21st Century Female-led Afro-Descendant Activism in Cuba and the Dominican Republic
References and acknowledgments
Musical Credits
Introduction, Transitions and Conclusion Instrumental music:
Cozy Cup Music. Havana Vibes Breathtaking Landscapes Traditional Latin Salsa Cuban Relaxing Music Mambo. YouTube. https://youtu.be/6H6fJQ-TyDI?si=vboZhX0u9AuVNa0k
Episode 2 Musical References:
Krudas Cubensi. Mi cuerpo es mio. Official Video. Odaymara/ Olivia/ La Real. Aiwey TV. Youtube. https://youtu.be/x-Pgwldfx8U?si=hU8fht6Rstx1w-kR
Krudas Cubensi. Gorda. YouTube. https://youtu.be/l9MgdTrE1CM?si=ZLcvwNwGeIW9OyK7
Acknowledgements
Firstly, we would like to pay respect to the Algonquin people, who are the traditional guardians of this land. We acknowledge their long-standing relationship with this territory, which remains unceded. We pay respect to all Indigenous peoples in this region, from all nations across Canada, who call Ottawa home. We acknowledge the traditional knowledge keepers, both young and old. And we honour their courageous leaders: past, present, and future.
This publication would not have been possible without Professor Guadalupe Escalante Rengifo and the Faculty of Social Sciences of the University of Ottawa. Our research came to life through her guidance and knowledge, as well as her facilitation of collaboration. Thus, we want to extend a huge thank you to Professor Guadalupe Escalante Rengifo.
Moreover, we would like to thank the University of Ottawa’s Library. Recording a podcast was an exciting, yet new experience for us. The podcast team allowed our research to be presented in an exciting way and guided us through it. Additionally, we thank Roxanne Lafleur, as the publishing of this project in OMEKA would not be possible without her.
Lastly, yet certainly not least, we would like to sincerely thank Ochy Curiel and Las Krudxs. Their art and work reflect dedication and an astounding commitment to Female-led Afro-descendant Activism, inspiring not only us, but many others.
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