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Bibliographie

Adams, Timothy Dow. «Photographs on the Walls of the House of Fiction.» Poetics Today 29.1 (2008): 175. Print.

Armstrong, Carol. «Facturing Femininity: Manet's before the Mirror.» October 74 (1995): 74-104. Print.

Bailey, Colin B. (ed.). Renoir’s Portrait. Impressions of an Age. New Haven et London: Yale University Press, Ottawa: National Gallery of Canada, 1997. Print.

Balducci, Temma. «The Painted Face: Portraits of Women in France, 1814-1914.» Woman's Art Journal 30.1 (2009): 65. Print.

Baillio, Joseph, Laurence Bertrand Dorléa et Guy Cogeval. Claude Monet : 1840-1926. Paris : Réunion des musées nationaux : Musée d'Orsay, 2010. Print.

Bajou, Valérie. Courbet. Paris : A. Biro, 2003.

Balducci, Temma. «The Painted Face: Portraits of Women in France, 1814-1914.» Woman's Art Journal 30.1 (2009): 65. Print.

Bann, Stephen. Parallel lines : printmakers, painters and photographers in Nineteenth century France. New Haven ; London : Yale University Press, 2001. Print.

Barbillon, Claire. «Daumier Et La Caricature.» Revue de L'Art 172 (2011): 76-7. Print.

Baudelaire, Charles, Yann Le Pichon et Claude Pichois. Le musée retrouvé de Charles Baudelaire. Paris : Stock, 1992.Print.

Barbe, Noël. « L’Atelier de Courbet. Une énonciation du travail du peintre »in P. Marcilloux (dir.) Le travail en représentations. Paris : France. Éditions du Comité des Travaux historiques et scientifiques, 2005, 495-514. Mis en ligne 22 juin 2006 https://halshs.archives-ouvertes.fr/halshs-00081120/document

Bauer, Denise. «Alice Neel's Feminist and Leftist Portraits of Women.» Feminist Studies 28.2 (2002): 374-95. Print.

Bernier, Ronald R. Monument, Moment, and Memory : Monet's Cathedral in Fin De Siècle France. Lewisburg, PA: Bucknell University Press, 2007. Print.

Best, Janice. «Quel Horizon l'on Voit Du Haut De La Barricade." Nineteenth-Century French Studies 31.3-4 (2003): 237-58. Print.

Boime, Albert. Art in an age of civil struggle, 1848-1871. Chicago : University of Chicago Press, 2007. Print.

Boland, Eavan. «A Journey with Two Maps." The American Poetry Review 40.2 (2011): 45-9. Print.

Bouillon, Jean-Paul, Nicole Dubreuil-Blondin, Antoinette Ehrard, Constance Naubert-Riser (éd.). La promenade du critique influent. Anthologie de la critique d’art en France 1850-1900. Paris : Hazan, 1990. Print.

   ---.«Sociétés d’artistes et institutions officielles dans la seconde  moitié du XIXe siècle ». Romantisme 54.4 (1986) : 89-113.Print.

Berger, Klaus. Japonisme : in Western painting from Whistler to Matisse. Cambridge : Cambridge University Press, 1992. Print.

Brodskaya, Nathalia. Manet. France: Parkstone International, 2011. Web.

Broude, Norma, Mary D. Garrard. The Expanding Discourse. Feminism and Art History. New York: IconEditions, 1992. Print.

Brown, Kathryn. «The Aesthetics of Presence: Looking at Degas's Bathers.» Journal of Aesthetics & Art Criticism 68.4 (2010): 331-41. Print.

Burleigh, Robert. Toulouse-Lautrec : The Moulin Rouge and the City of Light. New York: H.N. Abrams in association with the Art Institute of Chicago, 2005. Print.

Callen, Anthea. The Spectacular Body. Science, Method and Meaning in the Work of Degas. New Haven and London, Yale University Press: 1995. Print.

