9 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource First Suite for Solo Violoncello Date A point or period of time associated with an event in the lifecycle of the resource [early 2000s] Creator An entity primarily responsible for making the resource Hughes, Chad "Sir Wick" (b. 1977) Description An account of the resource Black composer Chad "Sir Wick" Hughes fell in love with cello suites in 1995. As written on his website, "As I came home (to the dorms) from marching band practice at the University of Michigan, I heard not only a glorious euphonium sound, but I heard this beautiful melody in C coming from the dorm's practice rooms. I had to find out who and what it was. As I knocked on the door, I introduced myself and then met Matthew Summers, a fellow music major (now currently in the President's Own Marine Band. A week or two later, we went to the library so I could get my own copy of the music. Coincidently I had just met Leo Eguchi and Minitria Slade who were violoncello performance majors. They had a sound that was just quite mesmerizing. I would ask them questions repeatedly so I could learn how to write for this instrument. I had no idea about bowings, double-stops, bow techniques. I was a kid in a candy store. Years later, the tuba/euph studio at UM had to learn various movements from the cello suites. I went to the library to grab some recordings. Somehow someway, the video of Mstislav Rostropovich performing the Suites was already playing in the library. He quickly became my favorite cellist. Maybe it was the quality of his CDs. His tone just captured me. The musicality of his cello suites got me hooked on his first note. Forever a fan! Right around the time I was about to graduate, I ran into our cello professor, Anthony Elliott. He kindly asked me to write him a piece. I was floored. No professor had ever asked me that. Honestly, I was nervous. I hadn't really written solo music before, mostly orchestra music. Unbeknownst to me, Prof. Elliott was putting together a concert and CD of African-American compositions. I just used Bach as my mode and listened over and over to Rostropovich. I didn't write six movements as he did, but decided to use the dance forms." The "First Suite for Solo Violoncello" has a minuet, courante and gigue. Duration: 6 minutes Source A related resource from which the described resource is derived Chad "Sir Wick" Hughes (personal website), <a href="https://sirwickmusic.com/about">https://sirwickmusic.com/about</a> Chad "Sir Wick" Hughes, First Suite for Solo Violoncello (score), <a href="https://sirwickmusic.com/product/551739">https://sirwickmusic.com/product/551739</a> Sir Wick Music, "First Suite for Solo Violoncello (Sir Wick); Anthony Elliott, cello" (YouTube), <a href="https://www.youtube.com/watch?v=4Tqa1e4b_yA&ab_channel=SirWickMusic">https://www.youtube.com/watch?v=4Tqa1e4b_yA&ab_channel=SirWickMusic</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle Hughes, Chad "Sir Wick" (b. 1977) solo Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette oboe / hautbois horn / cor bassoon / basson Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Five Etudes and a Fancy Description An account of the resource https://composers.com/composers/tj-anderson/five-etudes-and-fancy-wind-quintet Creator An entity primarily responsible for making the resource Anderson, TJ Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Musical Work / Ouvrage musical Instrumentation flute / flûte Ensemble Type solo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Flute Set Description An account of the resource Four movements: 1. Moderato con anima 2. Vivo 3. Lento e teneramente 4. Allegro Contrasting styles, making extensive use of scale and arpeggio patterns. African-American composer Adolphus Hailstork (b.1941) received his doctorate in composition from Michigan State University, where he was a student of H. Owen Reed. He had previously studied at the Manhattan School of Music, under Vittorio Giannini and David Diamond, at the American Institute at Fontainebleau with Nadia Boulanger, and at Howard University with Mark Fax. Dr. Hailstork has written numerous works for chorus, solo voice, piano, organ, various chamber ensembles, band, orchestra, and opera. Creator An entity primarily responsible for making the resource Hailstork, Adolphus Publisher An entity responsible for making the resource available Theodore Presser Co. Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte piano Ensemble Type duo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Flute Sonata Description An account of the resource David Nathaniel Baker, Jr (21 December 1931 – 26 March 2016) was an extraordinarily accomplished African-American composer, author, conductor, and teacher; and among the most influential voices in contemporary American music in a career that spanned over five decades. Born in Indianapolis, Indiana, David Baker grew up in the rich musical tradition of the black community, in the world of church and gospel music, blues and rhythm & blues, and jazz. He trained as a classical musician and composer at Indiana University, where he later became Distinguished Professor of Music and Chairman of the Jazz Department. Baker also served as conductor and artistic director of the Smithsonian Jazz Masterworks Orchestra. A virtuoso performer on multiple instruments and top in his field in several disciplines, Mr. Baker taught and performed throughout the USA, Canada, Europe, Scandinavia, Australia, New Zealand and Japan. Over the course of his multifaceted career, David received numerous awards, including the The John F. Kennedy Center for the Performing Arts Living Jazz Legend Award, National Association of Jazz Educators Hall of Fame Award, the James Smithson Medal from the Smithsonian Institution, and an Emmy Award for his musical score documentary For Gold and Glory. He served a number of times on the Pulitzer Prize Music Jury and was Chair of the Jazz Faculty of the Steans Institute for Young Artists at the Ravinia Festival in Chicago, IL. His compositions total more than 2,000 in number, including jazz and symphonic works, chamber music, and ballet and film scores. Creator An entity primarily responsible for making the resource Baker, David Publisher An entity responsible for making the resource available Magna Music Format The file format, physical medium, or dimensions of the resource 10-20 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation bassoon / basson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource For Bassoon Date A point or period of time associated with an event in the lifecycle of the resource 1979 Creator An entity primarily responsible for making the resource Bland, Edward (1926-2013) Description An account of the resource Black composer Edward Osmund Bland composed "For Bassoon" in 1979 on commission by the bassoonist Fail Hightower of New York City. Source A related resource from which the described resource is derived Ed Bland (personal website, contact) <a href="https://www.edblandmusic.com/ContactInfo.htm">https://www.edblandmusic.com/ContactInfo.htm</a> Ed Bland (Wikipedia), <a href="https://en.wikipedia.org/wiki/Edward_Bland">https://en.wikipedia.org/wiki/Edward_Bland</a> Edward Bland, "For Bassoon" (score), <a href="https://www.tfront.com/p-447728-for-bassoon-1979.aspx">https://www.tfront.com/p-447728-for-bassoon-1979.aspx</a> Claremont Chamber Orchestra, "Ed Bland 'For Bassoon'," (Facebook), <a href="https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/">https://www.facebook.com/claremontchamberorchestra/videos/ed-bland-for-bassoon/614111209256945/</a> Edward Bland, "For Bassoon" (Spotify), <a href="https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ">https://open.spotify.com/album/1gbwM0JwbzV3LmjG7JsAI0?highlight=spotify%3Atrack%3A0mz5o95VChN1oyZopfM2PZ</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 bassoon / basson Bland, Edward (1926-2013) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Four Pieces for Solo Cello Date A point or period of time associated with an event in the lifecycle of the resource 1983 Creator An entity primarily responsible for making the resource León, Tania (b. 1943) Description An account of the resource Cuban composer, conductor, educator and advisor to arts organization Tania León composed the "Four Pieces for Cello Solo" in 1983. Duration: 12 minutes Source A related resource from which the described resource is derived Tania León (personal website), <a href="https://www.tanialeon.com/about">https://www.tanialeon.com/about</a> Tania León, 4 Pieces for Cello Solo (score), <a href="https://www.boosey.com/shop/prod/Leon-Tania-4-Pieces-For-Cello-Solo/2306766">https://www.boosey.com/shop/prod/Leon-Tania-4-Pieces-For-Cello-Solo/2306766</a> Tom Kraines, "Tania León - Four Pieces for solo cello" (YouTube), <a href="https://www.youtube.com/watch?v=KxLphggNR7c&ab_channel=TomKraines">https://www.youtube.com/watch?v=KxLphggNR7c&ab_channel=TomKraines</a> Angelique Montes, "Four Pieces for Violoncello by Tania León" (YouTube), <a href="https://www.youtube.com/watch?v=CRAXdEUTqoA&ab_channel=AngeliqueMontes">https://www.youtube.com/watch?v=CRAXdEUTqoA&ab_channel=AngeliqueMontes</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Publisher An entity responsible for making the resource available Peermusic Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 1950-1999 cello / violoncelle León, Tania (b. 1943) solo Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Four Portraits for Violin Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource Childs, Billy (b. 1957) Description