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                  <text>This collection includes items pertaining to silent film music practice in Ottawa. It also includes items that shed light on theatre orchestras and musicians that played alongside films.&#13;
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                <text>"Operafilm" production of "The Bohemian Girl" at the Imperial [advertisement]</text>
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                <text>Imperial advertisement.&amp;nbsp;&lt;em&gt;Ottawa Journal.&lt;/em&gt;&amp;nbsp;April 16, 1926: 9.</text>
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                <text>Microfilm from Ottawa Public Library</text>
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                <text>An advertisement for Basil Horsfall’s “Operafilm,” a combination of live costumed opera singers alongside an on-screen dramatisation, which later appeared in Winnipeg, Calgary, and Salem after its initial presentation in Ottawa. </text>
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                <text>Black and white advertisement, almost a sqaure. Border made up of black squares. Illustration of a woman and a man dressed in patterned clothing looking in the distance at the bottom right corner above the prices box. Top "Imperial" logo has "Picture" on the left and "Opera" at the right. In the centre, a large black oval with "OPERAFILM" in white text. The rest of the text is as follows: One Whole Week | Basil Horsfall Presents | Commencing Saturday, April 17th | Two Shows Daily Mats. 2.30. Eves. 8.15 | The Latest Unique Sensation | Combining Picture Presentation With the Personal Appearance of Several Well Known Opera Stars in "The Bohemian Girl" | Gwladys Jones-Morgan . Soprano | Joseph Sheehan ....Tenor | Martha Richardson .... Contralto | Edward Evans .... Barytone | George O. Miner .... Basso | Hear the Old Favorite Melodies - "The Heart Bowed Down" - "Then You'll Remember Me" - "I dreamt I Dwelt in Marble Halls" | Prices | Matinees Daily .... 30c | Including Tax. | Evening - Orchestra ....50c | Family Circle, 50c | Balcony, 35c</text>
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                <text>1926</text>
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                  <text>This collection includes items pertaining to silent film music practice in Ottawa. It also includes items that shed light on theatre orchestras and musicians that played alongside films.&#13;
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                <text>"Moving Picture Theatres Assist Much in Spreading the Gospel of Good Music" [article]</text>
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                <text>A descriptive article discussing silent film music practices and musicians at several Ottawa theatres.</text>
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                <text>Inscription: Moving Picture Theatres Assist Much In Spreading The Gospel of Good Music | Best of Compositions Are Well Rendered in Various Ottawa Film Houses and the Delightful Music Is Arranged To Fit the Pictures. | A VERY definite development has taken place in the musical feature of the moving picture theatres in Ottawa during the past few months. The orchestral advancement has been the result of serious thought on the part of those in charge of the picture houses, so that the programmes offered are all the more attractive to the general public. The best of compositions are well rendered in several of the theatres and the orchestral accompaniment for the pictures is both tuneful and appropriate.  | The Regent Theatre has had a capable musical organization for a number of years and considerable progress along musical lines is also found at the Centre and Family theatres. At the Centre Theatre, the musical director is Milton Blackstone, who was formerly first violin at the Regent Theatre, Toronto, and director of the St. Denis Theatre orchestra, Montreal. He was also a solo-member of the Allen Theatre orchestra, Toronto, for a period. Those who are familiar with the music as rendered by the very large orchestras in the Toronto theatres are strong admirers of Blackstone's achievements in Ottawa. The Centre Theatre has a ten-piece orchestra, including an organ. The musician who presides at this organ is Mr. Cliff Payne, who also officiates as a recital accompanist on various occasions.  | Credit to Mortimer. | Lionel Mortimer is the man in charge of the ten-piece orchestra at the Family Theatre and to him goes much of the credit for appropriate musical accompaniment in that house. Mortimer has been striving to obtain artistic results and he is meeting with results. Mortimer pays particular attention to "cue sheets." The latter outlines appropriate musical selections for a screen feature and also designates the playing time of the various musical numbers during the presentation of the feature. Following the cue sheet of a big film attraction involves considerable work and it also necessitates the use of a voluminous library of sheet music. During every appearance of the villain on the screen the orchestra plays a "heavy" composition, while the scenes in which the hero is shown are accompanied by a ballad selection or some air that suggests romance, sincerity of kindred theme. As an instance of the intricacy of the ordinary cue sheet for a feature such as "The Right to Happiness," which was shown recently at the Family, it should be mentioned that one selection is seldom played continuously for more than four or five minutes. There are many occasions when a special "strain" is not played longer than 45 seconds or one minute because of the use of "flash-backs," brief visions or intermediate flashes during the evolution of the screen story. Perfect moving picture orchestration consists of playing WITH the picture. An audience is literally carried away by the film story when the picture and orchestration harmonize to a complete extent. | High Class Musicians. | High class musicians are found at the REgent Theatre and they specialize with the overtures. Condutor Rudolph Pelisek features music of a classical nature without special regard for the picture theme. The music at the Regent in itself attracts many patrons and difficult numbers are rendered in a manner that pleases all. One member of the Regent Theatre Orchestra is Mr. A. Tremblay, who is also organist at the Basilica and a composer on his own account. | The Imperial Theatre is the only large theatre in Ottawa which does not boast of an orchestra simply because it is the policy of the house to specialize with the organ. Mr. Jack Neville, the presiding artist, is particularly capable as an extemporaneous player. He aims to follow the theme of all pictures by providing appropriate music for the actual scenes and he obtains many singular effects. One of his finest achievements this season was his accompaniment for "The Woman Thou Gavest Me," a feature that was presented a number of weeks ago. |  Pomeroy Was a Star. | It is known by only a few people in Ottawa that Mr. Harry Pomeroy, manager of the Strand Theatre, started out in life as a professional musician. A number of years ago he was a member of the World Comedy Four, a vaudeville act that covered practically all of the big-time circuits. He developed into a musical comedy director and was employed as such with a Weber and Fields show for several seasons. Pomeroy was employed as the musical director of a theatrical production that played Buffalo all during the time of the Pan-American Exposition. During the early days of the moving picture business, Pomeroy provided a musical specialty  for a show of which he was the manager. At the Strand Theatre here, Pomeroy makes good use of a small orchestra. This organization comprises three artists, Kellard Gamble, piano soloist. Harry Massey, xylophonist, and Mrs. Mitchell, relief pianist. The latter is also heard at many functions around the city. Harry Massey was formerly associated with Willie Eckstein, a well known Montreal pianist, and was originally with Early Fuller's Rector Cafe orchestra, New York.</text>
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                <text>“Moving Picture Theatres Assist Much in Spreading the Gospel of Good Music. &lt;em&gt;Ottawa Journal&lt;/em&gt;. April 1, 1920: 18.</text>
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                <text>Microfilm from Ottawa Public Library.</text>
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                <text>Group photo of the Russell Theatre troupe [photograph]</text>
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                <text>Topley, William James.&amp;nbsp;“Group photo of the Russell Theatre troupe.” March 1922. Library and Archives Canada. Topley Series E. Topley Studio fonds. MIKAN no. 3411755. PA-206877. https://www.bac-lac.gc.ca/.</text>
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                <text>Group photos of musicians and cast for an unknown Russell Theatre production in March 1922.</text>
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                <text>"Ottawa's 'Pollyanna' Prologue Goes Big" [article]</text>
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                <text>An article describing the Russell's successful April 1920 prologue&amp;nbsp;&lt;em&gt;Polyanna at the Court of Happiness&lt;/em&gt;, which preceded showings of the Mary Pickford film&amp;nbsp;&lt;em&gt;Pollyanna&lt;/em&gt;.</text>