---.«Degas' Bathers: Hygiene and Dirt - Gaze and Touch» in Richard Kendall, Griselda Pollock (ed.). Dealing with Degas. London: Pandora Press, 1992 ,p. 159-185. Print.

Cembalest, Robin. «The Nudes, the Dudes, the Maid, and the Cat: Tracking the Afterlives of Manet's Olympia and Le Déjeuner Sur l'Herbe.» ARTnews 112.11 (2013): 54-7. Print.

Childs, Elizabeth C. «Big Trouble: Daumier, Gargantua, and the Censorship of Political Caricature.» Art Journal 51.1 (1992): 26-37. Print.

Chu, Petra Ten-Doesschate. Correspondance de Courbet. Paris : Flammarion, 1996.Print.

Clairet, Alain. Berthe Morisot, 1841-1895 : catalogue raisonné de l'oeuvre peint. Montolivet : CÉRA-nrs éd., 1997. Print.

Clark, T.J., The Painting of Modern Life: Paris in The Art of Manet and His Followers. New York, Knopf and London: Thames & Hudson, (1984) 1999. Print.

Crary, Jonathan. Techniques of the Observer. On vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts, London, England: MIT Press, 1992. Print.

Daix, Pierre. Pour une histoire culturelle de l'art moderne : de David à Cézanne. Paris : O. Jacob, 1998. Print.

Debord, Guy. «Introduction à une critique de la géographie urbaine» in Les lèvres nues, n°6, Bruxelles, 1955. Print.

Derizeau, Gérard, Vocabulaire des arts visuels au XIXe siècle. Paris: Minerve, 2004. Print.

De Vonyar, Jill, Richard Kendall. Degas and the art of Japan. New Haven : Yale University Press, 2007. Print.

Dolan, Therese. Manet, Wagner, and the Musical Culture of their Time. Farnham, England: Ashgate, 2013. Print.

Dombrowski, André. «History, Memory, and Instantaneity in Edgar Degas's Place De La Concorde.» Art Bulletin 93.2 (2011): 195-219. Print.

Fielding, A. G. «Rejlander in Wolverhampton: His Sponsorship by William Parke.» History of Photography 11.1 (1987): 15-22. Print.

Foucault, Michel. La peinture de Manet . [Suivi] de Michel Foucault, un regard ; sous la dir. de Maryvonne Saison. Paris : Éd. du Seuil, 2004. Print.

Fowle, Frances, and Richard Thomson, eds. Soil and Stone : Impressionism, Urbanism, Environment. Aldershot: Ashgate, 2003. Print.

Fried, Michael. Le modernisme de Manet ou Le visage de la peinture dans les années 1860. Paris : Gallimard, 2000. Print.

   ---.Le réalisme de Courbet. Paris : Gallimard, 1993. Print.

Gascoigne, Laura. «Parisian Perspectives. (the Caillebotte Brothers' Private World: Painter and Photographer).» Spectator 14 May 2011: 47. Print.

Goldstein, Carl. Teaching Art. Academies and Schools from Vasari to Albers. Cambridge: Cambridge University Press, 1996. Print.

Greenberg, Susan D. «The Face of Impressionism in 1870: Claude Monet's Camille on the Beach at Trouville.» Yale University Art Gallery Bulletin (2001): 66-73. Print.

Green‐Lewis, Jennifer. «At Home in the Nineteenth Century: Photography, Nostalgia, and the Will to Authenticity.» Nineteenth-Century Contexts 22.1 (2000): 51-75. Print.

Guégan, Stéphane. Manet, inventeur du moderne. Paris : Musée d'Orsay ; Editions Gallimard, 2011.

Guernsey, Daniel R. «Rousseau's «Emile» and Social Palingenesis in Courbet's The Painter's Studio.» Nineteenth Century Studies 20 (2006): 35-60. Print.

Hamilton, George Heard. Manet and His Critics. New Haven and London: Yale University Press, (1954), 1986. Print.