An account of the resource Black composer, jazz pianist, arranger and conductor Billy Childs comosed "Four Portraits for Violin" on commission from Rachel Barton Pine. The premiere took place in 2017 by Rachel Barton Pine at the University of Kentucky. The work contains four movements: 1. Prelude and Allegro 2. Adagio Lirico 3. Pavane 4. Gigue. Source A related resource from which the described resource is derived Billy Childs (personal website), https://billychilds.com/ Billy Childs (Wikipedia), <a href="https://en.wikipedia.org/wiki/Billy_Childs">https://en.wikipedia.org/wiki/Billy_Childs</a> Billy Childs, Four Portraits : for solo violin (score), <a href="https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx">https://www.tfront.com/p-500695-four-portraits-for-solo-violin.aspx</a> Grant Park Music Festival, "An Evening with Rachel Barton Pine and Billy Childs" (YouTube), <a href="https://www.youtube.com/watch?v=1ELDCoeYd9M">https://www.youtube.com/watch?v=1ELDCoeYd9M</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- Childs, Billy (b. 1957) solo violin / violon Musical Work / Ouvrage musical Instrumentation flute / flûte violin / violon cello / violoncelle Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Four Winds of Ol' Forester Description An account of the resource For Flute, Violin, Cello and Tape <a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwj599ms_9aDAxUJF1kFHZqEBAoQFnoECBkQAQ&url=https%3A%2F%2Fwww.vcolemanmusic.com%2Fworks.html&usg=AOvVaw3s7z9tCe-ec7S11sDYkzV9&opi=89978449">Works - VALERIE COLEMAN FLUTIST & COMPOSERvcolemanmusic.comhttps://www.vcolemanmusic.com › works</a> Creator An entity primarily responsible for making the resource Coleman, Valerie Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Instrumentation flute / flûte clarinet / clarinette violin / violon cello / violoncelle piano Ensemble Type ensemble Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Freedmen of the Five Civilized Tribes Description An account of the resource Freedmen honors the legacy of Native Americans and former African slaves (adopted into Native American tribal membership through emancipation or marriage), who traversed the Trail of Tears. African-American descendants with Native American ancestry were later cast out of the government’s National Registry, denying their right for land and other benefits. Still, they fight for their rights even today. The history of what is referred to as the Five Civilized tribes (the Chickasaw, Cherokee, Creek, Seminole and Choctaw nations) and their relationship with the Freedmen resonates within me as it is a true merging of cultures, sometimes clashing with aggression, but more than often melding into a soulful exchange. Creator An entity primarily responsible for making the resource Coleman, Valerie Source A related resource from which the described resource is derived <a href="https://www.vcolemanmusic.com/store/p71/Freedmen_of_the_Five_Civilized_Tribes_%28Print_Order_Only%29.html">https://www.vcolemanmusic.com/store/p71/Freedmen_of_the_Five_Civilized_Tribes_%28Print_Order_Only%29.html</a> Format The file format, physical medium, or dimensions of the resource 0-10 minutes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trumpet / trompette piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Frenetic Dream Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource Lee, HyeKyung (b. 1959) Description An account of the resource Korean American composer HyeKyung Lee has written for diverse genres and media. As written on Jack Sutte's website: "Frenetic Dream was written for Jack Sutte in 2001. Frenetic Dream makes use of a minimal amount of material (stated in the opening) which is then manipulated in various ways, first in a percussive manner and then more lyrical and romantic. The outer parts have a jagged rhythmic drive while the middle section has lyric melodic lines over perpetual motion. 'HyeKyung’s music shows a penchant for colorful timbres, expressive lines, and lively rhythmic interaction of instruments. The result is a darkly expressive music'...” Duration: 12 minutes Source A related resource from which the described resource is derived HyeKyung Lee (personal website), <a href="https://www.hyekyunglee.com/works">https://www.hyekyunglee.com/works</a> HyeKyung Lee, works (access to recording), <a href="https://www.hyekyunglee.com/works">https://www.hyekyunglee.com/works</a> HyeKyung Lee, Frenetic Dream (score), <a href="https://www.hyekyunglee.com/store/frenetic-dream">https://www.hyekyunglee.com/store/frenetic-dream</a> Jack Sutte, Frenetic Dream (recording), <a href="https://jacksutte.com/sounds/beyond-the-moon/">https://jacksutte.com/sounds/beyond-the-moon/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo Lee, HyeKyung (b. 1959) piano trumpet / trompette