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                <text>Inscription: Ottawa's "Polyanna" Prologue Goes Big | To "Polyanna" fell the honor of being the first motion picture to be given a prologue presentation in Ottawa, Canada, and to this form of presentation Manager J.T. Moxley of the Allen's Russell theatre where the picture was shown is willing to give the credit for much of the big volume of business done. | Mr. Moxley called in Will McLaughlin, photoplay editor of the Ottawa Journal, and placed the proposition of providing a suitable prologue for the attraction entirely in his hands. The result was an original fairy fantasy in three scenes, entitled "Pollyanna at the Court of Happiness," with a story theme that not only tied up with the original "Polyanna," but which allowed many opportunities for newspaper "tie-ups" which brought considerable advance advertising on the run. Mr. McLaughlin began his campaign with advertisements in the journal several weeks before the opening date, calling for a girl of the Mary Pickford type to play the role of Pollyanna in the prologue. Several hundred embryo Pickfords presented themselves on the Russell stage on the evening designated, from which two girls were chosen, one as the understudy. The prologue, being a fairy fantasy, called for a cast of 130 children, exclusive of the principal characters. The services of Professor and Mrs. Sinclair, dancing instructors of considerable local reputation, were obtained to train the children, many of the talented kiddies being members of their classes. | The newspaper campaign started two weeks previous to the opening date and consisted of a series of "teaser" ads, which were later increased to full length single column ads calling attention to the unique prologue "presented on a scale similar to the prologues produced at the Capital, Strand, Rivoli, and Rialto theatres of New York City." On the Saturday preceding the opening the Journal carried a half page ad, and large space was used throughout the week of the showing. | The production enjoyed a tremendous success no small part of which is due to the playwriting efforts of Mr. McLaughlin and the financial success of the run of "Pollyanna" was phenomenal, especially since the Russell is a legitimate house and motion picture attractions have seldom proved popular there.</text>
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                <text>“Ottawa’s ‘Pollyanna’ Prologue Goes Big.” &lt;em&gt;Motion Picture News&lt;/em&gt; 22 no. 12 (September 11, 1920): 2034. Internet Archives.&amp;nbsp;&lt;a href="https://archive.org/details/motionpicturenew222unse"&gt;https://archive.org/details/motionpicturenew222unse&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Digitized by Media History Digital Library&lt;/span&gt;</text>
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                <text>1920</text>
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                <text>&lt;a href="https://omeka.uottawa.ca/silentfilmmusiccanada/items/show/30"&gt;Click hereto view photographs on preceding page.&lt;/a&gt;</text>
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                  <text>This collection includes items pertaining to silent film music practice in Ottawa. It also includes items that shed light on theatre orchestras and musicians that played alongside films.&#13;
&#13;
Please click "Items in the Silent Film Music in Ottawa Collection" to explore the full collection.</text>
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                <text>"Ottawa's First Prologue Was For Mary's 'Pollyanna'" [journal photographs]</text>
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                <text>Pictures of the communal prologue (theatre and music production) of &lt;em&gt;Pollyanna at the Court of Happiness&lt;/em&gt;&amp;nbsp;that preceded showings of the Mary Pickford film&amp;nbsp;&lt;em&gt;Polyanna&lt;/em&gt; at the Russell Theatre in April 1920.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>Inscription: Ottawa's First Prologue Was For Mary's "Pollyanna" | Two views of the prologue number arranged by William McLaughlin for the showing of "Pollyanna" at the Russell theatre, Ottawa, as described on the opposite page.</text>