Herbert, D. James. Fauve Painting: The Making of Cultural Politics. New Haven, London: Yale University Press, 1992. Print.

Herbert, L. Robert. Monet and the Norman Coast: tourism and painting 1867-1886. New Haven : Yale University Press, 1994. Print.

Higonnet, Anne. «Manet and the Multiple.» Grey Room 48 (2012): 102-16. Print.

Hill, Michael. «The Satirical Eye: Comedy and Critique from Hogarth to Daumier. Petra Kayser. Melbourne, Australia: National Gallery of Victoria, Feb. 27-Jul. 26, 2009.» International Journal of Comic Art 11.2 (2009): 492-4. Print.

House, John. Monet. Nature into Art. New Haven and London: Yale University Press, 1988. Print.

Hughes, Sabrina. «Imag(in)Ing Paris for Posterity.» Future Anterior: Journal of Historic Preservation History Theory & Criticism 10.2 (2013): 1-15. Print.

Igra, Caroline. «Conceiving the Child: British Illustrator Kate Greenaway's Determining Influence on the Graphic Work of Mary Cassatt.» Aurora, The Journal of the History of Art 7 (2006): 19. Print.

Iskin, Ruth.«The Pan‐European Flâneuse in Fin‐de‐Siècle Posters: Advertising Modern Women in the City." Nineteenth-Century Contexts 25.4 (2003): 333-56. Print.

Jones, Kimberly A. In the Forest of Fontainebleau : painters and photographers from Corot to Monet. New Haven : Yale University Press, 2008. Print.

Jordan, David P. «Haussmann and Haussmannisation: The Legacy for Paris.» French Historical Studies 27. 1 (Winter 2004): 87-113.

Kendall, Richard & Griselda Pollock (ed.). Dealing with Degas. London: Pandora Press, 1992. Print.

Lambourne, Lionel. Japonisme : échanges culturels entre le Japon et l'Occident. Paris : Phaidon, 2007. Print.

Lerner, Jillian. «The Drowned Inventor: Bayard, Daguerre, and the Curious Attractions of Early Photography.» History of Photography 38.3 (2014): 218-32. Print.

Leslie, Esther. «Loops and Joins: Muybridge and the Optics of Animation." Early Popular Visual Culture 11.1 (2013): 28-40. Print.

Lipton, Eurice. Alias Olympia: A Woman’s Search for Manet’s Notorious Model and her Own Desire. New York: C. Scriber’s Sons, Toronto: Maxwell MacMillan, 1992. Print.

---.Looking into Degas, Uneasy Images of Women and Modern Life. Berkeley: University of California Press, 1986. Print.

Maimon, Vered.«On the Singularity of Early Photography: William Henry Fox Talbot's Botanical Images.» Art History 34.5 (2011): 958-77. Print.

Nochlin, Linda. Courbet. New York: Thames & Hudson, 2007. Print.

   ---.Bathers, Bodies, Beauty: The Visceral Eye. Cambridge, Mass, Harvard University Press, 2006. Print.

   ---.Representing Women. New York : Thames and Hudson, 1999.

   ---.« Impressionist Portraits and the Construction of Modern Identity» in ed. Colin B. Bailey. Renoir’s Portraits: Impressions of an Age. New Haven: Yale University Press, Ottawa: National Gallery of Canada, 1997, 53–75.

  ---.Les politiques de la vision. Paris: Éditions Jacqueline Chambon, 1995. Print.

   ---.Femmes, art et pouvoir et autres essais. Nîmes : Éd. Jacqueline Chambon, 1993.

   ---.Realism, London : Penguin Books, (1971), 1990.

Nuvolati, Giampaolo. « Le flâneur dans l’espace urbain », Géographie et cultures [En ligne], 70 | 2009, mis en ligne
le 25 avril 2013, consulté le 20 novembre 2014. URL : https://gc.revues.org/2167 ; DOI : 10.4000/gc.2167

Perry, Gillian. Women Artists and the Parisian Avant-Garde. Manchester, New York: Manchester University Press, 1995. Print.

