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Richard III [Antonine Maillet: Script Page 1]
A Collage of the first two pages of Richard's opening monologue with Maillet's annotations. Co-produced by Théâtre du Rideau Vert and the National Arts Centre.
Keith and Jordyn Hendricks making drums for the National Arts Centre's 2012 production of King Lear
The First Nations Exchange group participated in the making of the props, including the drums.
Photograph of the Hendricks Family in Costume for the National Arts Centre's 2012 Production of King Lear
The Hendricks family poses for a photograph backstage at the National Arts Centre.
Photograph of Tom Patterson
Photograph of Tom Patterson from the Stratford Shakesperean Festival: Souvenir book July-August 1953, following the first annual festival.
Boar sculpture in a Museum in Florence
Boar sculptures cast in bronze. Photos taken by professor Irene Makaryk in a museum in Florence, Italy.
Note on the Four Nations Exchange from the National Arts Centre's playbill (p 17) for the 2012 production of King Lear
Description of the Four Nations Exchange as a special project of the 2012 King Learproduction. The text also gives a brief biography of Suzanne Keeptwoand her role in this initiative.
Artistic Director's notes from the National Arts Centre's playbill (pp 4-5) for the 2012 production of King Lear
Peter Hinton describes the impetus for staging an all-AboriginalKingLear set in seventeenth-century Algonquin territory and explains the objectives of the production.
Macbeth Promotional Image: Macbeth and Witch
Image from Bear & Co. website used for advertisement
Richard III [Final Script 3/3]
Final few lines of Richard's opening monologue in the final version of Maillet's translated script. Co-produced by Theatre du Rideau Vert and the National Arts Centre.
Richard III [Final Script 2/3]
Second chunk of Richard's opening monologue in the final version of Maillet's translation. Co-produced by Theatre du Rideau Vert and the National Arts Centre.