 |
The impact of the Massey Commission: CanLit and Canadian Publishing by Sarah Potts
|
|
 |
White-dominated cultural appropriation in novels by Zhinan Yu
|
|
|
 |
How to prevent fake news by Chinese publishers by Zongjun (Tom) Jiang
|
|
|
 |
Twitter as a marketing tool for publishers: Opportunities and challenges by Xiaohan Li
|
|
|
 |
Problematic nature of self-plagiarism: An ethical grey area by Wanting Ma
|
|
|
 |
The growing popularity of preprints: Shifting control? by Evan Sterling
|
|
|
 |
Alternative forms of academic self-publishing by Anna Gopenko
|
|
|
 |
Publishing online digital exhibits containing orphan works: A case study by Mary Aksim
|
|
|
 |
"Mr. Publisher, Tear Down This Wall!" Let's Move Towards Open Access by Roshae Miller
|
|
|
 |
Digital fiction: The modern alternative to traditional publishing by Grace Clark
|
|
|
 |
Self-publishing YouTube communities: Contributing to success in the publishing works by Ravneet Bajwa
|
|
|
 |
Self-publishing graphic novels online: A spotlight on Faith Erin Hicks by Brittany Melia
|
|
|
 |
The sustainability of free content: Learning from webcomics by Raphaël Plamondon
|
|
|
 |
Fanfiction and Copyright issues by Xiaofan Can
|
|
|
 |
From blog to blook by Jiaxin Yao
|
|
|
 |
Acquiring self-published material: Challenges and opportunities for libraries by Ellen O'Dair
|
|
|
