Like their modern cousins still available today, almanacs contained information necessary for the carrying out of many aspects of everyday life. Their biggest asset was their portability. The item held by Archives and Special Collections is in…
In the 20th century, in addition to the pasted-in ex-libris bookplate, we find many different styles and formats of ex-libris indications. The stamped ex-libris turns out to be not only a less onerous form but also one that is much more practical. We…
Sebastian Gryphius (1492-1556) was a German printer (born Greif, in Reutlingen), although he would establish himself in Lyon, France for the bulk of his career. Chiefly printing the works of classical Latin authors, Gyphius published the works of…
Here we see yet another type of decorative paper, probably achieved through a mechanized process. The design of flowers with tendrils of gold is reminiscent of wrapping paper for gifts or even wallpaper, which is of no surprise, as these types of…
Published by Fleury Mesplet (1734-1794), this physically tiny work would be the first work printed by Mesplet after his arrival in Montréal in 1776. After leaving Lyon for Avignon, London and Philadelphia, Mesplet settled in Montréal on the…
In this work and in others, we see very fine lines in red that delineate different spaces on the page for the printed text. This work carries over the medieval practice used by manuscript copyists, that is, the ruling of spaces in the text in…
This book offers a typical example of the classic formula of “promise” and “reward” that one regularly finds in books of the 15th and 16th centuries. The phrasing varies as per the personality and humour of the owner and how much value he assigns to…
Who is hiding within the lines of these two portraits in pencil done by an unknown hand? Another caricature is to be found on the verso of the endpaper. While we today might not dream about doodling on the endpapers of an 18th century book, this…