EnglishAn ex-libris embossed on a leather over was one way of indicating ownership of a book. In this example, however, we do not see a familial coat of arms, as can be seen in image no.8, but the “Quebec Library” choosing to simply spell out its…
EnglishBringing to life the adage of “waste not, want not”, this book’s binding is made of parchment that originally was someone’s correspondence. With paper and leather being expensive commodities due to the ever-increasing amount of titles being…
EnglishElizabeth Flesher was the widow of printer James Flesher (? - 1670), himself son of printer Miles Flesher. The Fleshers, father and son, were most renowned for their printing of Arabic texts, so it would be quite appropriate for this text…
English
Here we see the remnants of the leather straps that would have served to keep the book closed. More often than not, these fragile closures have not stood the test of time
Français
On voit ici un reste d’attaches qui servaient à fermer le…
EnglishThis item’s binding is of black morocco (goatskin), one of the many colours that this very fine goatskin leather could be dyed with at the time. Its title appears in gilt on the spine, with gilt double borders on its front and back covers and…
EnglishPrinted in Merseburg (Germany) in 1753 by Christian Ludwig Forberger, this work displays an outstanding and perhaps mindboggling combination of font sizes and styles, as well as a mixture of red and black lettering, on one title page. (With no…
EnglishThe binding consists of parchment on boards, with the parchment having been painted in brown ink to simulate a marbling effect. The spine label is of yellow morocco, with title tooled in gold (partially illegible due to remnants of a former…