Sounds of Nature and their Influence on Schafer's Music for Wilderness Lake
This exhibit is an insight into the creation and performance techniques in R. Murray Schafer's Music for Wilderness Lake.
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Authors
- Robyn Nicholls
- Alexandra Noonan
- Jodi Turnbull
Bibliography
Akiyama, Mitchell. 2010. “Transparent Listening: Soundscape Composition’s Objects of Study.” RACAR: Revue D’art Canadienne / Canadian Art Review 35 (1): 54–62.
Galloway, Kathleen Anne. 2010. “‘Sounding Nature, Sounding Place’: Alternative Performance Spaces, Participatory Experience, and Ritual Performance in R. Murray Schafer’s ‘Patria’ Cycle.” Ph.D., University of Toronto.
Schafer, R. Murray. 1979. Music for Wilderness Lake; 12 Trombones. Bancroft, Ont. Arcana Editions.
Schafer, R. Murray. 2012. My Life on Earth & Elsewhere. Erin, Ont. Porcupine’s Quill.
Schafer, R. Murray. “The Listening Book.” Manuscript, 10 May 1977. The R. Murray Schafer Papers,, The Library and Archives Canada, Ottawa Ontario.
Schafer, R. Murray. 1969. The New Soundscape: A Handbook for the Modern Music Teacher. Berandol Music Limited: Scarborough.
Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vt. :Destiny Books.
Scott, L. Brett. “Research Report: The Choral Music of Raymond Murray Schafer: Insights and Influences.” Choral Journal 48, no. 2 (August 2007): 43–52.
Truax, Barry. “Sound, Listening and Place: The Aesthetic Dilemma.” Organised Sound 17, no. 3 (December 2012): 193–201.