The calm river scene shows Duncanson’s preferences for quiet, reflective landscapes. Its presence emphasizes his deeper engagement with Quebec’s natural environments during his time in Canada.
Depicting one of Quebec’s most iconic waterfalls, this painting demonstrates Duncanson’s skill in capturing motion and grandeur. It reinforces his significant and often under-recognized contributions to early Canadian visual culture.
This mountain vista reflects Duncanson’s interest in vast, unbroken natural spaces. It highlights how Black artists contributed to constructing the visual aesthetics of the Canadian wilderness.
This painting presents another Quebec lakeside, rendered with Duncanson’s talent in handling water and sky. It reinforces his very significant, yet often overlooked, contribution to the Canadian landscape tradition.
This mountainous view demonstrates Duncanson’s ability to balance a sense of grandeur with more quiet introspection. Its presence in the exhibit again asserts his role in mapping the visual identity of the Canadian East.
Now this is a section of a magazine that talks all about the films of Jennifer Hodge De Silva. It talks about her earliest time in the film field even starting in 1973 with her York Uni diploma. Then it talks about her time with the NFB and CBC and…
This is Roger McTair's documentary called Journey to Justice and it was released in the year 2000. It is about six huge names in Black Canadian history and highlights their stories with segregation, discrimination, racial profiling and more. This…