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Richard III [Brassard's script: opening 2/2]
Second part of Richard's entrance and opening monologue with Brassard's notes.
Richard III Premiere Ticket
Tickets (front and back) of the 1989 production of Richard III. The elaborate ticket design is based on the promotional poster of the production.
Richard III [Final Script 1/3]
Richard's opening monologue in the final version of Maillet's script. Co-produced by Theatre du Rideau Vert and the National Arts Centre.
Richard III [Final Script 2/3]
Second chunk of Richard's opening monologue in the final version of Maillet's translation. Co-produced by Theatre du Rideau Vert and the National Arts Centre.
Richard III [Final Script 3/3]
Final few lines of Richard's opening monologue in the final version of Maillet's translated script. Co-produced by Theatre du Rideau Vert and the National Arts Centre.
Macbeth Promotional Image: Macbeth and Witch
Image from Bear & Co. website used for advertisement
Artistic Director's notes from the National Arts Centre's playbill (pp 4-5) for the 2012 production of King Lear
Peter Hinton describes the impetus for staging an all-AboriginalKingLear set in seventeenth-century Algonquin territory and explains the objectives of the production.
Note on the Four Nations Exchange from the National Arts Centre's playbill (p 17) for the 2012 production of King Lear
Description of the Four Nations Exchange as a special project of the 2012 King Learproduction. The text also gives a brief biography of Suzanne Keeptwoand her role in this initiative.
Boar sculpture in a Museum in Florence
Boar sculptures cast in bronze. Photos taken by professor Irene Makaryk in a museum in Florence, Italy.
Photograph of Tom Patterson
Photograph of Tom Patterson from the Stratford Shakesperean Festival: Souvenir book July-August 1953, following the first annual festival.