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                <text>“Ottawa’s First Prologue Was For Mary’s ‘Pollyanna’.” &lt;em&gt;Motion Picture News&lt;/em&gt; (September 11, 1920): 2033. Internet Archives. &lt;a href="https://archive.org/details/motionpicturenew222unse" target="_blank" rel="noreferrer"&gt;https://archive.org/details/motionpicturenew222unse&lt;/a&gt;.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Inscription: Sir Hall Caine's Biggest Story Made Into Gigantic Film Epic | Powerful Ten-reel Version of "The Prodigal Son" Coming to the Russell Theatre For Four Days, Commencing Next Wednesday. | Beginning Wednesday, October 10, Ottawa will see the biggest English film to be released for some time, namely Stoll's "The Prodigal Son," directly adapted from Sill Hall Caine's powerful story. This film created a furore in the Old Country, where it was run in seventeen reels and played in two different parts, an admission of $2 begin obtained for each part. For Canada, however, the film has been re-edited and condensed to a powerful ten-reel version, and presents on of the biggest and most gripping motion pictures ever seen. | The locale of the story takes place in Iceland, England, Paris and Monte Carlo, and concerns the drama of two brothers, one Oscar Stephenson, the spectacular, reckless, daring son, who breaks all the laws of God and man, and yet withal retains the personality and redeeming quality that stamps him as a man and wins for him the sympathy of the half-million readers who have read the famous book and the million of photoplay fans who will see the picture. | The other brother, Magnus Stephenson, is the stolid, stoic elder son, a commonplace figure who suffers, endures, and sacrifices for the sake of his spectacular brother, and still this man after forty years in the paths of righteousness and service to God and man, suddenly bursts all bonds of continence and restraint, and steals in the dead of night to the room of the stranger with intent to rob and kill - which supplies one of the greatest climaxes that has ever been presented in motion pictures. | "The Prodigal Song" has been praised during its English runs as surpassing in power and interest "Over the Film," ""Way Down East," and "Hearts of the world," and is now at the very greatest pinnacle of its popularity in the old country. Furthermore, this film was exhibited at trade shows in New York and other American cities, and the American critics have been unstinted in their praise, classing this film as one of the greatest materpieces of all times, and the picture is now in the act of being bid for by all the biggest American producers for its American distribution. | "The Prodigal Son" will be shown twice daily for four days only, at popular prices. The Russell orchestra, greatly augmented for the occasion, will render a special musical accompaniment during the film presentation.</text>
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                <text>"Sir Hall Caine's Biggest Story Made Into Gigantic Film Epic." &lt;em&gt;Ottawa Journal&lt;/em&gt;. October 6, 1917: 16.</text>
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                <text>"Passion Play" at Monument National [advertisement]</text>
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                <text>Monument National advertisement. &lt;em&gt;Ottawa Journal&lt;/em&gt;. April 16, 1908: 8.</text>
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                <text>"Passion Play" shown "In Colored Moving Pictures" at the Monument National along with a "special Musical Programme" in 1908.</text>
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                <text>Inscription: Monument National | Theater | Cor. Dalhousie and George Sts. | Holy Week Offering. | Friday &amp; Saturday, April 16-17.. | Matinee and Night. | The Great | Passion Play | In Colored Moving Pictures. | Direct from Tremont Temple, Boston, including special Musical Programme. | Don't miss the Greatest Moving Pictures ever seen in Canada. | Prices - 15c., 25c.  Children 10c.</text>
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                <text>"The Eternal Light" at the Russell Theatre [advertisement]</text>
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                <text>"The Eternal Light" was presented with a "Special Musical Setting" performed by the St. James Cathedral choir of Montreal at the Russell Theatre.</text>
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                <text>Inscription: "The Eternal Light" | The world's greatest photoplay. The sensation of two continents. | A magnificent 8-part masterpiece depicting the life of Christ, with every scene taken in Egypt and the Holy Land. | Wherever this big spectacle has been presented it has broken all attendance records. | Canon Shatford | Rector of S. James the Apostle Church, said of "The Eternal Light:" | "It is in every sense of the word a great production. Artistically it is as nearly faultless as any human undertaking it could be. There is nothing in it that jars the sense of what is fitting and proper. One shrinks naturally from any impersonation of Christ, or from any theatrical exhibition of His intimate sufferings, but in this presentation it was all done so reverently and devoutly that every objection is obviated. I hope that every one will see this truly wonderful picture of the Greatest Life in History, for I am satisfied that is cannot fail to leave a lasting impression for good on the devout mind. | "The musical accompaniment of the choir of singers added immensely to the value of the presentation and gave just the atmosphere required for the occasion." | Special Musical Setting | The splendid choir from St. James Cathedral, Montreal, will sing during the presentation of this sublime photostory. | Avoid Evening Crowds by attending the Matinees. | Three Shows Daily - at 3, 7 and 9 p.m. | Matinees: 25c; Evenings: 25c and 50c. | All Next Week (Afternoon and Evening) | Russell Theatre</text>
