1 10 296 Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Königliches Thema Date A point or period of time associated with an event in the lifecycle of the resource 1976 Creator An entity primarily responsible for making the resource Yun, Isang (1917-1995) Description An account of the resource Koren born German composer Isang Yun composed "Königliches Thema" in 1976 for solo violin. Duration: 8 minutes Source A related resource from which the described resource is derived Isang Yun (Wikipedia), <a href="https://en.wikipedia.org/wiki/Isang_Yun">https://en.wikipedia.org/wiki/Isang_Yun</a> Isang Yun, Königliches Thema (score), <a href="https://www.boosey.com/shop/prod//2406295">https://www.boosey.com/shop/prod//2406295</a> Alican Süner, "Isang Yun "Königliches Thema" for Solo Violin | Alican Süner" (YouTube), <a href="https://www.youtube.com/watch?v=-oo5-cstFWs&amp;ab_channel=AlicanS%C3%BCner">https://www.youtube.com/watch?v=-oo5-cstFWs&amp;ab_channel=AlicanS%C3%BCner</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 solo violin / violon Yun, Isang (1917-1995) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation cello / violoncelle electronics / électronique Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource The Veronica Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Yun, Du (b. 1977) Description An account of the resource Chinese born American composer, performer, vocalist and performance artist Du Yun composed "The Veronica" for cello with or without electronics. The work was commissioned by Matt Haimovitz. Duration: 12 minutes Source A related resource from which the described resource is derived Du Yun (Wikipedia), <a href="https://en.wikipedia.org/wiki/Du_Yun">https://en.wikipedia.org/wiki/Du_Yun</a> Du Yun (personal website), <a href="https://channelduyun.com/contact/">https://channelduyun.com/contact/</a> Alinéa Ensemble, "The Veronica - Du Yun - Performed by Robbie Bui" (YouTube), <a href="https://www.youtube.com/watch?v=_cav8R8-krM">https://www.youtube.com/watch?v=_cav8R8-krM</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- cello / violoncelle solo Yun, Du (b. 1977) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation viola / violon-alto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Viola Locus Date A point or period of time associated with an event in the lifecycle of the resource 1995 Creator An entity primarily responsible for making the resource Yuasa, Joji (b. 1929) Description An account of the resource Janapese composer Joji Yuasa composed "Viola Locus" for viola in 1995. The work received its world premiere on 25 November 1995. Duration: 9 minutes Source A related resource from which the described resource is derived Joji Yuasa (Wikipedia), <a href="https://en.wikipedia.org/wiki/Joji_Yuasa">https://en.wikipedia.org/wiki/Joji_Yuasa</a> Joji Yuasa, Viola Locus (score), <a href="https://en.schott-music.com/shop/viola-locus-no91204.html">https://en.schott-music.com/shop/viola-locus-no91204.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1950-1999 Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 1950-1999 solo viola / violon-alto Yuasa, Joji (b. 1929) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation horn / cor piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Ox Tail Dance (No. 1 from Chinese Ancient Dances) Date A point or period of time associated with an event in the lifecycle of the resource 2006 Creator An entity primarily responsible for making the resource Yi, Chen (b. 1953) Description An account of the resource Chinese American composer Yi Chen's compositional language blends Western performance ideals with the folk music of China. The "Ox Tail Dance" is "a lyric showpiece for horn. The music was originally composed for clarinet. Of advanced difficulty." Duration: 5 minutes Source A related resource from which the described resource is derived Chen Yi (Wikipedia), <a href="https://en.wikipedia.org/wiki/Chen_Yi_(composer)">https://en.wikipedia.org/wiki/Chen_Yi_(composer)</a> Chen Yi, "Ox Tail Dance" (score), <a href="https://www.tfront.com/p-389411-ox-tail-dance-mvt-1-from-chinese-ancient-dances-for-horn-and-piano.aspx">https://www.tfront.com/p-389411-ox-tail-dance-mvt-1-from-chinese-ancient-dances-for-horn-and-piano.aspx</a> Playground Ensemble, "Chinese Ancient Dances I - Ox Tail Dance (Chen Yi) - The Playground Ensemble" (YouTube), <a href="https://www.youtube.com/watch?v=ZPejXBBsjws&amp;ab_channel=PlaygroundEnsemble">https://www.youtube.com/watch?v=ZPejXBBsjws&amp;ab_channel=PlaygroundEnsemble</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Publisher An entity responsible for making the resource available Theodore Presser Company Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- duo horn / cor piano Yi, Chen (b. 1953) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation violin / violon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Memory, for solo violin Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource Yi, Chen (b. 1953) Description An account of the resource Chinese American composer Yi Chen's compositional language blends Western performance ideals with the folk music of China. <br /><br />As stated on sheetmusicplus.com, "Chen Yi wrote this plaintive memorial work in tribute to the passing of her teacher, Professor Lin Yaoji. In the program notes, the composer speaks to her mentor: I wish you could hear the tune in my Memory, which sounds like my painful cry out of your name in our Cantonese dialect. I expressed my deep sorrow in the music, to remember your fatherly mentorship. Your