Browse Items (91 total)

EnglishPrinted in Merseburg (Germany) in 1753 by Christian Ludwig Forberger, this work displays an outstanding and perhaps mindboggling combination of font sizes and styles, as well as a mixture of red and black lettering, on one title page. (With no…

EnglishElizabeth Flesher was the widow of printer James Flesher (? - 1670), himself son of printer Miles Flesher. The Fleshers, father and son, were most renowned for their printing of Arabic texts, so it would be quite appropriate for this text…

EnglishThis work is open to the printer’s device of Swiss printer, Johann Froben (1460-1527). Based in Basel, Froben was a Humanist scholar himself, and was acquainted with Erasmus, as well as Hans Holbein the Younger, who would not only paint…

EnglishThe design here imitates that of a peacock’s fanned tail. After one has deposited the colours on the thickened solution of water and used the comb to create the first series of designs, one then uses a stylus to refine the design. The marbler…

EnglishThe marbling technique for this decorative paper has been achieved with the use of the comb tool. The colours used are also date to the mid-19th century and are not the classic and uniform blues, reds, yellows and whites colours typical of the…

EnglishThis particular motif was the most popular in the 18th century. With this text dating to the mid 16th century, we have clear example of the time lags that can occur between a book’s date of printing and its binding. This work may have also…

EnglishA further example of paste paper where the colour scheme has been generated by the “pulled” technique. In this case, one clearly sees the “pulling” or stretching effect that the glue has undergone in producing this design.  This example…

EnglishThis image shows a very fine mottling scheme, where the white/cream colours are omnipresent on a background of red and blue. In this example, the dark colours had been deposited on the surface of the liquid mixture before the white. It is this…

EnglishThis example of mottled paper, a very classic design, displays much more modern colours, with its tones of burgundy, black and cream. FrançaisCe papier marbré au motif caillouté, un motif relativement classique, offre des teintes beaucoup plus…

EnglishThe edge of this book displays a decorative technique used fairly often. Instead of a marbled edge, here one has opted for a light sprinkling effect, achieved by drops of colour being “tapped” from the bristles of the brush. FrançaisLa tranche…