Browse Items (363 total)
Sort by:
Al Connors' opening remarks - performance photograph from A Company of Fools' 2015 production of William Shakespeare's The Comedy of Errors
A photograph taken of Al Connors delivering the opening remarks for the 2015 productionThe Comedy of Errors.This photograph was taken at Strathcona Park, and if you look closely, you can see that Al Connors is wearng the pants and shoes that are a…
Alec Guinness as Richard
This is a portrait of Alec Guinness portraying the character of King Richard from the Stratford Shakespearean Festival's production of King Richard III in 1953.
Alec Guniness and Robert Goodier in a Scene from "Richard III" at Stratford Shakespearean Festival
Photograph taken of the 1953 production of Richard III at the Stratford Shakespearean Festival in Stratford, Ontario, Canada. This photograph captures Alec Guinness and Robert Goodier in a scene from the production of Richard III.
Amateur Actors Performing Hamlet
Colour lithograph of politicians playing the roles in the play within Hamlet; a presentation cartoon from the "St. Stephens' Review."
André Brassard, respect du public (André Brassard, respect from the public)
La Presse newspaper clipping regarding the public's positive reception of André Brassard's play Périclès staged at the National Arts Centre.
André Brassard: l'exil et le royaume (André Brassard: the exile and the kingdom)
Le Devoir article by Robert Lévesque regarding André Brassard as the new director of the National Arts Centre. Topics include Brassard's desires for the season and his regrets for Quebec.
André Brassard: the new Artistic Director of the French Theatre
An introduction to André Brassard, welcoming him as the new Artistic Director of the French Theatre.
Antipholous and Luciana from A Company of Fools' 2015 production of The Comedy of Errors
Photograph taken at a performance in Strathcona Park. Luciana played by Katie Ryerson and Antipholus of Ephesus played by Al Conners.
Artistic Director's notes from the National Arts Centre's playbill (pp 4-5) for the 2012 production of King Lear
Peter Hinton describes the impetus for staging an all-AboriginalKingLear set in seventeenth-century Algonquin territory and explains the objectives of the production.