This advertisement documents Duncanson’s active exhibition presence in Montreal during the early 1860s. It provides crucial evidence of how Black artists circulated in Canadian art markets despite racial and institutional barriers.
This passage explains how deeply connected Africville families were, and how the community’s social structure operated in ways that official records could never fully capture. It describes the various forms of tight-knit relationships that held the…
This passage from Africville: The Life and Death of a Canadian Black Community, highlights how central the Seaview African United Baptist Church was to daily life in Africville. The church was not just a religious space, it was also a social,…
The photo shows the Women's Auxiliary part of the BSCP in Toronto. It was made up of the wives of Black railway porters, they played a big role in organizing meetings and keeping records. They also hosted events and held union activities when the…