Photo taken at St. Philip's African Orthodox Church in Whitney Pier. Part of a larger network of churches that came to be in New York in the 1920s, originated by George Alexander McGuire from the belief that Black Episcopalians should have their own…
This catalogue provides the formal record of Bannister’s award-winning participation in the Centennial Exhibition. It is essential evidence of how his talent was recognized at a national level despite racial prejudice.
This report publicly acknowledges Bannister’s medal-winning success. It demonstrates how his recognition complicated racist assumptions about Black artistic capability on the national stage.
This early review documents one of Bannister’s first major public successes. It helps track how his reputation grew despite the racist skepticism circulating in white-led art circles early on.