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Peter Hinton's director's notebook (act 1, scene 2) from the 2008 production of Macbeth at the National Arts Centre
Contains Peter Hinton's notes for the atmosphere of the production
'Artistic Director's Note - Peter Hinton' from Prélude program
Peter Hinton discusses the possible past interpretations of Macbeth as well as his own intentions as a director with this 2008 interpretation of Shakespeare's play.
Artistic Director's notes from the National Arts Centre's playbill (pp 4-5) for the 2012 production of King Lear
Peter Hinton describes the impetus for staging an all-AboriginalKingLear set in seventeenth-century Algonquin territory and explains the objectives of the production.
Katharina and Petruchio
Engraving of a scene from The Taming of the Shrew. Petruchio standing to left, right hand on his hip, holding up a new cap in his left and mocking its shape, before giving it back to the waiting haberdasher despite Catherine's protestations that…
Hoist a Brew for this Shrew
Jennifer Hartley's review of Denise Coffey's National Arts Centre performance of William Shakespeare's Taming of the Shrew
Poster for the £20,000 Reward for the Discovery of the Missing Franklin Expedition
W.A.B. [William Alexander Baillie] Hamilton, Secretary of the British Admiralty, authorized the publication of this broadside in March of 1850. It was part of the effort to find the crew and vessels connected to Sir John Franklin's 1845 expedition to…
"Moor Better Blues": Brian Gorman review of Othello (1997) for the Ottawa Sun
Brian Gorman's review of the National Arts Centre's 1997 production of Othello highlights the production's energy and "universally strong" cast.
"Good night, Desdemona": Brian Gorman interview with Megan Follows
Brian Gorman's interview with Megan Follows touches on her acting history, her love of theatre, her previous role as Anne Shirley in Anne of Green Gables (1985) and her working relationship with director Michael Langham.