meaningful smile will always be with us encouragingly. ... For this plaintive memorial work for solo Violin, the instrument in which composer Chen Yi was trained as a performer, the composer provides this program note: Dear Professor Lin: I wish you could hear the tune in my Memory, which sounds like my painful cry out of your name in our Cantonese dialect. I expressed my deep sorrow in the music, to remember your fatherly mentorship. Your meaningful smile will always be with us encouragingly." Duration: 3.5 minutes Source A related resource from which the described resource is derived Chen Yi (Wikipedia), <a href="https://en.wikipedia.org/wiki/Chen_Yi_(composer)">https://en.wikipedia.org/wiki/Chen_Yi_(composer)</a> Chen Yi, "Memory, for solo violin" (score), <a href="https://www.sheetmusicplus.com/title/memory-sheet-music/19532593?d=sem_ggl_Product_DSAs&amp;gclid=CjwKCAjw2bmLBhBREiwAZ6ugo-dJa9vpbzI2e0OKB1iPMUDOMk2_FFdzoX-PtvVVCdkAdUjYM2P2dhoCsL4QAvD_BwE">https://www.sheetmusicplus.com/title/memory-sheet-music/19532593?d=sem_ggl_Product_DSAs&amp;gclid=CjwKCAjw2bmLBhBREiwAZ6ugo-dJa9vpbzI2e0OKB1iPMUDOMk2_FFdzoX-PtvVVCdkAdUjYM2P2dhoCsL4QAvD_BwE</a> Patrick Yim, "Chen Yi: 'Memory' for solo violin; Patrick Yim, violin" (YouTube), <a href="https://www.youtube.com/watch?v=EkYlEMceed8&amp;ab_channel=PatrickYim">https://www.youtube.com/watch?v=EkYlEMceed8&amp;ab_channel=PatrickYim</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- solo violin / violon Yi, Chen (b. 1953) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone electronics / électronique Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Amber Waves Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Williams, Evan (b. 1988) Description An account of the resource African American composr and conductor Evan Williams wrote "Amber Waves" for trombone and interactive electronics. <br /><br />As written on the composer's website: ​Amber Waves is a reflection on my upbringing in the Midwest. I grew up (and my family still lives) on a street called Wheatfield Road, in the south suburbs of Chicago. This street is near a farm which grows wheat and corn. This improvisatory work pays homage to the simplicity, beauty, and vast openness of that place, and areas like it throughout the Midwest." Duration: 11 minutes Source A related resource from which the described resource is derived Evan Williams (personal website), <a href="https://www.evanwilliamsmusic.info">https://www.evanwilliamsmusic.info</a> Evan Williams, Amber Waves (description and recording), <a href="https://www.evanwilliamsmusic.info/amber-waves.html">https://www.evanwilliamsmusic.info/amber-waves.html</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo electronics / électronique trombone Williams, Evan (b. 1988) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation trombone piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Concertino Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource Wilborn, David (b. 1961) Description An account of the resource Black composer David Wilborn composed this "Concertino" for trombone and piano. Duration: 10 minutes Source A related resource from which the described resource is derived David Wilborn (bio, C. Alan Publications), <a href="https://c-alanpublications.com/wilborn-david/">https://c-alanpublications.com/wilborn-david/</a> Jamey Morgan, "David Wilborn - Concertino (2015)" (YouTube), <a href="https://www.youtube.com/watch?v=wTGed8tA8r4&amp;ab_channel=JameyMorgan-Trombone">https://www.youtube.com/watch?v=wTGed8tA8r4&amp;ab_channel=JameyMorgan-Trombone</a> David Wilborn, Concertino (score), <a href="https://www.hickeys.com/music/brass/trombone/tenor_trombone/solos_with_piano/products/sku112811-wilborn-david-concertino.php">https://www.hickeys.com/music/brass/trombone/tenor_trombone/solos_with_piano/products/sku112811-wilborn-david-concertino.php</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- duo piano trombone Wilborn, David (b. 1961) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation bass trombone / trombone basse piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Jazz Triptych Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource Wilborn, David (b. 1961) Description An account of the resource Black composer David Wilborn composed "Jazz Triptych" for bass trombone and piano. According to Warwick Music website: "Jazz Triptych was written at the request of English bass trombonist Jonathan Warburton. It is a setting of three diverse jazz styles in a concert setting for bass trombone and piano. Each movement captures characters and rhythmic features of a particular jazz genre. Although originally composed, each movement references the compositional style of historical masters who are credited for making their own style of jazz popular. The movements express the idea of the composer meeting each historical figure individually in an attempt to gain a better understanding of their jazz style. Figuratively, the composer sets out on a pleasant walk with each composer for an interview. The result is a fusion of compositional ideas in which both personalities (the composer and the historical figure) emerge. Each jazz style becomes an expansion of a hybrid jazz-classical style. The featured genres include: ragtime, tango and boogie." Source A related resource from which the described resource is derived David Wilborn (bio, C. Alan Publications), <a href="https://c-alanpublications.com/wilborn-david/">https://c-alanpublications.com/wilborn-david/</a> Jordan Harris, "The Graduate Recital of Jordan Harris" [David F. Wilborn's