en.wikipedia.org/wiki/Billy_Childs&lt;/a&gt;</text>
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                <text>Billy Childs, Four Portraits : for solo violin (score), &lt;a href="https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx"&gt;https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx&lt;/a&gt;</text>
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                <text>Grant Park Music Festival, "An Evening with Rachel Barton Pine and Billy Childs" (YouTube), &lt;a href="https://www.youtube.com/watch?v=1ELDCoeYd9M"&gt;https://www.youtube.com/watch?v=1ELDCoeYd9M&lt;/a&gt;</text>
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                <text>2000-</text>
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        <name>Childs, Billy (b. 1957)</name>
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          <name>Instrumentation</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>LEGENDS </text>
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              <elementText elementTextId="3562">
                <text>For intermediate flutists, Legends is a colorful and light piece in four movements:&#13;
&#13;
Lin-Fa – The Lotus Lily&#13;
Dagda’s Harp&#13;
Gaia&#13;
El Encierro&#13;
&#13;
Perfect for student recitals and family concerts.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Coleman, Valerie	</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="3564">
                <text>&lt;a href="https://www.vcolemanmusic.com/store/p39/LEGENDS_for_Flute_%28with_piano_accompaniment-digital_pdf_download%29.html"&gt;https://www.vcolemanmusic.com/store/p39/LEGENDS_for_Flute_%28with_piano_accompaniment-digital_pdf_download%29.html&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="3570">
                <text>Pontchartrain</text>
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            <description>An account of the resource</description>
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                <text>Pontchartrain for flute choir (optional drums and any bass instrument in C) is a narrative that depicts the rebuilding of New Orleans. This melodic work begins with a slow section describing the devastation of hurricane Katrina, followed by a traditional New Orleans ‘Second Line’ romp where the choir is transformed into a street brass band.</text>
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            <name>Creator</name>
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                <text>Coleman, Valerie	</text>
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            <name>Source</name>
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              <elementText elementTextId="3573">
                <text>&lt;a href="https://www.vcolemanmusic.com/store/p9/Pontchartrain_for_Flute_Choir_%28Digital_Download%29.html"&gt;https://www.vcolemanmusic.com/store/p9/Pontchartrain_for_Flute_Choir_%28Digital_Download%29.html&lt;/a&gt;</text>
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                <text>2000-</text>
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      <description/>
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          <name>Ensemble Type</name>
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          <name>Instrumentation</name>
          <description/>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2187">
                <text>Danza De La Mariposa</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2188">
                <text>2008</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Coleman, Valerie</text>
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            <description>An account of the resource</description>
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                <text>Black composer Valerie Coleman's "Danza de la Mariposa" "is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players." (from publisher's website)</text>
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                <text>Duration: 7 minutes</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Valerie Coleman, Danza de la Mariposa (Dance of the Butterfly) (score), &lt;a href="https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html"&gt;https://www.flute4u.com/Coleman-V-Danza-de-la-Mariposa-Dance-of-the-Butterfly.html&lt;/a&gt;</text>
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                <text>FlutistSarahMiles, "Danza de la Mariposa" for solo flute by Valerie Coleman; Performed by Sarah Miles" (YouTube), &lt;a href="https://www.youtube.com/watch?v=5WodsjApuyY&amp;amp;ab_channel=FlutistSarahMiles"&gt;https://www.youtube.com/watch?v=5WodsjApuyY&amp;amp;ab_channel=FlutistSarahMiles&lt;/a&gt;</text>
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                <text>Valerie Coleman, Danza de la Mariposa (score), &lt;a href="https://www.fluteworld.com/product/danza-de-la-mariposa/"&gt;https://www.fluteworld.com/product/danza-de-la-mariposa/&lt;/a&gt;</text>
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                <text>Theodore Presser Company</text>
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                <text>Danza de la Mariposa</text>