Pollock, Griselda. Vision and difference : femininity, feminism, and histories of art. London, New York : Routledge, (1988) 2003. Print.

   ---.Differencing the canon: feminist desire and the writing of art's histories. London, New York : Routledge, 1999. Print.

   ---.Mary Cassatt. Painter of Modern Women. London : Thames and Hudson, 1998. Print.

Ringelberg, Kirstin. Redefining Gender in American Impressionist Studio Paintings : Work Place/Domestic Space. Surrey; Burlington: Ashgate, 2010. Print.

Roggeman, Anouchka. "Caillebotte: Entrée En Gare De La Modernité." L'Oeil.593 (2007): 84-7. Print.

Rouart, Denis, Wildenstein, Daniel. Édouard Manet : catalogue raisonné. Paris ; Lausanne : Bibliothèque des arts, 1975. 2 vol. Print.

Rubin, James Henry. L'impressionnisme. Paris : Phaidon, 2008.

Roque, Georges. Art et science de la couleur. Chevreul et les peintres, de Delacroix à l’abstraction. Paris : Gallimard, édition revue et augmentée, 2009. Print.

   ---.Impressionism and the modern landscape: productivity, technology, and urbanization from Manet to Van Gogh. Berkeley (Calif.) : University of California Press, 2008. Print.

   ---.Réalisme et vision sociale chez Courbet et Proudhon. Paris : Éd. du Regard, 1999. Print.

   ---.Courbet. London : Phaidon, 1997. Print.

Saslow, James M, «Disagreeably Hidden” Construction and Constriction of the Lesbian body in Rosa Bonheur ‘s Horse Fair». In Broude, Norma, Mary D. Garrard. The Expanding Discourse. Feminism and Art History. New York: Icon Editions, 1992, 187-206. Print.

Sagner, Karin, and Max Hollein, eds. Gustave Caillebotte : An Impressionist and Photography. München: Hirmer Verlag, 2012. Print.

Shennan, Margaret, Griselda Pollock. Berthe Morisot. Sutton Publishing, 2000.Print.

Shone, Richard. Sisley. Paris: Phaidon, 2004. Print.

Silver, E. Kenneth. Making Paradise : Art, Modernity and the Myth of the French Riviera. Cambridge and London:The MIT Press, 2001. Print.

Smith, Graham. «Talbot's Epigraph in the Pencil of Nature.» History of Photography 34.1 (2010): 90-5. Print.

Smith, John A., and Chris Jenks. "Manet's Olympia." Visual Studies 21.2 (2006): 157-66. Print.

Tarr, Simon, and Paul Weiss. "Very Small Horses: Visualizing Motion at the Nanoscale." Leonardo 45.5 (2012): 439-55. Print.

Thomas, Greg M. Impressionist Children : Childhood, Family, and Modern Identity in French Art. New Haven Conn.: Yale University Press, 2010. Print.

---.Art and ecology in nineteenth-century France: the landscapes of Théodore Rousseau. Princeton (N.J.) : Princeton university press, 2000. Print.

Tucker, Jennifer. «Eye on the Street: Photography in Urban Public Spaces.» Radical History Review 2012.114 (2012): 7-18. Print.

Vivant, Elsa. «The (Re)Making of Paris as a Bohemian Place?» Progress in Planning 74.3 (2010): 107-52. Print.

Weingarden, Lauren S. «Manet's Realism and the Erotic Gaze: Photography, Pornography, and Censorship.» Avant-Garde Critical Studies 26 (2011): 287-304. Print.

Weston, Neville. «Daumier: Visions of Paris.» Craft Arts International 91 (2014): 86-8. Print.

Willems, Philippe. «Perspective Games: Cham's Heritage and Legacy.» European Comic Art 7.1 (2014): 6-30. Print.