To preface his score to Snowforms, R. Murray Schafer briefly describes his inspiration for the piece. He goes on to explain how his graphic notation, design for children, is meant to be conducted and interpreted.
Il s'agit là de la page 109 du manuscrit de Patria II. Un dessin coloré marquant la continuité du moment où Ariadne prend conscience de son ombre (shadow) d'après les principes de Carl Jung, dans ce cas-ci la bête.