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                <text>Russell Theatre advertisement. &lt;em&gt;Ottawa Journal&lt;/em&gt;. April 8, 1922: 19.</text>
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                <text>"Checkers" and "Bumping Into Broadway" at Family Theatre [advertisement]</text>
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                <text>An advertisement for the showing of "Bumping Into Broadway" at the family theatre mentions "Special Music By Big Family Orchestra".</text>
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                <text>Inscription: All Next Week | Two Big Attractions On One Programme | "Checkers" | Wm. Fox's Magnificent Screen Version of the Great Play | "Bumping Into Broadway" | The first of the Two-Part Comedies Made by the Screen's Most Versatile Comedian | You Know Him. | Harold Lloyd | Funnier Than Ever.  | Thrills Galore In 'Checkers' | - most sensational horse-race ever screened. | -jump for life from speeding auto to train. | - spectacular drop into river below of burning box-car whose human and animal occupants are imprisoned. | - "knock-out" fights between Checkers and crooks | - Pert's leap from danger to tree below. | - thrilling rescue by seaplane of Checkers and his pals, adrift at sea. | Laugh and Tears in 'Checkers' | - for the great story of thoroughbreds and high life is more than a melodrama, tense with action and abounding in thrills. It makes the spectator experience all of the human emotions - it makes you laugh - it makes you want to cry. | As a play "Checkers" was a classic. As a photoplay, it has reached still greater heights. | [beneath illustration] "Come On Remorse," they shout. And you will feel like shouting when you see this greatest of all racing plays. | There's a Laugh in Every Foot of This Feature, Showing How Lloyd Bumps Into Broadway. | It's The Biggest Picture Harold Ever Made. | Harold! Lloyd! Girls! and Broadway! | Special Music By Big Family Orchestra. | Next: The Newest Novelty, Filmusical Comedy "Oh, Boy!" | 4 Shows Daily | 1.30 - 3.00 | 7.00 &amp; 9.00 | Prices: Mat. 10c and 15c | Eve. 15c and 25c | Family</text>
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                <text>Family advertisement. &lt;em&gt;Ottawa Journal&lt;/em&gt;. January 10, 1920: 17.</text>
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                <text>advertisement; organ</text>
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                <text>An advertisement for the Wurlitzer Motion Picture Orchestra organ from C. W. Lindsay Limited Pianos noting purchases by local theatres. F.W. Carling's theatre at 126 Sparks was the Flower Theatre (later named the Strand)</text>
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                <text>Inscription: HEADQUARTERS FOR PIANOS, PLAYER-PIANOS AND VICTROLAS | Wurlitzer Motion Picture Orchestra | SOLD TO F. W. Carling FOR NEW THEATRE at 126 Sparks St. | The cost of installing this marvellous instrument will mean an expenditure of | thousands of dollars. It is the wonder of the musical age since it combines | 27 different instruments all under the control of one operator. While the | initial cost is great, it is designed to take the place of a full orchestra and will | mean an ultimate saving to the management. | Progressiveness leads surely to success, | and the enterprise of Mr. Caring in buying | such an extremely valuable instrument for |  his new theatre cannot be too highly com- | mended. | We also sold a Wurlitzer Motion Pic- | sure Orchestra recently to the Empire | Theatre, Bank Street. | Sole Agents for Wurlitzer Instruments in Eastern | Ontario and Province of Quebec. Prices range | from $600 to $20, 000. Call or write for particulars. | C. W. LINDSAY LIMITED PIANOS 189 Sparks St.</text>
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                <text>C. W. Lindsay Limited Pianos advertisement. &lt;em&gt;Ottawa Journal&lt;/em&gt;. June 17, 1914: 8.</text>
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                <text>The Flower's Wurlitzer Motion Picture Orchestra organ is pictured in &lt;a href="https://omeka.uottawa.ca/silentfilmmusiccanada/items/show/9"&gt;this advertisement&lt;/a&gt;.</text>
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