Jazz Tiptych is the second work programmed] (YouTube), <a href="https://www.youtube.com/watch?v=InGX2_Rt5-k&amp;ab_channel=JordanHarris">https://www.youtube.com/watch?v=InGX2_Rt5-k&amp;ab_channel=JordanHarris</a> David Wilborn, Jazz Triptych (score), <a href="https://www.warwickmusic.com/p/jfG3/">https://www.warwickmusic.com/p/jfG3/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- 2000- bass trombone / trombone basse solo Wilborn, David (b. 1961) Musical Work / Ouvrage musical Ensemble Type solo Instrumentation piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Colour Study in Rupaktaal Date A point or period of time associated with an event in the lifecycle of the resource 2007 Creator An entity primarily responsible for making the resource Wijeratne, Dinuk (b. 1978) Description An account of the resource Sri Lankan-born Canadian composer Dinuk Wijeratne composed "Colour Study in Rupaktaal" in 2007. The work was commissioned by pianist David Jalbert and received its world premiere at "Music Toronto" series in Toronto, Ontario in May 2007. <br /><br />Wijeratne's original program notes appear on his website: “I always say, perhaps only in half-jest, that in my next life I will be a Tabla player. Though I am a South-Asian with an exclusively Western Classical musical training, I grew up with the sounds of Indian Classical music in my ear. The various elements of Western music, such as harmony, texture etc., have undergone both unceasing evolutions and drastic revolutions throughout history. The classical music of the Indian subcontinent, however, focuses primarily on two of these elements: melody (set in ‘raga’), and rhythm (set in ‘tala’). From a Western perspective it is perhaps unusual to listen to a music that concerns itself, not with the type of multi-voice counterpoint we expect from Bach or Brahms, but rather the rich, nuanced interplay of melody and rhythm. I was drawn instantly to its unique rhythmic language. Over the years, as I delved deeper, I was awed by the great rhythm virtuosi of the North Indian tradition, and developed an obsession for the music associated with the king of Indian percussion instruments: the tabla. The word ‘rupaktaal‘ is bipartite: taal, meaning ‘set in a rhythmic cycle’, and rupak meaning ‘of seven beats’. In a traditional solo tabla recital, the taal is maintained by an accompanist who plays an underlying, cyclic melody, which continues throughout the percussion soloist’s many rhythmic and virtuosic variations. ‘Colour Study in RupakTaal‘ establishes such a melody at the outset, in the left hand, rather like a ground-bass. Soon afterwards, a second melodic line is established, representing the rhythmic variations of the tabla. For a few minutes, the two melodic lines are heard separately before being heard in counterpoint for the rest of the piece; the right hand weaving its tabla-inspired patterns around the ground-bass. The nature of the original tabla composition is such that the two lines are always in counterpoint. The ground-bass remains in one tempo, while each repetition of the right hand tabla line appears at a faster tempo at each successive repetition. The effect is a sense of acceleration from slow to as-fast-as-possible, with the right hand constantly changing into ‘higher gears’. True to a traditional tabla recital, there are moments of resolution after every few cycles, when the endings of both lines coincide as precisely and climactically as the tabla soloist can make them. Although the piano is simultaneously playing both the character of ‘tabla soloist’ and ‘sympathetic accompanist’, it was never my intention to recreate a traditional Indian tabla composition for the piano. I have chosen instead to use the original rhythmic concept – i.e. one line which accelerates incrementally away from another – as a scaffolding upon which one can experiment quite liberally with colour, as the title suggests.” Duration: 12-13 minutes Source A related resource from which the described resource is derived Dinuk Wijeratne (personal website), <a href="https://www.dinukwijeratne.com/">https://www.dinukwijeratne.com/</a> Dinuk Wijeratne, Colour Study in Rupaktaal (score), <a href="https://www.dinukwijeratne.com/colour-study-in-rupaktaal/">https://www.dinukwijeratne.com/colour-study-in-rupaktaal/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 10-20 minutes 10-20 minutes 2000- piano solo Wijeratne, Dinuk (b. 1978) Musical Work / Ouvrage musical Ensemble Type duo Instrumentation cello / violoncelle piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, https://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Imaginary Sibling Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource Wijeratne, Dinuk (b. 1978) Description An account of the resource Sri Lankan-born Canadian composer Dinuk Wijeratne composed "Portrait of the Imaginary Composer" in 2019 for cello and piano. Duration: 9 minutes Source A related resource from which the described resource is derived Dinuk Wijeratne (personal website), <a href="https://www.dinukwijeratne.com/">https://www.dinukwijeratne.com/</a> Dinuk Wijeratne, Portrait of the Imaginary Sibling (score), <a href="https://www.dinukwijeratne.com/portfolio_page/portrait-of-the-imaginary-sibling-2019-cello-piano-9/">https://www.dinukwijeratne.com/portfolio_page/portrait-of-the-imaginary-sibling-2019-cello-piano-9/</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2000- Format The file format, physical medium, or dimensions of the resource 0-10 minutes 0-10 minutes 2000- cello / violoncelle duo piano Wijeratne, Dinuk (b. 1978)