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                <text>Valerie Coleman’s Danza de la Mariposa is a rhythmic, melodic tone poem, giving the listener a tour of South America. Inspired by the various species of butterflies inhabiting the continent, this work is full of rich color, with butterflies dancing and weaving in syncopated rhythms while alternating between the feel of 3 over 4 throughout. Its slower sections pay homage to the beautiful and sorrowful sounds in the style of Yaravi, a Peruvian lament song. The melodies and rhythm eventually evolve into the spirit and syncopation of Argentinean concert tango, and the conclusion returns to the feel of Yaravi. For advanced players.</text>
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                <text>&lt;a href="https://www.presser.com/114-41504-danza-de-la-mariposa.html"&gt;https://www.presser.com/114-41504-danza-de-la-mariposa.html&lt;/a&gt;</text>
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                <text>Amazonia is a dedication to what is considered to be the “lungs of the earth”, &#13;
and is a poem that describes its natural beauty that progressively becomes destroyed, &#13;
as the dark aspects of human nature intrude upon its vitality. The work begins at Sunrise with the sounds of nocturnal animals like frogs and insects enjoying the last parts of the night, the sounds of croaking and leaves moving erratically throughout the foliage. Tree frogs, Tamarin monkeys, and macaws sing their sounds, while drips of dew fall from the leaves, and provides a raindrop-esque motif throughout the first part of the work. The opening motif in the flute gives a fragmented taste of the grooves and rhythms found in Brazilian music. &#13;
&#13;
As the Amazonia scene is set, a simple melody emerges representing the carefree children of the Amazon, who innocently play throughout the jungle and river, immune to the dangers that lurk around them. The melody itself is a sweet dance that turns to a more mature stance that describes the peaceful pride of the tribal adults. Theirs is an intentional way of life that is unimpeded by technology and urban landscape, greed and crime. Following a brief flute cadenza, the section ends with a still life Sunset of reds, oranges and yellows.&#13;
&#13;
As the work unfolds, darker elements soon cloud the landscape, in a section called, Menacing. The piano ominously marks the entrance of poachers and mercenaries into the rainforest, with an aggressive yet stealthy march. Their job is to drive out the tribes from the forest through intimidation and assault. Here the flute becomes the aggressor as its lower register articulates the word, fire, in Morse code as an impending signal to the burnings that will soon occur. Elements of Samba emerge within the Piu Mosso section (ms. 180), with the piano part dancing a macabre dance that symbolizes greed, as corporate interests circle the forest like vultures about to feast on the defenseless. Shouts, run, and anger precede the start of fire trickling through the rainforest, signified by a single note shared between the flute and piano that chromatically undulates and becomes more intense as the fires build and consume. Amazonia ends on an intense panic of shrieks and screams. &#13;
&#13;
As the fires in the Amazon rainforest have decimated thousands of acres, I felt it important to memorialize what was once a natural wonder undisturbed by the greed of man. </text>
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                <text>&lt;a href="https://www.vcolemanmusic.com/amazonia.html"&gt;https://www.vcolemanmusic.com/amazonia.html&lt;/a&gt;</text>
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                <text>The title Fanmi Imèn is Haitian Creole for Maya Angelou’s famous work, Human Family. Both the musical and literary poems acknowledge differences within mankind, either due to ethnicity, background, or geography, but Angelou’s refrain: “we are more alike, my friends, than we are unlike,” reaffirms our humanity as a reminder of unity. Coleman’s work draws inspiration from French flute music blending with an underlying pentatonicism found in Asian traditions, a caravan through Middle Eastern parts of the world merging with Flamenco, and an upbeat journey southward into Africa with the sounds of Kalimba (thumb piano). Fanmi Imèn was commissioned by the National Flute Association for its 2018 High School Soloist Competition.</text>
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                <text>&lt;a href="https://www.justflutes.com/shop/product/fanmi-imen-poem-flute-piano-valerie-coleman#gref"&gt;https://www.justflutes.com/shop/product/fanmi-imen-poem-flute-piano-valerie-coleman#gref&lt;/a&gt;</text>
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                <text>A musical description of fire and its hunger. It begins as embers of coal and wood glowing with radiant danger-a soft sustained and ominous sound. Slowly, fuel is added to the potential of flame and slowly catches fire, one flicker at a time until it builds into a raging inferno of an Afro-Cuban styled groove.</text>
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                <text>&lt;a href="https://www.vcolemanmusic.com/store/p11/Fire_Dance_for_Flute_Choir_%28Digital_Download%29.html"&gt;https://www.vcolemanmusic.com/store/p11/Fire_Dance_for_Flute_Choir_%28Digital_Download%29.html&lt;/a&gt;</text>
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